50 Years In The Or

Ron Whitchurch wrote this wildly entertaining book to offer a firsthand look at what happens after patients are anesthetized and what challenges the staff face in keeping them healthy and safe.

In 1969, Andy Warhol launched Interview, an underground film journal that quickly transformed into an iconic symbol of New York City culture and style. The monthly's expansive conversations and irreverent approach opened doors to the intimate circles of society and became a launchpad for creative talents such as André Leon Talley and Fran Lebowitz. With a vibrant mix of rising celebrities including Madonna and Leonardo DiCaprio, alongside the legendary presence of Elizabeth Taylor and Steven Spielberg, the magazine became known as "The Crystal Ball of Pop." Now, fifty years since its inception, dive into the extraordinary archives of Interview and rediscover the columns, photography and voices that collectively tell the history of American culture decade by decade.

America's No. 1 sports almanac since its introduction 16 years ago, the Sports Illustrated Almanac has got it all covered, from football to fencing, hockey to handball, and everything in between. Spanning 864 pages, the Sports Illustrated Almanac features essays by top Sports Illustrated writers, all-time stats and records, and ticketing and venue information for pro baseball, basketball, football and hockey.

'Days of our Lives 50 Years' is an in-depth photographic journey of the longest-running scripted program in NBC's history. Beginning with rare black-and-white historical photos and including a wealth of full-color photos, this journey highlights iconic characters and beloved stories of Salem over 50 years.

New York, the city. New York, the magazine. A celebration. The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be—if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars “the Brat Pack,” and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation—from “foodie” to “normcore”—and spotted fresh talent before just about anyone. Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture—from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls—in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On “The Approval Matrix,” the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town.

Featuring personal, never-before-published photographs, fan memorabilia and anecdotes, captions from Pete, newly discovered gems from The Who archive, an introduction by legendary Who manager Bill Curbishley and further contributions from friends, colleagues and family, this landmark illustrated book celebrates 50 years of anthemic, era-defining music and an extraordinary career.

Oxford University is probably the best-known university on the planet. It is certainly the oldest in the English speaking world. Even though the United Kingdom is no longer the major power it once was, the University of Oxford remains in the top group of institutions in all the international league tables. The last fifty years have seen many changes but the quality of the institution endures. Just how this has been achieved is illustrated in this book by taking the personal view of one academic who completed a fifty year career at the University, most of it at a single College, rising from a freshman undergraduate to become finally head of the Department of Chemistry, the largest such department in the western world. The account will be of interest to visitors to Oxford and particularly to those who contemplate studying or researching at the University. It is a true home of scholars with some magnificent buildings, libraries, laboratories and even gardens: a place of which Britain can be proud, but an international asset not merely a local one.