A Modest Proposal On Method

The essays in A Modest Proposal on Method, three of which are new, further document failings in the study of religion but offers practical suggestions for reinventing the field.

Further documents methodological and institutional failings in the academic study of religion. This collection of essays--which includes three previously unpublished chapters--identifies the manner in which old problems (like the presumption that our object of study is a special, deeply meaningful case) yet remain in the field. But amidst the critique there are a variety of practical suggestions for how the science of religion can become methodologically even-handed and self-reflexive--the markings of a historically rigorous exercise.--Provided by publisher

"A Modest Proposal" by Jonathan Swift is a satirical masterpiece that employs biting wit and irony to address the pressing issue of poverty and overpopulation in 18th-century Ireland. Swift's proposal, presented in a straightforward and logical manner, suggests a shocking and absurd solution to the problem: the consumption of infants. As readers delve into this essay, they quickly realize that Swift's proposal is not to be taken seriously but is a scathing critique of British policies and their detrimental impact on Ireland. Swift adopts the persona of a rational economist to highlight the callousness of the British ruling class towards the impoverished Irish population. Swift's brilliant use of irony and satire forces readers to confront the harsh realities faced by the Irish under British rule. The essay serves as a scathing indictment of colonialism and the exploitation of the Irish people. "A Modest Proposal" is a timeless work of political satire that continues to be studied and admired for its sharp critique of social injustice. It challenges readers to think critically about the consequences of economic and political policies and the importance of empathy and compassion in addressing societal issues. Delve into the world of Swift's biting satire and discover the power of literature to provoke thought and ignite change. "A Modest Proposal" remains a compelling and thought-provoking piece that resonates with readers concerned with social justice and political commentary. ABOUT THE AUTHOR Jonathan Swift (1667-1745) was an Irish satirist, essayist, poet, and cleric, best known for his works that blend sharp wit with social commentary. Born in Dublin, Ireland, Swift is celebrated for his satirical writings, including "Gulliver's Travels," a biting critique of society and politics. Swift's writing style is characterized by his use of irony, humor, and allegory to criticize the shortcomings of the human condition and the follies of his era. "Gulliver's Travels" remains one of the most enduring and widely read satirical novels in English literature. In addition to his literary contributions, Swift was also a clergyman and served as Dean of St. Patrick's Cathedral in Dublin. His multifaceted career and his ability to use humor as a tool for social commentary have cemented his place as one of the foremost satirists in literary history. Swift's legacy lives on through his timeless works, which continue to be studied and enjoyed for their insightful and entertaining critiques of society.

As seen on the cover of New York Magazine, America's longest running advice columnist goes on the road to speak to women about hideous men and whether we need them. "Carroll's lively prose careens in constant pursuit of pleasure...indefatigably funny and full of life." –Lindsay Zoladz, The Ringer “Darkly humorous and deadly serious.” –Sibbie O'Sullivan, Washington Post “A compulsively interesting feminist memoir.” –Virginia Heffernan, Slate "Somehow hilarious, in the way that only E. Jean could have written it" –Leigh Haber, Oprah Magazine “Roving, curious, compassionate, whimsical.” –Megan Garber, The Atlantic When E. Jean Carroll—possibly the liveliest woman in the world and author of the “Ask E. Jean” advice column in Elle Magazine, realized that her eight million readers and question-writers all seemed to have one thing in common—problems caused by men—she hit the road. Crisscrossing the country with her blue-haired poodle, Lewis Carroll, E. Jean stopped in every town named after a woman between Eden, Vermont and Tallulah, Louisiana to ask women the crucial question: What Do We Need Men For? E. Jean gave her rollicking road trip a sly, stylish turn when she deepened the story, creating a list called “The Most Hideous Men of My Life,” and began to reflect on her own sometimes very dark history with the opposite sex. What advice would she have given to her past selves—as Miss Cheerleader USA and Miss Indiana University? Or as the fearless journalist, television host, and eventual advice columnist she became? E. Jean intertwines the stories of the fascinating people she meets on her road trip with her “horrible history with the male sex” (including mafia bosses, media titans, boyfriends, husbands, a serial killer, and a president), creating a decidedly dark yet hopeful, hilarious, and thrilling narrative. Her answer to the question What Do We Need Men For? will shock men and delight women.

This substantially revised second edition of The Routledge Handbook of Research Methods in the Study of Religion remains the only comprehensive survey in English of methods and methodology in the discipline. Designed for non-specialists and upper undergraduate-/graduate-level students, it discusses the range of methods currently available to stimulate interest in unfamiliar methods and enable students and scholars to evaluate methodological issues in research. The Handbook comprises 39 chapters – 21 of which are new, and the rest revised for this edition. A total of 56 contributors from 10 countries cover a broad range of topics divided into three clear parts: • Methodology • Methods • Techniques The first section addresses general methodological issues: including comparison, research design, research ethics, intersectionality, and theorizing/analysis. The second addresses specific methods: including advanced computational methods, autoethnography, computational text analysis, digital ethnography, discourse analysis, experiments, field research, grounded theory, interviewing, reading images, surveys, and videography. The final section addresses specific techniques: including coding, focus groups, photo elicitation, and survey experiments. Each chapter covers practical issues and challenges, theoretical bases, and their use in the study of religion/s, illustrated by case studies. The Routledge Handbook of Research Methods in the Study of Religion is essential reading for students and researchers in the study of religion/s, as well as for those in related disciplines.

Method as Identity considers how social identity shapes methodological standpoints. With a refreshing hip hop sensibility, Miller and Driscoll reorient the contemporary academic study of religion toward recognition of the costs and benefits of manufacturing “critical” distance from our objects of study.

This collection of essays provides an insight into the theoretical and methodological debates within the academic study of religion in Hanover and beyond over the last years.

Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.