Chewing Over The West

The orientation of academic institutions has in recent years been moving away from highly specialized area studies in the classical sense towards broader regional and comparative studies. Cultural studies points to the limitation of Western approaches to non-Western cultures ¿ a development not yet reflected in actual research and data collections. Bringing together scholars from all over the world with specialized knowledge in both Western and non-Western languages, literatures, and cultures, this collection of essays provides new insights into the agency of non-Western literatures in relation to the West ¿ a term used with critical caution and, like other common binary dualisms, challenged here. Inter-cultural expertise, seldom applied in the combination of Asian, African, and `oriental¿ perspectives, makes this compilation of essays an important contribution to the study of colonialism and postcoloniality. Topics covered include postcolonial Arabic writing; T.S. Eliot in contemporary Arabic poetry; Algerian (and Berber) literature; the English language and narratives in Kenyan art; characterization, dialogism, gender and Western infuence in modern Hindi fiction; Naya drama in India; modern Burmese theatre and literature under Western influence; Remarque¿s All Quiet on the Western Front and the Vietnamese Novel Without a Name; Western Marxism and vernacular literature in colonial Indonesia; hybridity in Komedi Stambul; and Sherlock Holmes in/and the crime fiction of Siam and Indonesia

The orientation of academic institutions has in recent years been moving away from highly specialized area studies in the classical sense towards broader regional and comparative studies. Cultural studies points to the limitation of Western approaches to non-Western cultures – a development not yet reflected in actual research and data collections. Bringing together scholars from all over the world with specialized knowledge in both Western and non-Western languages, literatures, and cultures, this collection of essays provides new insights into the agency of non-Western literatures in relation to the West – a term used with critical caution and, like other common binary dualisms, challenged here. Inter-cultural expertise, seldom applied in the combination of Asian, African, and ‘oriental’ perspectives, makes this compilation of essays an important contribution to the study of colonialism and postcoloniality. Topics covered include postcolonial Arabic writing; T.S. Eliot in contemporary Arabic poetry; Algerian (and Berber) literature; the English language and narratives in Kenyan art; characterization, dialogism, gender and Western infuence in modern Hindi fiction; Naya drama in India; modern Burmese theatre and literature under Western influence; Remarque’s All Quiet on the Western Front and the Vietnamese Novel Without a Name; Western Marxism and vernacular literature in colonial Indonesia; hybridity in Komedi Stambul; and Sherlock Holmes in/and the crime fiction of Siam and Indonesia Contributors: Amina Azza Bekkat; Thomas de Bruijn; Matthew Isaac Cohen; Rasheed El-Enany; Keith Foulcher; Saddik M. Gohar; Rachel Harrison; Doris Jedamski; Ursula Lies; Daniela Merolla; Evan Mwangi; Guzel Vladimirovna Strelkova; Anna Suvorova; U Win Pe

The Ambiguous Allure of the West examines the impact of Western imperialism on Thai cultural development from the 1850s to the present and highlights the value of postcolonial analysis for studying the ambiguities, inventions, and accommodations with the West that continue to enrich Thai culture. Since the mid-nineteenth century, Thais have adopted and adapted aspects of Western culture and practice in an ongoing relationship that may be characterized as semicolonial. As they have done so, the notions of what constitutes "Thainess" have been inflected by Western influence in complex and ambiguous ways, producing nuanced, hybridized Thai identities.The Ambiguous Allure of the West brings together Thai and Western scholars of history, anthropology, film, and literary and cultural studies to analyze how the protean Thai self has been shaped by the traces of the colonial Western Other. Thus, the book draws the study of Siam/Thailand into the critical field of postcolonial theory, expanding the potential of Thai Studies to contribute to wider debates in the region and in the disciplines of cultural studies and critical theory. The chapters in this book present the first sustained dialogue between Thai cultural studies and postcolonial analysis.By clarifying the distinctive position of semicolonial societies such as Thailand in the Western-dominated world order, this book bridges and integrates studies of former colonies with studies of the Asian societies that retained their political independence while being economically and culturally subordinated to Euro-American power.

