Black Yei Way

Domestic terrorists are attacking people in uniform, in the Four Corners area of southern Colorado. The group of misfits target anyone not elected by the people, but that is just an excuse to commit murder and make a name for themselves. Robert Begay, concerned with the events, only wishes to live a simple life on his ranch. Then the terrorists attack a Colorado Highway patrolman, and incur the wrath of Robert, Navajo war veteran and undercover government agent, who was in the police car with the cop, an old friend. Involved against his wishes, and vowing to stop the terrorists, Robert, a seasoned Army officer, enlists the aid of a National Guard group, which includes his Airborne-trained younger brother, on summer maneuvers nearby. Then he and his lifelong friend and fellow veteran, chase the criminals into the lands of prehistoric Indians, in the canyons of the high desert. Drawing on his alto ego, the Navajo hero-god, Monster-Slayer, and using his experiences in Vietnam, Robert duels with the modern day monsters, while fighting the inner demons haunting him since his wounding in a white man's war.

In TROGONS, Robert Begay, Navajo war veteran and undercover government agent, reluctantly joins Special Agents investigating drug deaths in Phoenix. A huge cat claw is carved into the backs of the Native and Hispanic victims, hinting at a sinister plot involving very important people. Kidnapped and taken to the Barranca del Cobre in Mexico, Robert finds the answers to what no one has told him. SONS OF THUNDER finds Robert and his brother Tommy drawn into organized crime threatening Native artisans on the Reservation. A mob assassin is ordered to make examples of the Begays. Instead, the Begays relentlessly track the big-city mobsters, while Robert battles his Post-Traumatic Shock, too tired of death to keep the voices quiet. Tom Begay learns of his heritage in BORN-FOR-WATER, when Robert fights vicious criminals returned to the Reservation for revenge. Desperate to save his wife and unborn son, Robert confronts the men. An old friend returns and beckons Tom to join him in the search for the killers. The chase takes them to the Mexican border where Tom finds his inner form, the Twin Son of Changing Woman, Born-for-Water, brother to Monster-Slayer.

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

Musaicum Books presents to you this unique and meticulously edited sea adventure collection: Content: Captain Charles Johnson: The History of Pirates R. L. Stevenson: Treasure Island Jack London: The Sea Wolf The Mutiny of the Elsinore A Son of the Sun Daniel Defoe: Robinson Crusoe Captain Singleton Tobias Smollett: The Adventures of Roderick Random Walter Scott: The Pirate Frederick Marryat: Mr. Midshipman Easy Masterman Ready; Or, The Wreck of the "Pacific" Edgar Allan Poe: The Narrative of Arthur Gordon Pym of Nantucket James Fenimore Cooper: The Pilot: A Tale of the Sea The Red Rover Afloat and Ashore: A Sea Tale Miles Wallingford Homeward Bound; Or, The Chase: A Tale of the Sea Thomas Mayne Reid: The Ocean Waifs: A Story of Adventure on Land and Sea Victor Hugo: Toilers of the Sea Herman Melville: Redburn White-Jacket Moby Dick Benito Cereno R. M. Ballantyne: The Coral Island: A Tale of the Pacific Ocean Fighting the Whales Jules Verne: The Voyages and Adventures of Captain Hatteras In Search of the Castaways; Or, The Children of Captain Grant 20 000 Leagues under the Sea Dick Sand: A Captain at Fifteen An Antarctic Mystery L. Frank Baum: Sam Steele's Adventures on Land and Sea Randall Parrish: Wolves of the Sea Charles Boardman Hawes: The Dark Frigate The Mutineers Joseph Conrad: The Nigger of the 'Narcissus' Lord Jim Typhoon The Shadow Line The Arrow of Gold Rudyard Kipling: Captains Courageous Ralph Henry Barbour: The Adventure Club Afloat Rafael Sabatini: Captain Blood The Sea-Hawk Jeffery Farnol: Black Bartlemy's Treasure Martin Conisby's Vengeance Henry De Vere Stacpoole: The Blue Lagoon The Garden of God

Delaney's hero is a West Indian slave who travels throughout the South advocating revolution, and later becomes the general of a black insurrectory fore in Cuba. Blake hopes that, with rebellion in Cuba and the expulsion of all Americans, Cuba's model as a self-governed black state will ultimately precipitate the downfall of slavery in the United States. Focusing on the political and social issues of the 1850s – slavery as an institution, Cuba as the prime interest of Southern expansionists, the practicality of militant slave revolution, and the possibilities of collective action – Blake is one of the most revealing novels of its period.

Rich compilation of Navaho origin and creation myths, recorded directly from a tribal elder: "The Creation of the Sun and Moon," "The Maiden who Became a Bear," and many more.

New edition of Delany's classic pre US Civil war slavery tale which follows an escaped slave who tries to ignite insurrection against the de-humanizing institutions of depravation. New edition with a new introduction. Delany's tale of Blake, an escaped slave in the era before the US Civil War, depicts the harrowing detail of life under slavery and offers a call to action for resistance. Casting beyond the misery of slavery, Delany's novel, located in the Southern United States and Cuba, demonstrates that alternatives are possible if only widespread insurrection could be ignited. A new title in the Foundations of Black Science Fiction series. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and robots, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales, ancient and modern gathered specifically for the reader of the fantastic. The Foundations titles also explore the roots of modern fiction and brings together neglected works which deserve a wider readership as part of a series of classic, essential books.