A Day Late And A Dollar Short

“Without question, this is McMillan’s best. A glorious novel....A moving tapestry of familial love and redemption.”—The Washington Post With her hallmark exuberance and a cast of characters so sassy, resilient, and full of life that they breathe, dream, and shout right off the page, Terry McMillan has given us a tour-de-force novel of family, healing, and redemption. A Day Late and a Dollar Short takes us deep into the hearts, minds, and souls of America—and gives us six more friends we never want to leave.

The Price family--Viola, the matriarch; her sometimes-husband Cecil; and their four adult children--sticks together through life's most trying circumstances.

A continuation of the autobiography of the life and times of Spike Van Cleve born 7 Nov 1912 in Sweet Grass County, Montana from 1977 to his death in 1982. He married Barbara Knudson in 1934. He also writes about his father, family, and friends.

Successful, gorgeous, and beloved by everyone you know, the Underminer remembers your every foolish ambition and humiliating mistake-and never fails to remind you. The Underminer makes you feel suicidal. But the Underminer is your friend. Mike Albo and Virginia Heffernan do us all a public service by capturing the elusive evils of an age-old archetype. To understand and resist your toxic friend, you need The Underminer. Who is the Underminer? "An insincere, name-dropping predator with a rise so meteoric that you feel like crawling into your sad little apartment and eating gallons of ice cream right out of the carton while sniffling over reruns of old Bette Davis movies."-New York Times Book Review "A character that is so malicious, so insensitive and sadistic, that we can only gape horror-struck as every venomous phrase rolls off her tongue."-Rocky Mountain News "A psychological predator of the highest order. A viper cloaked in velvet. The Shaquille O'Neal of schadenfreude."-Boston Globe "An ego-skewering, passive-aggressive blowhard of indeterminate gender, surfing annoyingly along the breaking waves of pop and consumer culture-from dot-com to New Age, from hip-hop to a yurt in Afghanistan-always on top and armed with a put-down."-New York Times "The 'friend' who somehow manages to turn every compliment into an incredibly subtle insult, thus making you wonder whether you are truly the most neurotic person in all of Manhattan-or if your friend is just, well, evil."-New York Post

The New York Times bestselling finale to the Age of Madness trilogyfinds the world in an unstoppable revolution where heroes have nothing left to lose as darkness and destruction overtake everything. Chaos. Fury. Destruction. The Great Change is upon us . . . Some say that to change the world you must first burn it down. Now that belief will be tested in the crucible of revolution: the Breakers and Burners have seized the levers of power, the smoke of riots has replaced the smog of industry, and all must submit to the wisdom of crowds. With nothing left to lose, Citizen Brock is determined to become a new hero for the new age, while Citizeness Savine must turn her talents from profit to survival before she can claw her way to redemption. Orso will find that when the world is turned upside down, no one is lower than a monarch. And in the bloody North, Rikke and her fragile Protectorate are running out of allies . . . while Black Calder gathers his forces and plots his vengeance. The banks have fallen, the sun of the Union has been torn down, and in the darkness behind the scenes, the threads of the Weaver's ruthless plan are slowly being drawn together . . . "No one writes with the seismic scope or primal intensity of Joe Abercrombie." —Pierce Brown For more from Joe Abercrombie, check out: The Age of Madness A Little Hatred The Trouble With Peace The Wisdom of Crowds The First Law Trilogy The Blade Itself Before They Are Hanged Last Argument of Kings Best Served Cold The Heroes Red Country The Shattered Sea Trilogy Half a King Half a World Half a War

This book explores how climate institutions in industrialized countries work to further the recognition of social differences and integrate this understanding in climate policy making. With contributions from a range of expert scholars in the field, this volume investigates policy-making in climate institutions from the perspective of power as it relates to gender. It also considers other intersecting social factors at different levels of governance, from the global to the local level and extending into climate-relevant sectors. The authors argue that a focus on climate institutions is important since they not only develop strategies and policies, they also (re)produce power relations, promote specific norms and values, and distribute resources. The chapters throughout draw on examples from various institutions including national ministries, transport and waste management authorities, and local authorities, as well as the European Union and the UNFCCC regime. Overall, this book demonstrates how feminist institutionalist theory and intersectionality approaches can contribute to an increased understanding of power relations and social differences in climate policy-making and in climate-relevant sectors in industrialized states. In doing so, it highlights the challenges of path dependencies, but also reveals opportunities for advancing gender equality, equity, and social justice. Gender, Intersectionality and Climate Institutions in Industrialized States will be of great interest to students and scholars of climate politics, international relations, gender studies and policy studies. The Open Access version of this book, available at https://doi.org/10.4324/9781003052821, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

From the #1 New York Times bestselling author…“Remember Getting to Happy, Waiting to Exhale, and How Stella Got Her Groove Back? Well, you won’t likely forget Terry McMillan’s Who Asked You? either” (Raleigh News & Observer). Betty Jean already has her hands full when her grown daughter leaves her two young sons in her care. In between dealing with her other adult children, two opinionated sisters, an ill husband, and her own postponed dreams—BJ still manages to hold down a job delivering room service at a hotel. Her son Dexter is about to be paroled from prison; Quentin, the family success, can’t be bothered to lend a hand; and taking care of two lively grandsons is the last thing BJ thinks she needs. But who asked her?