The present volume originates from "The Fourth Asian Translation Traditions Conference" held in Hong Kong in December 2010. The conference generated stimulating discussions relating to the richness and diversity of nonWestern discourses and practices of translation, focusing on translational exchanges between nonWestern languages,and the change and continuity in Asian translation traditions. Translation and Global Asia shows a rich diversification of historical and geographical interests, and covers a broad array of topics, ranging from ninthcentury Buddhist translation in Tibet to twentyfirstcentury political translation in Malaysia. This collection is strikingly rich. Its authors deal with a wide range of topics in geographically diverse locations from India, Thailand, Japan, Korea, and the Philippines to different parts of China. They evoke different linguistic and historical contexts from ancient times right up to the contemporary period, and take a variety of approaches, strongly supported by current theories in translation and cultural studies. Presenting vital case studies, this essential volume illustrates the importance of examining translation from a historical perspective, of taking account of power relations, and of studying the unique role of translators in initiating change and transmitting new ideas.

Canyon Terry, 14, was enjoying life, growing up in his little hometown of Vassalboro. Popular and athletic, he was already achieving local fame as Buchanan High School's top JV wrestler. One day, he discovers that he possesses superhuman powers which give him tremendous physical strength, as well as the miraculous ability to heal the sick and raise the dead. But much to the boy's confusion, he lacks control over his powers, and is incapable of summoning them on his own. Canyon later learns that these same powers are now threatening to turn him into a demonic monster that no power on earth can stop. When his gift turns out to be a curse, Canyon must somehow seek out the mysterious beings who gave him his powers or, destroy himself to protect the ones he loves. Carlos Soriano grew up in California's Monterey Peninsula. After graduating from San Jose State University, he served in the US Air Force. He currently works as a web developer in Silicon Valley.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Water Can Keep You Alive … A man in a wheelchair goes missing in rough country in the Big Horn Basin of Wyoming. Reporter and amateur sleuth Elizabeth “E.M.” Danniher and KWMT-TV colleague Mike Paycik immediately join the search organized by local rancher Tom Burrell. But soon they’re on a search of a different kind – a search for the truth. It takes them deep into the intricacies of the community served by the Red Sail Ditch – the irrigation system that could make a ranch viable or worthless. They find rivalries, cooperation, antagonisms, inter-dependencies, and motives for murder. ... Or Get You Killed. Don’t miss Elizabeth Danniher’s other Caught Dead in Wyoming adventures in: Sign Off Left Hanging Shoot First Last Ditch Look Live Back Story Cold Open Hot Roll Reaction Shot Body Brace Cross Talk Air Ready Cue Up What people are saying about LAST DITCH: "Full of mystery, human interest, a teasing romance and a lot of great characters from the series, and some new ones!" “Another engaging murder mystery by McLinn. She injects humor at just the right times, keeping it always interesting and light, and with always a surprising ending!” “Weaves a wonderful tapestry of modern life in the west.” “All kinds of twists on so many levels.” What people are saying about the CAUGHT DEAD IN WYOMING series: “McLinn's mysteries set in Wyoming are addictive. The writing is excellent, the twists and turns keep the brain engaged, and Elizabeth's wry commentary keeps a smile on my face.” “E.M.’s internal monologues are sharp, snappy and often hilarious.” “Hoping this series lasts forever!” “McLinn has created in E.M. a female protagonist who is flawed but likable, never silly or cartoonish, and definitely not made of cardboard.” “While the mystery itself is twisty-turny and thoroughly engaging, it's the smart and witty writing that I loved the best.” – Diane Chamberlain, bestselling author More cozy mystery from Patricia McLinn: Secret Sleuth series Death on the Diversion Death on Torrid Avenue Death on Beguiling Way Death on Covert Circle Death on Shady Bridge Death on Carrion Lane Death on ZigZag Trail Death on Puzzle Place If you like Patricia’s mysteries, try her romantic suspense: The Innocence Trilogy Proof of Innocence Price of Innocence Premise of Innocence Ride the River: Rodeo Knights (includes cameos from Caught Dead in Wyoming characters) female sleuth, amateur detective, women detectives, traditional mystery, mystery with humor, mysteries with humor, humorous mysteries, mystery with dog, mystery with animal, American crime murder, women sleuths, traditional mystery, krimis, kriminalromane