Art Studio Secrets

Art Studio Secrets
Author: Marjorie Sarnat
Publsiher: Courier Dover Publications
Total Pages: 192
Release: 2018-12-19
Genre: Art
ISBN: 9780486836232

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Outstanding refresher course in creative thinking presents more than 300 methods and techniques for helping artists find a new angle for an existing style or get past a creative block.

Secrets to Drawing Realistic Faces

Secrets to Drawing Realistic Faces
Author: Carrie Stuart Parks
Publsiher: Penguin
Total Pages: 144
Release: 2002-12-31
Genre: Art
ISBN: 9781600614958

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Draw amazingly accurate portraits starting today! Even if you're an absolute beginner, you can render strikingly realistic faces and self-portraits! Instructor and FBI-trained artist Carrie Stuart Parks makes it simple with foolproof step-by-step instructions that are fun and easy to follow. You'll quickly begin to: • Master proportions and map facial features accurately • Study shapes within a composition and draw them realistically • Use value, light and shading to add life and depth to any portrait • Render tricky details, including eyes, noses, mouths and hair Proven, hands-on exercises and before-and-after examples from Parks' students ensure instant success! It's all the guidance and inspiration you need to draw realistic faces with precision, confidence and style!

Inside Acrylics

Inside Acrylics
Author: Phil Garrett
Publsiher: North Light Books
Total Pages: 128
Release: 2019-02-22
Genre: Art
ISBN: 1440355045

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An artist-to-artist guide to acrylics today! Acrylics are an astoundingly versatile medium, as evidenced by the diversity of work emerging from studios around the country. This book takes you inside the studios and creative minds of 9 of today's top acrylic artists as they share favorite techniques, distinctive approaches, and examples of their best work. Packed with expert advice, Inside Acrylics will help beginning and intermediate artists make the most of both traditional acrylics and their new, slow-drying cousins. Real-world advice from 9 top acrylic artists, from the way they organize their palettes to tried and true strategies for painting in the studio, painting portraits, and painting outdoors. 18 step-by-step demonstrations of favorite techniques. How to use acrylic paints, gels and mediums to achieve the look of oil paints, innovations in mixed media, and effects not achievable with any other medium. Advice on everything from materials and color theory to varnishing and care of finished work. Inside Acrylics contains years of hands-on experience to help up-and-coming artists make sense of all the options, save trial-and-error time, and explore the exciting possibilities of this most remarkable medium.

The Painted Apron

The Painted Apron
Author: Jenna Meon
Publsiher: Unknown
Total Pages: 135
Release: 2019-04-29
Genre: Electronic Book
ISBN: 0368697959

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This book shows how to make everyday a celebration with art, beautiful tables and fabulous, yet easy food

The Secret Art of Dr Seuss

The Secret Art of Dr  Seuss
Author: Audrey Geisel
Publsiher: Random House
Total Pages: 100
Release: 1995-10-03
Genre: Art
ISBN: 9780679434481

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These fabulous, whimsical paintings, created for his own pleasure and never shown to the public, show Geisel (a.k.a. Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.

The Art of The Secret World of Arrietty

The Art of The Secret World of Arrietty
Author: Hiromasa Yonebayashi
Publsiher: VIZ Media LLC
Total Pages: 0
Release: 2018-03-06
Genre: Performing Arts
ISBN: 197470033X

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The latest Ghibli masterpiece of the imagination, brought to life with sketches and stills from Arrietty. Co-founded by the legendary filmmaker Hayao Miyazaki, Studio Ghibli films have enthralled and enchanted audiences across the world. The Art of series gives fans the opportunity to follow their favorite film from initial concept to the silver screen, thanks to hundreds of sketches, concept drawings, and animation cels, plus in-depth interviews with the creators.

The Artist s Garden

The Artist s Garden
Author: Jackie Bennett
Publsiher: White Lion Publishing
Total Pages: 227
Release: 2019-10-29
Genre: Gardening
ISBN: 9781781318744

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The Artist’s Garden will feature up to 20 gardens that have inspired and been home to some of the greatest painters of history. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas.

Studio Secrets

Studio Secrets
Author: Frederic Taubes
Publsiher: Read Books Ltd
Total Pages: 156
Release: 2013-04-16
Genre: Biography & Autobiography
ISBN: 9781473389823

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FOREWORD: Were there paints used by the old masters better than ours today And were their methods superior Is turpentine a good painting medium Why do some paintings darken, discolor, or crack with age, while others do not What varnish should I use to restore the brilliancy of a painting which has grown dull Which is better, a sable or a bristle brush These are typical of hundreds of questions which painters and stu dents all over the land are constantly asking. Particularly since I started my Question and Answer Department in the Taubes Page, in the magazine AMERICAN ARTIST, have come to realize what a strong interest exists today in all such technical matters. This was not always so. In fact, this present keen attention to sound craftsmanship in painting is most gratifying to those of us who have long worked toward this very goal. For far too lengthy a period we might even say for scores of years many painters were so immersed in the purely aesthetic aspects of their art that they neglected those equally important technical phases which must always be observed if results are to be enduring. A gradual awakening has taken place only as one horrible example after another of fading, darkening, discoloration, cracking, or like type of failure has come to the fore. Even in the recent past there have been those who have treated craftsmanship so lightly that their paintings have already badly dete riorated or are doomed to an early demise. Small wonder, then, that more and more contemporary painters, profiting from all this, are turn ing to the investigation of the chemical and physical nature and action of pigments the respective functions of oils, varnishes and other me dia the preparation of grounds the possibilities of underpainting, etc.My personal feeling has always been that if a painting is worth do ing at all, it is worth doing well And by well I mean not only aes thetically well, but technically well. At the very outset of my career I was so impressed by the needless deterioration of thousands of paintings that the mastery of craftsmanship became a consuming passion. By good fortune, I was able to indulge this passion by studying at first hand the works of those leading exponents of sound craftsmanship, the old masters. In Paris, in Italy, in Vienna, in the Bauhaus in Weimar, under the famous Doerner in Munich, for years I was able to gratify my inquisitiveness along technical lines. One by one I inspected the great masterpieces of old. I compared I analysed I investigated I asked questions I read assiduously everything I could lay my hands on. And gradually I arrived at a conviction which decades of subsequent paint ing and teaching have served only to strengthen, that a regeneration of art will be possible only when painters cease to look on technical matters as superficial and return to the sound basic principles long ago established by the old masters.