Atlas De Centros Hist Ricos Do Brasil

"This engaging book explores how and why debates over Rio's historic sites, landmarks, and landscapes have influenced both the city and Brazil as a whole. Brian Godfrey shows how Rio's sense of place has been defined by historic rebranding, arguing that the world has much to learn from Rio about preserving cultural diversity and urban environments"--

Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods. An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.

The sixth book of "Latin America: Thoughts" collection, with foreword by Abilio Guerra and afterword by Paulo Bruna, brings André Marques' research on the work of architect João Filgueiras Lima, Lelé, in its aspects of technology and interaction with the environment. The author also establishes relationships between Lelé's design strategies with those of the French builder Jean Prouvé and the Austrian architect Richard Neutra.

The book is about the approximately 300 years of the Brazilian colonial period, from the arrival of the first Portuguese navigators to the expansion of the country’s borders beyond what was defined by the Treaty of Tordesillas. As a language resource, the drawings of Vallandro Keating and the text of the journalist and historian Ricardo Maranhão complement each other, providing an unexpected perspective of the space and new angles of vision for old maps and representations, stimulating the reflection about embedded intellectual positions established by the traditional historiography.