A Long Goodbye

"Anguished, beautifully written... The Long Goodbye is an elegiac depiction of drama as old as life." -- The New York Times Book Review From one of America's foremost young literary voices, a transcendent portrait of the unbearable anguish of grief and the enduring power of familial love. What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief-its monumental agony and microscopic intimacies-an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. O'Rourke's story is one of a life gone off the rails, of how watching her mother's illness-and separating from her husband-left her fundamentally altered. But it is also one of resilience, as she observes her family persevere even in the face of immeasurable loss. With lyricism and unswerving candor, The Long Goodbye conveys the fleeting moments of joy that make up a life, and the way memory can lead us out of the jagged darkness of loss. Effortlessly blending research and reflection, the personal and the universal, it is not only an exceptional memoir, but a necessary one.

Chronicles the Soviet Union's nine-year struggle to extricate itself from Afghanistan in the 1980s and compares it to the challenges the United States may face in withdrawing from the region.

"Thoroughly enjoyed the series. Couldn't put it down... which is why I've already finished reading the book on the day it was released." - Karl From USA Today Bestselling Author AR Shaw! Graham Morgan never set out to survive the apocalypse. He'd only meant to save his dog and those he'd come to love. But then tragedy strikes when the enemy makes a return and this time Graham says goodbye...once and for all.

Ronald Reagan’s daughter writes with a moving openness about losing her father to Alzheimer’s disease. The simplicity with which she reveals the intensity, the rush, the flow of her feelings encompasses all the surprises and complexities that ambush us when death gradually, unstoppably invades life. In The Long Goodbye, Patti Davis describes losing her father to Alzheimer’s disease, saying goodbye in stages, helpless against the onslaught of a disease that steals what is most precious–a person’s memory. “Alzheimer’s,” she writes, “snips away at the threads, a slow unraveling, a steady retreat; as a witness all you can do is watch, cry, and whisper a soft stream of goodbyes.” She writes of needing to be reunited at forty-two with her mother (“she had wept as much as I over our long, embittered war”), of regaining what they had spent decades demolishing; a truce was necessary to bring together a splintered family, a few weeks before her father released his letter telling the country and the world of his illness . . . The author delves into her memories to touch her father again, to hear his voice, to keep alive the years she had with him. She writes as if past and present were coming together, of her memories as a child, holding her father’ s hand, and as a young woman whose hand is being given away in marriage by her father . . . of her father teaching her to ride a bicycle, of the moment when he let her go and she went off on her own . . . of his teaching her the difference between a hawk and a buzzard . . . of the family summer vacations at a rented beach house–each of them tan, her father looking like the athlete he was, with a swimmer’s broad shoulders and lean torso. . . . She writes of how her father never resisted solitude, in fact was born for it, of that strange reserve that made people reach for him. . . . She recalls him sitting at his desk, writing, staring out the window . . . and she writes about the toll of the disease itself, the look in her father’s eyes, and her efforts to reel him back to her. Moving . . . honest . . . an illuminating portrait of grief, of a man, a disease, and a woman and her father. With a preface written by the author for the eBook edition.

Alzheimer's, the frightening disease of aging, is treated heroically in a touching book by a woman who left her important position as Assistant Secretary for Management at the U.S. Department of Treasury to care for her mother. After her mother's medical verdict of increasing memory loss was pronounced, Linda Combs resigned her executive post in Washington, D.C., and moved home to North Carolina.Her familiarity with Alzheimer's prompted Linda Combs to write her book, A Long Goodbye and Beyond, as a resource for other parental caregivers, like herself, who must assist a loved one to pass through the stages of unlovely deterioration.To this book of instruction, courage, kindness, sympathy and loyalty to the idea of a new life beyond, artist Tom Novak lends his marvelous illustrations, which are a tribute to brave souls who have the long loneliness of slow disintegration.

DigiCat Publishing presents to you this special edition of "Trouble is My Business" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Vastly entertaining and outright hilarious, Paul Murray’s debut heralds the arrival of a major new Irish talent. His protagonist is endearing and wildly witty–part P. G. Wodehouse’s Bertie Wooster, with a cantankerous dash of A Confederacy of Dunces’ Ignatius J. Reilly thrown in. With its rollicking plot and colorful characters, An Evening of Long Goodbyes is a delightful and erudite comedy of epic proportions. Charles Hythloday observes the world from the comfortable confines of Amaurot, his family estate, and doesn’t much care for what he sees. He prefers the black-and-white sanctum of classic cinema–especially anything starring the beautiful Gene Tierney–to the roiling and rumbling of twenty-first-century Dublin. At twenty-four, Charles aims to resurrect the lost lifestyle of the aristocratic country gentleman–contemplative walks, an ever-replenished drink, and afternoons filled with canapés as prepared by the Bosnian housekeeper, Mrs. P. But Charles’s cozy existence is about to face a serious shake-up. His sister, Bel, an aspiring actress and hopeless romantic, has brought to Amaurot her most recent–and to Charles’s mind, most ill-advised–boyfriend. Frank is hulking and round, and resembles nothing so much as a large dresser, probably a Swedish one. He bets on greyhounds and talks endlessly of brawls and pubs in an accent that brings tears to Charles’s eyes. And, most suspiciously, his entrance into the Hythlodays’ lives just happens to coincide with the disappearance of an ever-increasing number of household antiques and baubles. Soon, Charles and Bel discover that missing heirlooms are the least of their worries; they are simply not as rich as they have always believed. With the family fortune teetering in the balance, Charles must do something he swore he would never do: get a job. Booted into the mean streets of Dublin, he is as unprepared for real life as Frank would be for a cotillion. And it turns out that real life is a tad unprepared for Charles, as well.