Approaching Recent World History Through Film
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Approaching Recent World History Through Film
Author | : Scott C.M. Bailey |
Publsiher | : Routledge |
Total Pages | : 199 |
Release | : 2021-05-06 |
Genre | : History |
ISBN | : 9781000382907 |
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Approaching Recent World History Through Film: Context, Analysis, and Research explores the relationships between twentieth-century world history and film by providing analysis of a diverse range of films organized by global history topics, including war and conflict, decolonization, political economy, and long-distance travel. This insightful text describes how to analyze films as original historical sources and how to carry out research projects using films. The text provides guidance on the types of world history films, their conventions, and how to analyze the historical arguments in movies. Scott C.M. Bailey incorporates in-depth discussions of the historical content and context of a wide range of international films connected with important twentieth-century global history topics. The book also offers many prompts for discussion, historical timelines, and suggestions for further reading and viewing, as well as instructions on how to construct research papers and projects which employ the use of films as historical sources. This book will be of interest to students in world history and film history courses.
The New Film History
Author | : James Chapman,Mark Glancy,Sue Harper |
Publsiher | : Palgrave MacMillan |
Total Pages | : 280 |
Release | : 2007-04-25 |
Genre | : History |
ISBN | : UOM:39015064948907 |
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The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Designed for use on courses in film history, The New Film History offers readers an overview of key areas of research, including reception studies, genre, authorship and the historical film, together with detailed case studies centred on well-known American, Australian, British and European films. With contributions from fifteen leading film historians, this is the first major overview of the field of film history to be published in twenty years.
A World History of Film
Author | : Robert Sklar |
Publsiher | : Prentice Hall Art History |
Total Pages | : 600 |
Release | : 2002-01 |
Genre | : Motion pictures |
ISBN | : 0810906066 |
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'A World History of Film' presents the entire history of motion pictures, from pre-cinema to the present. Providing a complete analysis of the principal films, directors, and national cinemas, it supplies a thorough grounding in the social, economic, and political circumstances critical to an understanding of film as both art and industry. In a highly readable narrative, Robert Sklar, one of the field's most eminent scholars, covers all significant periods and styles -- not only commercial films and classical Hollywood cinema but also animation, documentaries, international art cinema, and the cinematic avant-garde. With emphasis on the international relationships among film communities, chapters are devoted to such critical nodes of film history as early cinema, Soviet silent cinema, Hollywood genres, Italian neorealism, and the French New Wave. Substantial sections are also devoted to the films of Eastern Europe, Latin America, Japan, China, Africa, the Middle East, and India. Informative sidebars complement the main text, and cross-cultural timelines introduce the book's seven main parts.
Making History Move
Author | : Kim Nelson |
Publsiher | : Rutgers University Press |
Total Pages | : 177 |
Release | : 2024-03-15 |
Genre | : Performing Arts |
ISBN | : 9781978829794 |
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Making History Move: Five Principles of the Historical Film consolidates decades of scholarship investigating history in visual culture in the fields of film and media, cultural studies, and history. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness in a systematic way, presenting criteria for engaging and assessing the truth status of depictions of the past. Its chapters offer a detailed methodology for analyzing history in moving images for the digital age, proposing five principles of analysis to organize past and future scholarship in this vital, interdisciplinary field of study. Including films such as The Birth of a Nation, Gone with the Wind, Lawrence of Arabia, and Saving Private Ryan the book sets the stage to examine the most influential form of history with the most significant impact on public perceptions of the past.
Russia and Japan in the Sea of Okhotsk
Author | : Scott C.M. Bailey |
Publsiher | : Taylor & Francis |
Total Pages | : 165 |
Release | : 2023-12-01 |
Genre | : History |
ISBN | : 9781003818762 |
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Bailey describes how the Sea of Okhotsk area became integrated into a world system of economic and cultural ties between the seventeenth and nineteenth centuries. This happened primarily because of maritime explorations, travel, and trade, which led to increased connections with both Russia and Japan. Individual chapters of the book provide analyses of historical sources which describe cross-cultural encounters and changes in the Sea of Okhotsk area. This includes analyses of explorers and travelers who traversed the region for commerce, exploration, diplomacy, and possible colonization. Historical sources are explored from the different perspectives of Russians, Japanese, Indigenous peoples, and international observers from Western countries. Cross-cultural encounters in the region among these groups led to collaboration, syncretism, and resistance, sometimes violent and sometimes peaceful. The last chapter discusses how some international travelers and foreign residents of Hokkaidō described the area at the end of the nineteenth century. Their perspectives confirm that Hokkaidō had become a fully colonized space. An essential resource for students and scholars of cross-cultural studies, Russian history, Japanese history, and Ainu and Indigenous history.
Visions of the Past
Author | : Robert A. Rosenstone |
Publsiher | : Harvard University Press |
Total Pages | : 292 |
Release | : 1998-08-04 |
Genre | : History |
ISBN | : 9780674266834 |
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Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
Explorations in New Cinema History
Author | : Richard Maltby,Daniel Biltereyst,Philippe Meers |
Publsiher | : John Wiley & Sons |
Total Pages | : 352 |
Release | : 2011-03-16 |
Genre | : Performing Arts |
ISBN | : 9781444396409 |
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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema
The New Film History
Author | : J. Chapman,M. Glancy,S. Harper |
Publsiher | : Springer |
Total Pages | : 256 |
Release | : 2007-04-25 |
Genre | : Performing Arts |
ISBN | : 9780230206229 |
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The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films.