American Cinema Of The 1910s
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American Cinema of the 1910s
Author | : Charlie Keil,Ben Singer |
Publsiher | : Rutgers University Press |
Total Pages | : 298 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780813544458 |
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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
Film Serials and the American Cinema 1910 1940
Author | : Ilka Brasch |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Arts in general |
ISBN | : 9462986525 |
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This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature.
Flickers of Desire
Author | : Jennifer M. Bean |
Publsiher | : Rutgers University Press |
Total Pages | : 288 |
Release | : 2011-07-12 |
Genre | : Performing Arts |
ISBN | : 9780813550725 |
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Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.
American Cinema of the 1910s
Author | : Charlie Keil,Ben Singer |
Publsiher | : Rutgers University Press |
Total Pages | : 297 |
Release | : 2009-02-04 |
Genre | : Performing Arts |
ISBN | : 9780813546544 |
Download American Cinema of the 1910s Book in PDF, Epub and Kindle
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.
The Institutionalization of Educational Cinema
Author | : Marina Dahlquist,Joel Frykholm |
Publsiher | : Indiana University Press |
Total Pages | : 272 |
Release | : 2020-01-01 |
Genre | : Performing Arts |
ISBN | : 9780253045225 |
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The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions–such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.
American Cinema 1890 1909
Author | : André Gaudreault |
Publsiher | : Rutgers University Press |
Total Pages | : 290 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780813544434 |
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The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema."
Moving Pictures
Author | : Nancy Mowll Mathews,Charles Musser |
Publsiher | : Hudson Hills |
Total Pages | : 212 |
Release | : 2005 |
Genre | : Art |
ISBN | : 1555952283 |
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Explores the complex relationship between American art and the new medium of film.
American Cinema of the 1990s
Author | : Chris Holmlund |
Publsiher | : Rutgers University Press |
Total Pages | : 306 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780813543666 |
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Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless.