A Fan S Notes

This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.

This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.

"Of his generation's metafictioneers, Fred Exley has created the richest and most American body of work .... LAST NOTES tells tales about corruption, confession, and the often terrible beauty of the bonds of love." - VILLAGE VOICE Frederick Exley, the splenetic and prodigiously self-destructive narrator and protagonist of A FAN'S NOTES and PAGES FROM A COLD ISLAND, is alive, if not exactly well. In this exhilarating, scalding new novel, Ex recounts his death watch for his older brother, his imprisonment by a nightmarish Irishman, and his sexual enthrallment to a beautiful flight attendant whose lies are even more inventive than his own. Searching compulsively for love and inevitably betraying it, lashing out at the country in which he is perpetually an alien, Exley remains one of the most riveting characters- and mesmerizing writers - in contemporary American fiction. "[Exley] can weave a number of seemingly unrelated incidents into a single, allusive narrative leading to an unexpected, usually prickly epiphany. His books seem like the loquacious meanderings of one of the more literary and entertainingly cynical, if often terrifyingly frank, guys one might meet in a neighborhood bar.... They reveal themselves as structurally complex, thoroughly imagined, consummate works of art." -BOSTON GLOBE

Ivy Pochoda's spellbinding and cinematic storytelling seamlessly fuses timeless magic to modern-day passion. Haunting and beautiful, The Art of Disappearing is an imaginative and captivating love story destined to enchant readers for years to come. How do you know if love is real or just an illusion? When Mel Snow meets the talented magician Toby Warring in a dusty roadside bar, she is instantly drawn to the brilliant performer whose hands can effortlessly pull stray saltshakers and poker chips from thin air and conjure castles out of the desert sands. Just two days later they are married, beginning their life together in the shadow of Las Vegas, where Toby hopes to make it big. Mel knows that magicians are a dime a dozen, but Toby is different—his magic is real. As Toby's renown grows and Mel falls more and more in love with his wonderments, she starts to realize that Toby's powers are as unstable as they are dazzling. She learns that he once made his assistant disappear completely, and couldn't bring her back. And then, just as Mel becomes convinced that his magic is dangerous, a trick goes terribly awry during his Strip debut. Exiled from the stage, Mel and Toby flee the lights of Las Vegas for the streets of Amsterdam where a cabal of old-time magicians, real magicians like Toby, try to rescue him from his despair. But he's haunted by the trick that failed, and obsessed with using his powers to right his mistakes, leaving Mel to wonder if the love they share is genuine or merely a fantasy, conjured up by a lost magician looking to save himself from being alone.

This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

"If you devoured Stranger Things on Netflix and you're looking to fill the demogorgon-sized hole in your life, then look no further than Notes from the Upside Down. This fan-tastic guide has every fact you could ever wish for--from insights into the origins of the show, including the mysterious Montauk Project conspiracy theory; a useful eighties playlist (because, of course); and much more."--Amazon.

A humorous, historical, and hirsute miscellany that's the baseball book Howard Zinn would have written, if he hated the Yankees.

A New York Times Best Seller A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus. And a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.