A History Of Italian Theatre

A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.

A history of the Italian-American operatic, dramatic, and comedic productions presented in the San Francisco Bay area through the Depression Era, with reminiscences of the leading players and impresarios of the time, reworked and re-edited by Mary A. Burgess from the Federal Writers Project production of 1939.

The Spectacle of Clouds examines the different ways Heaven has been conceived and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy’s visual culture.

"The essays in this collection are selected and revised versions of papers first presented at the conference 'Mapping Artistic Networks of Italian Theatre and Opera Across Europe, 1600-1800' held at the Freie Universität Berlin in 11-12 April 2019"--Page 21

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The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.