Builders Housewives And The Construction Of Modern Athens

Sprawling beneath the acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. A Mediterranean version of "informal" urbanism prevalent throughout the so-called developing world, 'Builders, Housewives and the Construction of Modern Athens' reassesses the explosive growth of post-war Athens through its most distinctive building type, the polykatoikia, a small-scale multi-storey apartment block (from poly meaning "multiple" and oikos meaning "house"). Theocharopoulou re-evaluates the polykatoikia as a low-tech, easily constructible innovation that stimulated the post-war urban economy, triggering the city's social mid-twentieth century transformation, enabling the migrants who poured into Athens to become urban citizens, aspiring to a modern life. The interiors of the polykatoikia apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikia interiors, enabling inhabitants to exert agency over their daily lives - and the shape of the post-war city. Theocharopoulou's reading draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon and, in light of Greece's recent financial crisis, considers the role polykatoikia might play in building an equitable and sustainable twenty-first-century city. 154 colour and b/w images

Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: the polykatoikía (a small-scale multistory apartment block). Theocharopoulou re-evaluates the polykatoikía as a low-tech, easily constructible innovation that stimulated the postwar urban economy, triggering the city's social mid-twentieth-century transformation. The interiors of the polykatoikía apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikía interiors, enabling inhabitants to exert agency over their daily lives and the shape of the postwar city. This revised edition of Theocharopoulou's study draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon. Written in the light of Greece's recent financial crisis, the book's updated Postscript considers the role polykatoikía might play in building an equitable and sustainable twenty-first-century city.

On an Empty Stomach examines the practical techniques humanitarians have used to manage and measure starvation, from Victorian "scientific" soup kitchens to space-age, high-protein foods. Tracing the evolution of these techniques since the start of the nineteenth century, Tom Scott-Smith argues that humanitarianism is not a simple story of progress and improvement, but rather is profoundly shaped by sociopolitical conditions. Aid is often presented as an apolitical and technical project, but the way humanitarians conceive and tackle human needs has always been deeply influenced by culture, politics, and society. Txhese influences extend down to the most detailed mechanisms for measuring malnutrition and providing sustenance. As Scott-Smith shows, over the past century, the humanitarian approach to hunger has redefined food as nutrients and hunger as a medical condition. Aid has become more individualized, medicalized, and rationalized, shaped by modernism in bureaucracy, commerce, and food technology. On an Empty Stomach focuses on the gains and losses that result, examining the complex compromises that arise between efficiency of distribution and quality of care. Scott-Smith concludes that humanitarian groups have developed an approach to the empty stomach that is dependent on compact, commercially produced devices and is often paternalistic and culturally insensitive.

A comprehensive and detailed overview of the active regeneration, rehabilitation and revitalisation of architectural heritage. The combined processes of globalisation, urbanisation, environmental change, population growth and rapid technological development have resulted in an increasingly complex, dynamic and interrelated world, in which concerns about the meaning of cultural heritage and identity continue to grow. As the need for culturally and environmentally sustainable design grows, the challenge for professionals involved in the management of inherited built environments is to respond to this ever-changing context in a critical, dynamic and creative way. Our knowledge and understanding of the principles, approaches and methods to sustainably adapt existing buildings and places is rapidly expanding. Architectural Regeneration contributes to this knowledge-base through a holistic approach that links policy with practice and establishes a theoretical framework within which to understand architectural regeneration. It includes extensive case studies of the regeneration, rehabilitation and revitalisation of architectural heritage from around the world. Different scales and contexts of architectural regeneration are discussed, including urban, suburban, rural and temporary. At a time when regeneration policy has shifted to the recognition that ‘heritage matters’ and that the historic environment and creative industries are a vital driver of regeneration, an increasing workload of architectural practices concerns the refurbishment, adaptive re-use or extension of existing buildings. As a result, this book is ideal for undergraduate and graduate students of architecture, historic conservation, urban and environmental design, sustainability, and urban regeneration, as well as for practitioners and decision makers working in those fields.

Activism at Home offers a unique study of architects' own dwellings; homes purposely designed to express social, political, economic, and cultural critiques. Through thirty case studies by architectural scholars, this book highlights different forms of activism at home from the early twentieth century to today. The architect- led experiments in activist living discussed in this book include the dwellings of Ralph Erskine, Paulo Mendes Da Rocha, Charles Moore, Flora Ruchat-Roncati, Kiyoshi Seike, and many others. Offering candid appraisals of alternative living solutions that formulate a response to rising real estate prices, economic inequality, social alienation, and mounting environmental and cultural challenges, Activism at Home is more than a historical study; it is an appeal to architects to use the discipline's tools to their full potential, and a plea to scholars to continue bringing architecture's activist practices into focus--whether at home or elsewhere.

Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, Resisting Postmodern Architecture resituates critical regionalism within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice. Stylianos Giamarelos challenges long-held ‘central’ notions of supposedly ‘international’ discourses of the recent past, and outlines critical regionalism as an unfinished project apposite for the 21st century on the fronts of architectural theory, history and historiography.

Everyone is a designer. But while many practitioners may be looking for solutions or ideological certainties, Easterling argues that solutions are mistakes and ideologies are unreliable markers. Instead, Medium Design speaks to anyone looking for alternative approaches to the world's unresponsive or intractable dilemmas-from climate cataclysm to inequality to concentrations of authoritarian power. Such an approach joins many disciplines in considering not only separate objects, ideas and events but also the space between them. In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design looks not to new innovations but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but put them together into productive combinations. And it offers forms of activism for modulating power and temperament in organization of all kinds

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