Blood Memory

Memoir by the American choreographer who was a pioneer in modern dance.

From the author of the New York Times bestselling Natchez Burning trilogy and the Penn Cage series, and hailed by Dan Brown (The Da Vinci Code) for his “utterly consuming” suspense fiction, Greg Iles melds forensic detail with penetrating insight in this novel that delves in the heart of a killer in a Mississippi town. Some memories live deep in the soul, indelible and dangerous, waiting to be resurrected… Forensic dentist “Cat” Ferry is suspended from an FBI task force when the world-class expert is inexplicably stricken with panic attacks and blackouts while investigating a chain of brutal murders. Returning to her Mississippi hometown, Cat finds herself battling with alcohol, plagued by nightmares, and entangled with a married detective. Then, in her childhood bedroom, some spilled chemicals reveal two bloody footprints…and the trauma of her father’s murder years earlier comes flooding back. Facing the secrets of her past, Cat races to connect them to a killer’s present-day violence. But what emerges is the frightening possibility that Cat herself might have blood on her hands… “As Southern Gothic as it gets” (Kirkus Reviews), Greg Iles’s Blood Memory “will have readers turning pages at a breakneck pace” (New Orleans Times-Picayune).

Martha Graham, dancer, choreographer, & teacher, has been called the most important & influential American artist ever born. From her birth in 1894 to her death in 1991, she remained an uncompromising individualist who sought nothing less than to map the mysterious landscape of the human soul. This book is Graham's own account of her life & career. Contains portraits of artists & innovators she has worked with: Louise Brooks, Helen Keller, Aaron Copland, Isamu Noguchi, plus students: Gregory Peck, Bette Davis, Rudolf Nureyev, Margot Fonteyn, Mikhail Baryshnikov, Liza Minnelli, & Madonna. More than 100 photos.

Investigative reporter Catherine McLeod is covering a claim filed by the Arapaho and Cheyenne tribes for twenty-seven million acres of their ancestral lands. Her relentless pursuit of the truth will make her the target of a killer?and plunge her into a conspiracy that leads into the past, the founding of Denver, and her own heritage.

A Globe and Mail Top 100 Book of the Year A Quill & Quire Book of the Year A CBC Books Nonfiction Book of the Year A Maclean’s 20 Books You Need to Read this Winter “An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity and love.” —Cherie Dimaline In this bestselling memoir, a son who grew up away from his Indigenous culture takes his Cree father on a trip to the family trapline and finds that revisiting the past not only heals old wounds but creates a new future The son of a Cree father and a white mother, David A. Robertson grew up with virtually no awareness of his Indigenous roots. His father, Dulas—or Don, as he became known—lived on the trapline in the bush in Manitoba, only to be transplanted permanently to a house on the reserve, where he couldn’t speak his language, Swampy Cree, in school with his friends unless in secret. David’s mother, Beverly, grew up in a small Manitoba town that had no Indigenous people until Don arrived as the new United Church minister. They married and had three sons, whom they raised unconnected to their Indigenous history. David grew up without his father’s teachings or any knowledge of his early experiences. All he had was “blood memory”: the pieces of his identity ingrained in the fabric of his DNA, pieces that he has spent a lifetime putting together. It has been the journey of a young man becoming closer to who he is, who his father is and who they are together, culminating in a trip back to the trapline to reclaim their connection to the land. Black Water is a memoir about intergenerational trauma and healing, about connection and about how Don’s life informed David’s own. Facing up to a story nearly erased by the designs of history, father and son journey together back to the trapline at Black Water and through the past to create a new future.

In this literary novel set in nineteenth-century Texas, a Tejana lesbian cowgirl embarks on an adventure after the fall of the Alamo. Micaela Campos witnesses the violence against Mexicans, African Americans, and indigenous peoples after the infamous battles of the Alamo and of San Jacinto, both in 1836. Resisting an easy opposition between good versus evil and brown versus white characters, the novel also features Micaela’s Mexican-Anglo cousin who assists and hinders her progress. Micaela’s travels give us a new portrayal of the American West, populated by people of mixed races who are vexed by the collision of cultures and politics. Ultimately, Micaela’s journey and her romance with a Black/American Indian woman teach her that there are no easy solutions to the injustices that birthed the Texas Republic . . . This novel is an intervention in queer history and fiction with its love story between two women of color in mid-nineteenth-century Texas. Pérez also shows how a colonial past still haunts our nation’s imagination. The battles of the Alamo and San Jacinto offered freedom and liberty to Texans, but what is often erased from the story is that common people who were Mexican, Indian, and Black did not necessarily benefit from the influx of so many Anglo immigrants to Texas. The social themes and identity issues that Pérez explores—political climate, debates over immigration, and historical revision of the American West—are current today. “Pérez’s sparse, clean writing style is a blend of Cormac McCarthy, Carson McCullers, and Annie Proulx. This makes for a quick and engrossing reading experience as the narrative has a fluid quality about it.” —Alicia Gaspar de Alba, professor and chair of Chicana and Chicano Studies, University of California, Los Angeles, and author of Sor Juana’s Second Dream “Riveting . . . Emma Pérez captures well the violence and the chaos of the southwest borderlands during the time of territorial and international disputes in the 1800s. . . . Perez vividly depicts the conflicts between nations with the authority of a historian and with language belonging to a poet. A fine, fine read.” —Helena Maria Viramontes, author of Their Dogs Came with Them “Pérez’s new novel . . . Powerfully presents a revenge tale from an unusual point of view, that of a displaced Chicana in 1836 Texas. . . . The writing is sharp and clever. The dialogue is realistic.” —Lambda Literary, Lambda Award Finalist “Filled with lush beauty, harshness, and horrifying brutality, this is one of those books in which you just KNOW what’s going to happen at the end—but you’re wrong.” —The Gay & Lesbian Review

When Candace Savage and her partner buy a house in the romantic little town of Eastend, she has no idea what awaits her. At first she enjoys exploring the area around their new home, including the boyhood haunts of the celebrated American writer Wallace Stegner, the backroads of the Cypress Hills, the dinosaur skeletons at the T. Rex Discovery Centre, the fossils to be found in the dust-dry hills. She also revels in her encounters with the wild inhabitants of this mysterious land -- two coyotes in a ditch at night, their eyes glinting in the dark; a deer at the window; a cougar pussy-footing it through a gully a few minutes' walk from town. But as Savage explores further, she uncovers a darker reality -- a story of cruelty and survival set in the still-recent past -- and finds that she must reassess the story she grew up with as the daughter, granddaughter, and great-granddaughter of prairie homesteaders.