Anatolia

Authentic Turkish cuisine and food culture from the well-loved, Turkish-born Australian restaurateur, Somer Sivrioglu. Every dish tastes better when it comes with a good story. Anatolia, Adventures in Turkish eating is much more than a cookbook. It's a travel guide, narrative journey and richly illustrated exploration of a 4,000 year old cooking culture. Istanbul-born chef Somer Sivrioglu and food scholar David Dale reveal the fascinating tales, tricks and rituals that enliven the Turkish table. Here they profile the superstars of modern Turkish hospitality and reimagine recipes ranging from the grand banquets of the Ottoman empire to the spicy snacks of Istanbul's street stalls, from epic breakfasts on the eastern border to seafood mezes on the Aegean coastline. With more than 100 stories and recipes, including many suitable for vegetarians or vegans, this is the what, the where, the how and the why of eating the Turkish way.

Traces the history of civilization in ancient Asiatic Turkey; examines the ruins and artifacts of its Persian, Roman, Greek, and other cultural heritages; and describes recent archaeological finds

This study includes a revised model of the historical geography of Anatolia in the Old Assyrian Colony Period (c. 1969-1715 BC), that is based on topographical, archaeological, and written records. The book challenges traditional views of Anatolian geography by using arguments based on logistics, infrastructure, and the organization of trade to suggest a new interpretation focused on central markets, fluctuating prices, and interlocking regional systems of exchange. The historical implications of this revised geography for Old Assyrian and early Hittite history and Bronze Age archaeology are extensively discussed. The book contains translations and discussions of passages from hundreds of published and unpublished Old Assyrian texts and gives a comprehensive inventory of Anatolian toponyms, accompanied by numerous photographs and maps.

In his powerful new novel, Elia Kazan takes up the life of the young Greek from Anatolia whose early years he chronicled in his first and highly acclaimed novel, America America, giving us the story of a man caught between two worlds and fighting to make a place for himself within them. We enter the story of 1909. Stavros Topouzoglou—Joe Arness to his American friends—is meeting the freighter that has brought his family to America. This day marks the culmination of a lifetime of responsibility. Steeled by his harsh life, proud and resourceful, he has nonetheless been governed by the age-old rules of filial duty: putting aside his own needs and desires, he obediently took on the fulfillment of his father’s dream of safety and salvation for their family. For a decade he has worked to bring his family to America—an America that has hypnotized and motivated him with its promise of money and power and privilege. But as the family disembarks there is one person missing: his father is dead. Suddenly, Stavros is caught between two powerful and opposing influences. On one side is his family: seven brothers and sisters and his mother look to him for guidance, strength, and support, drawing him back into the ways and tenets of the “old” country. On the other side, the bright-seeming, golden possibilities of the “new” world of America, possibilities that Stavros has only glimpsed from afar, but that he has determined to attain. Stavros is not prepared for this clash of cultures, nor for the emotional turmoil it produces in him. He has always believed that through sheer will and energy he could achieve anything, but now even his ferocious, unswerving drive cannot sustain him. And so we see him dutifully assume the patriarchal position in the family, only to witness the foundation of family devotion, respect, and love broken down by the terrifying yet heady exigencies of this new life. We see Stavros passionately drawn to Althea Perry, imagining her to be a key to his acceptance into the society he yearns for, but finding instead that she is a constant reminder of the obstacles he must continually face and the sacrifices of pride he must be prepared to make. We see Stavros slowly ingratiating himself with Fernand Sarrafian—the man he most admires, the man with the kind of power Stavros wants for himself—only to learn that Sarrafian’s power is tainted with greed, deceit, and an almost total lack of humaneness. We see how often Stavros must invoke the words his father said to him as a boy: “If you don’t allow yourself to feel it, the shame does not exist.” We see him confronted by his brother—just returned from fighting for a Greater Greece—whose words to Stavros reverberate with both love and accusation: “I’m thinking of you at night. What you were once, what you are now . . . When we first came here, I was so proud of you . . . Now all you care about is how to make money.” And it is these words that finally force Stavros to acknowledge the devastating impurities in his dream of an American life, to see how completely he’s lost himself in his blind attempt to attain that dream. And he is compelled to devise a plan by which he can redeem not only himself, his family, and the memory of his father, but also—even if only in the smallest measure—the love for his homeland that he begins to feel with renewed fervor and empassioned dedication. In the story of Stavros, Elia Kazan not only gives us a vividly wrought picture of one man’s struggle to understand his dreams, but he reveals, as well, what it has meant for the immigrant to confront America, and, more importantly, what it has meant for him to confront himself in this seductive, yet often inimical, culture.

This title provides comprehensive overviews on archaeological philological, linguistic, and historical issues at the forefront of Anatolian scholarship in the 21st century.

Examines how people in the Roman past thought about even earlier ruins and material remains-it examines incidents that could be described as 'archaeology in antiquity'.

Bringing together expert voices and key case studies from well-known and newly excavated sites, this book calls attention to the importance of western Anatolia as a legitimate, local context in its own right. The study of Early Bronze Age cultures in Europe and the Mediterranean has been shaped by a focus on the Levant, Europe, and Mesopotamia. Geographically, western Anatolia lies in between these regions, yet it is often overlooked because it doesn't fit neatly into existing explanatory models of Bronze Age cultural development and decline. Instead, the tendency has been to describe western Anatolia as a bridge between east and west, a place where ideas are transmitted and cultural encounters among different groups occur. This narrative has foregrounded discussions of outside innovations in the prehistory of the region while diminishing the role of local, endogenous developments and individual agency. The contributors to this book offer a counternarrative, ascribing a local impetus for change rather than a metanarrative of cultural diffusion. In doing so, they offer fresh observations about the chronology and delineation of regional cultural groups in western Anatolia; the architecture, settlement, and sociopolitical organization of the Early Bronze Age; and the local characteristics of material culture assemblages. Offering multiple authoritative studies on the archaeology of western Anatolia, this book is an essential resource for area research in western Anatolia, a key reference for comparative studies, and essential reading for college courses in the archaeology and anthropology of sociopolitical complexity, European and Mediterranean prehistory, and ancient Anatolia.

This work critiques studies of the peoples of Anatolia that overestimate the importance of regional ethnic identities and explain cultural change via Hellenization, instead highlighting local forms of belonging and non-binary views of cultural dynamics.