Choose Your Own Disaster

A"hilarious and heartbreaking" (Jo Piazza) and unflinchingly honest memoir about one young woman's terrible and life-changing decisions while hoping--and sometimes failing--to find herself, in the style of Never Have I Ever and Adulting. Join Dana Schwartz on a journey revisiting all of the awful choices she made in her early twenties through the internet's favorite method of self-knowledge: the quiz. Part-memoir, part-VERY long personality test, Choose Your Own Disaster is a manifesto about the millennial experience and modern feminism and how the easy advice of "you can be anything you want!" is actually pretty fucking difficult when there are so many possible versions of yourself it seems like you could be. Dana has no idea who she is, but at least she knows she's a Carrie, a Ravenclaw, a Raphael, a Belle, a former emo kid, a Twitter addict, and a millennial just trying her best. This long-form personality quiz manages to combine humor with unflinching honesty as one young woman tries to find herself amid the many, many choices that your twenties have to offer.

A Seventeen Magazine Best Book of the Year “A winsome, hilarious tale about losing the map and finding a better way to a happy ending. I loved it!” —#1 New York Times bestselling author Jennifer Weiner Seventeen-year-old Nora Holmes is an artist, a painter from the moment she could hold a brush. She inherited the skill from her grandfather, Robert, who's always nurtured Nora's talent and encouraged her to follow her passion. Still, Nora is shocked and elated when Robert offers her a gift: an all-expenses-paid summer trip to Europe to immerse herself in the craft and to study history's most famous artists. The only catch? Nora has to create an original piece of artwork at every stop and send it back to her grandfather. It's a no-brainer: Nora is in! Unfortunately, Nora's mother, Alice, is less than thrilled about the trip. She worries about what the future holds for her young, idealistic daughter—and her opinions haven't gone unnoticed. Nora couldn't feel more unsupported by her mother, and in the weeks leading up to the trip, the women are as disconnected as they've ever been. But seconds after saying goodbye to Alice at the airport terminal, Nora hears a voice call out: "Wait! Stop! I'm coming with you!" And . . . they’re off. 13 Little Blue Envelopes meets Gilmore Girls in this fun, funny, and bittersweet summer adventure from Observer writer and the hilarious voice behind @GuyInYourMFA, Dana Schwartz.

Algebra I teacher Chris Matthews guides students through Algebra I lessons in this unexpected framework: each choice you make leads to an equation unlocking the next chapter of YOUR adventure with the nefarious Dregg corporation, and brings you one step closer to undoing their evil actions while becoming an Algebra I Wizard!

Abby Abernathy is re-inventing herself as the good girl as she begins her freshman year at college, which is why she must resist lean, cut, and tattooed Travis Maddox, a classic bad boy.

*INSTANT #1 NEW YORK TIMES BESTSELLER* *INSTANT #1 INDIE BESTSELLER* *INSTANT USA TODAY BESTSELLER* *A REESE'S YA BOOK CLUB PICK* "Schwartz's magical novel is at once gripping and tender, and the intricate plot is engrossing as the reader tries to solve the mystery. She doesn't miss a beat in either the characterization or action, scattering clues with a delicate, precise hand. This is, in the end, the story of the anatomy of the human heart." - Booklist (starred review) Dana Schwartz’s Anatomy: A Love Story is a gothic tale full of mystery and romance. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, Beecham will allow her to continue her medical career. Without official lessons, though, Hazel will need more than just her books—she’ll need corpses to study. Lucky that she’s made the acquaintance of someone who digs them up for a living. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets, and the dreaded Roman Fever, which wiped out thousands a few years ago, is back with a vengeance. Nobody important cares—until Hazel. Now, Hazel and Jack must work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society.

On the disastrous first trip of a new bullet train that ascends nearly vertically up steep Mount Grave, the reader makes choices that determine how the hero proceeds--and whether survival is possible.

How do you use ‘taraddidle’ in a sentence? Is it possible to make a Gin Ricky that’s also a metaphor for the American Dream? How can you tell your Faulkner from your Franzen if you haven’t actually read either? Allow me, the @GuyInYourMFA, to expound on the most important (aka white male) writers of western literature. You’ve probably seen me around, observing the masses, or defying the wind by hand-rolling a cigarette outside a local, fair-trade coffeeshop. I’ve actually read Infinite Jest 9 1/2 times. Care to discuss? From Shakespeare's greatest mystery (how could a working-class man without access to an MFA program be so prolific?) to the true meaning of Kafkaesque (you know you've made it when you have an adjective named for you), the pages herewith are at once profound and practical. Use my ingenious Venn diagram to test your knowledge of which Jonathan—Franzen, Lethem, or Safran Foer—hates Twitter and lives in Brooklyn. (Trick question: all 3!) Sneer at chick-lit and drink Mojitos like Hemingway (not like middle-aged divorcées!). So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. Dazzle your friends with how well you understand post-modernism. You’ll be at a literary event asking a question “that’s really more of a comment” in no time.

This analysis of catastrophes provides a pathway for those who want to foster truthtelling in their organization and head off disasters in the making. We tend to think of disasters as uncontrollable acts of nature or inevitable accidents. But are such incidents unavoidable or ever truly accidental? The authors of this remarkable book say we actually do have the power to prevent tragedies such as the flooding from Hurricane Katrina, the death toll from dangerous medicines like Vioxx, and the explosion of the Space Shuttle Columbia. Marc Gerstein and Michael Ellsberg insist that disasters need not be inevitable if we learn from history, prepare carefully for the worst case, and speak out when we see danger looming. This revelation makes their compelling study extremely valuable for readers in business, government, medicine, academia—indeed all walks of life. Flirting with Disaster will do for catastrophe what Blink did for intuition, and The Black Swan did for probability: provide a popular audience with an engaging, in-depth view of a complex and important topic. Gerstein and Ellsberg examine the culture of institutions: why even people of good will and inside knowledge underestimate risk; feel psychologically incapable of averting tragedy and unable to pick up the pieces afterward; and don’t come forward forcefully enough to head off catastrophe. They also celebrate those who go beyond the call of duty to save others, including Dr. David Graham of the FDA who courageously stood up to reveal Vioxx’s deadly effects. One such whistleblower contributes both a foreword and an afterword: Daniel Ellsberg, renowned for releasing the Pentagon Papers.