Alexander Girard

An introduction to the classic drawings of late design legend Alexander Girard serves as a primer that helps young children build color-recognition skills.

This massive monograph on seminal designer Alexander Girard covers virtually every aspect of his distinctive career. One of the most prolific mid-20th century designers, Girard's work spanned many disciplines, including textile design, graphic design, typography, illustration, furniture design, interior design, product design, exhibit design, and architecture. Exhaustively researched and lovingly assembled by designer Todd Oldham, this tome is the definitive must-have book on Girard's oeuvre. Many of the designs featured here have never before been published. Oldham carefully went through the entire Girard archive to uncover many treasures as well as all of the most recognizable works by Girard. Girard is well known for his bold, colorful, and iconic textile designs for Herman Miller (1952-1975), which are extensively featured. These were often featured in conjunction with furniture designs by his contemporaries: Charles and Ray Eames, and George Nelson. His designs for La Fonda del Sol restaurant (1960) are an experiment with typography as a communication tool and large-scale environmental graphic. Textiles and Objects (1961) was a very influential New York store sponsored by Herman Miller that featured Girard's designs inspired by his travels and folk art collection. The Girard Foundation (1962) houses his own personal and extensive collection of folk art, textiles, toys, and objects from around the world. His complete environmental design for Braniff International Airways (1965) gave him the opportunity to work at all scales with color, graphics, textiles, and furniture design. He designed every aspect of the project himself, from the minute-sized sugar packets and the ticket counters to the graphic colors of the planes themselves. Alexander Girard's playful yet sophisticated designs continue to inspire new generations of artists and designers. The breadth and scope of his work is truly remarkable. This highly anticipated tome is the first major retrospective of this very accomplished and prolific designer, and has been painstakingly edited by renowned New York-based designer Todd Oldham.

When spontaneous student protests erupted in Hong Kong on 28 September 2014 as a reaction to proposed changes in the electoral process, the global media was rife with images not only of the protesters themselves, but also the myriad informal structures and designs they had created. Barricades, shelter and sculptures were constructed from everyday objects, the umbrellas that coined the movement?s name were used for protection from police enforcement. The exhibition presents this act of civil disobedience through the objects that were spawned by the movement, illustrating that design not only shapes and defines products, but can function as an agent of change in politics, communication and social innovation. 00Exhibition: Vitra Design Museum, Weil, Germany (12.03.2016-29.01.2017)

As head of Herman Miller's Textile Division since 1952, Alexander Girard designed colorful and exciting fabrics and other items. His work as an interior designer and architect and his remarkable textiles for Herman Miller make Girard one of the legendary designers of the 20th century. With over 400 mostly color photographs of textile and wallpaper designs, plus detailed text, a timeline, and an updated value guide, this book is a comprehensive view of Girard's work at Herman Miller.

In this lovely coloring book, young artists can create their own colorful originals using American designer Alexander Girard's black-and-white line images of creatures, faces, and places. Printed on white paper on one side only, each drawing is able to peel off and instantly stick up on the wall or refrigerator. The back cover shows Girard's original designs in full color.

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937?-53)-encompassing interior and industrial design, exhibition curation, and residential architecture-has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe. One exciting element of the book is the rediscovery of another Girard masterpiece-the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements-including the boldly colored glazed brick walls of the atrium-reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

A truly international treatment of its subject, The Spirit of Folk Art draws upon the vast resources of the Girard Collection, amassed by Alexander and Susan Girard and housed at the Museum of International Folk Art in Santa Fe. Distinguished folklorist and scholar Henry Glassie offers a vigorous and often lyrical discussion of the nature of folk art. More than 345 illustrations, including 285 in full color and 50 field photographs showing the various artists at work, provide a rich complement to Glassie's insights.

A gifted photographer, Ernest Knee came to Santa Fe in 1931, setting up a studio and befriending artists and photographers such as including Ansel Adams, Georgia O'Keeffe, and Laura Gilpin.