Blue In Green

"Struggling musician Erik Dieter returns home for his mother's funeral and, under strange circumstances, finds a photograph of a late sixties jazz musician. The search for this musican's identity will soon become an obsession that will take Erik down the spiralling depths of his ambitions--a journey that will erode his faith in reality, forcing him to confront the horrors of his own great expectations."--Page [4] of cover.

""Blue in Green"is a book that is equal parts subtle intelligence and generosity of heart. In it, Chiyuma Elliott creates a unique voice that returns again and again to the question of what we expect from one another, and how that question is transformed instead into a question of what we owe each other. This notion of reversal plays out in the construction of the poems where, unlike so many of her contemporaries who come to poetry through prose techniques, Elliott's voice emerges through a complex shifting of phrase and syntax between lines or in mid-phrase. We don't, for example, get a straight-forward story of what caused the trauma of, say, cancer or abuse; rather, we hear impressions, half-formed ideas that rise and fall in the speaker's voice as it moves through the nature of the trauma, and experience the effects of the disorder that is the center of our everyday relationships through speech. Put another way: when a crisis overshadows the ordinary, disrupting the collective labor that we pursue together in love, friendship, and work, the hardship itself, in a kind of role-reversal, becomes a collaborator, necessitating new conceptions of relationships and proposing new modes of engagement, different rules of exchange. The book's forms also reflect this transformed idea of reciprocity: ekphrastic poems, normally reserved for visual artworks, instead describe modern jazz songs (including the title poem); letters and letter fragments are written to no one in particular, to the planet, to the universe; and highly allusive free verse poems defy convention with troubled, wildly variable line lengths. The phrase "When I was a wave" recurs throughout the book in unpredictable places, sometimes as a title, sometimes in the middle of a poem, each time telling a different story about expectation, intimacy, and the risk inherent in any relationship. "Blue in Green" is a graceful, tough-minded, beautifully crafted collection, full of wit and elegance"--

Poems that address interpersonal connections while navigating life and care amid disease and disaster. Collaboration runs through the heart of this collection. Human relationships—particularly in families—shape the poems in Blue in Green, as they consider how the question of what we expect from one another evolves into a question of what we owe. When cancer overshadows the ordinary—engrossing the labor of love, work, and friendship—disease becomes a collaborator and proposes new rules of exchange. The forms of Elliott’s works highlight reciprocity. Here you’ll find ekphrastic poems that describe modern jazz songs, letters and letter fragments, and free verse poems in wildly variable line lengths. “When I was a wave,” the speaker repeats, each time telling a different story about intimacy and risk. Blue in Green moves through the struggle of processing the damaging interpersonal reverberations of racism, sexism, and environmental damage, while navigating intertwined personal and political incarnations of care. While a slow-growing disease burns its way through the speaker’s body, these poems reveal the feeling of perpetually existing in the shadow of catastrophe and document the slow and strange process of coming to terms with that way of living.

The dark and haunting portrayal of a young musician’s pursuit of creative genius—the monstrous nature of which threatens to consume him as it did his predecessor half a century ago. From creators RAM V (Grafity’s Wall, These Savage Shores) and ANAND RK (Grafity’s Wall), BLUE IN GREEN is an exploration of ambitions, expectations, and the horrific depths of their spiraling pursuit.

(Fake Book). Miles Davis gave the jazz world innumerable musical innovations and his supporting musicians provided a virtual who's who of the modern jazz era. This updated Real Book featuring Miles' music contains highly accurate, easy-to-read, musician-friendly lead sheets for 70 of his most famous original compositions: All Blues * Bitches Brew * Blue in Green * Boplicity (Be Bop Lives) * Budo * Eighty One * Flamenco Sketches * Four * Freddie Freeloader * Half Nelson * Miles * Milestones * Nardis * The Serpent's Tooth * Seven Steps to Heaven * Sippin' at Bells * So What * Solar * Somethin' Else * The Theme * Tune Up * Vierd Blues * What It Is * and dozens more top tunes. Essential for every jazz fan! Looking for a particular song? Check out the Real Book Songfinder here.

How an alliance of the labor and environmental movements used law as a tool to clean up the trucking industry at the nation's largest port. In Blue and Green, Scott Cummings examines a campaign by the labor and environmental movements to transform trucking at America's largest port in Los Angeles. Tracing the history of struggle in an industry at the epicenter of the global supply chain, Cummings shows how an unprecedented “blue-green” alliance mobilized to improve working conditions for low-income drivers and air quality in nearby communities. The campaign for “clean trucks,” Cummings argues, teaches much about how social movements can use law to challenge inequality in a global era. Cummings shows how federal deregulation created interrelated economic and environmental problems at the port and how the campaign fought back by mobilizing law at the local level. He documents three critical stages: initial success in passing landmark legislation requiring port trucking companies to convert trucks from dirty to clean and drivers from contractors to employees with full labor rights; campaign decline after industry litigation blocked employee conversion; and campaign resurgence through an innovative legal approach to driver misclassification that realized a central labor movement goal—unionizing port truckers. Appraising the campaign, Cummings analyzes the tradeoffs of using alternative legal frameworks to promote labor organizing, and explores lessons for building movements to regulate low-wage work in the “gig” economy. He shows how law can bind coalitions together and split them apart, and concludes that the fight for legal reform never ends, but rather takes different turns on the long road to justice.

For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.

A "debut novel about a young Afghan orphan and the harrowing, intractable nature of war"--Amazon.com.