A Guest At The Feast

Named a Most Anticipated Book of 2023 by LitHub and The Millions! From one of the most engaging and brilliant writers of our time comes a “not to be missed” (LitHub) collection of eleven essays about growing up in Ireland during radical change; about cancer, priests, popes, homosexuality, and literature. “IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” The second essay in this seductive collection is a memoir about growing up in the 1950s and ’60s in the small town of Enniscorthy in County Wexford, the setting for many of Tóibín’s novels and stories, including Brooklyn, The Blackwater Lightship, and Nora Webster. Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. In Part Two, Tóibín profiles three complex and vexing popes—John Paul II, Benedict XVI, and Francis. And in Part Three, he writes about a trio of authors who reckon with religion in their fiction. The final essay, “Alone in Venice,” is a gorgeous account of Tóibín’s journey, at the height of the pandemic, to the beloved city where he has set some of his most dazzling scenes. The streets, canals, churches, and museums were empty. He had them to himself, an experience both haunting and exhilarating. “A tantalizing glimpse into Tóibín’s full fictional powers,” (The Sunday Times, London) A Guest at the Feast is both an intimate encounter with a supremely creative artist and a glorious celebration of writing.

From bestselling and Booker-nominated author Colm Tóibín comes a beautiful collection of essays ranging from personal memoir to brilliantly acute writing on religion, literature and politics. From the melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Tóibín delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction.The imprint of the written word on the private self, as Tóibín himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self.

"Kennedy is not only a romantic but an anarchist." —Anita Brookner Summer, 1947. A bizarre catastrophe rocks a seaside village in Cornwall when a cliff tumbles down on the Pendizack Manor Hotel. The hotel is obliterated, and seven guests are killed in the disaster. Everyone else makes a narrow escape. As the survivors tell their stories, the events of the previous week are revealed, and a parade of sins exposed. Gluttony, Lecherousness, Sloth, Pride, Covetousness, Envy and Wrath: all are in residence at Pendizack Manor, and as the day of the disaster creeps closer, it becomes clear that who’s spared and who’s lost might not be as arbitrary as first assumed. A modern upstairs-downstairs comedy with an old-fashioned morality play tucked away inside, The Feast is sly, kaleidoscopic, and utterly ingenious, a novel that only Margaret Kennedy could have written.

A story that would gather the Sins all under the roof of a Cornish seaside hotel managed by the unhappy wife of Sloth ... Among The Feast's entertaining cast of characters are a clergyman, a gaggle of adolescents and children, a quarter of lovers, and a clutch of frustrated husbands and wives - all serving Kennedy's dark and witty moral fable, which bears out the Biblical adage that many are called but only a very few chosen.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Stranger at the Feast is a pathbreaking ethnographic study of one of the world’s oldest and least-understood religious traditions. Based on long-term ethnographic research on the Zege peninsula in northern Ethiopia, the author tells the story of how people have understood large-scale religious change by following local transformations in hospitality, ritual prohibition, and feeding practices. Ethiopia has undergone radical upheaval in the transition from the imperial era of Haile Selassie to the modern secular state, but the secularization of the state has been met with the widespread revival of popular religious practice. For Orthodox Christians in Zege, everything that matters about religion comes back to how one eats and fasts with others. Boylston shows how practices of feeding and avoidance have remained central even as their meaning and purpose has dramatically changed: from a means of marking class distinctions within Orthodox society, to a marker of the difference between Orthodox Christians and other religions within the contemporary Ethiopian state.

This historically grounded examination of the dynamics of contemporary society in Vietnam, including cultural, political and economic dimensions, focuses on dynamic tensions both within society and among societal forces, the state, and global capital.