City Of Bastards

In this action-packed sequel to Royal Bastards, Tilla uncovers a sinister conspiracy to take down the kingdom from within. Tilla, bastard of House Kent, has it made. Safe from her murderous father in the dazzling capital of Lightspire, she lives a life of luxury under the protection of the Volaris King, alongside her boyfriend, Zell, and best friend, Princess Lyriana. So why isn't she happy? Maybe it's the whispers and stares that follow her wherever she goes, as the daughter of the traitor waging war against Lightspire. Or maybe it's the memories of her beloved brother, Jax, who lies cold in his grave even as she tries to settle into a life in the city's prestigious University. Then Tilla stumbles upon the body of a classmate -- a friend. The authorities are quick to rule it a suicide and sweep it under the rug, but when Tilla herself is attacked by a mysterious man with terrifying powers, she's convinced of a conspiracy. Her friends beg her to stay silent; what she's suggesting is impossible...and treasonous. The deeper she digs, the more questions she uncovers. Nothing is as it seems in the glorious capital, and Tilla's presence might just be the spark that sets the Kingdom aflame.

"Jon Snow won't be the only 'bastard' whose name readers will remember." —Entertainment Weekly Being a bastard blows. Tilla would know. Her father, Lord Kent of the Western Province, loved her as a child, but cast her aside as soon as he had trueborn children. At sixteen, Tilla spends her days exploring long-forgotten tunnels beneath the castle with her stablehand half-brother, Jax, and her nights drinking with the servants, passing out on Jax's floor while her castle bedroom collects dust. Tilla longs to sit by her father's side, enjoying feasts with the rest of the family. Instead, she sits with the other bastards, like Miles of House Hampstedt, an awkward scholar who's been in love with Tilla since they were children. Then, at a feast honoring the visiting princess Lyriana, the royal shocks everyone by choosing to sit at the Bastards' Table. Before she knows it, Tilla is leading the sheltered princess on a late-night escapade. Along with Jax, Miles, and fellow bastard Zell, a Zitochi warrior from the north, they stumble upon a crime they were never meant to witness. The bastards band together, realizing they alone have the power to prevent a civil war that will tear their kingdom apart—if they can warn the king in time. And if they can survive the journey...

“Remarkable . . . Scott Lynch’s first novel, The Lies of Locke Lamora, exports the suspense and wit of a cleverly constructed crime caper into an exotic realm of fantasy, and the result is engagingly entertaining.”—The Times (London) An orphan’s life is harsh—and often short—in the mysterious island city of Camorr. But young Locke Lamora dodges death and slavery, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentleman Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game—or die trying. Praise for The Lies of Locke Lamora “Fresh, original, and engrossing . . . gorgeously realized.”—George R. R. Martin “Right now, in the full flush of a second reading, I think The Lies of Locke Lamora is probably in my top ten favorite books ever. Maybe my top five. If you haven’t read it, you should. If you have read it, you should probably read it again.”—Patrick Rothfuss, New York Times bestselling author of The Name of the Wind “A unique fantasy milieu peopled by absorbing, colorful characters . . . Locke’s wit and audacity endear him to victims and bystanders alike.”—The Seattle Times “A true genre bender, at home on almost any kind of fiction shelf . . . Lynch immediately establishes himself as a gifted and fearless storyteller, unafraid of comparisons to Silverberg and Jordan, not to mention David Liss and even Dickens.”—Booklist (starred review) “High-octane fantasy . . . a great swashbuckling yarn of a novel.”—Richard Morgan

The aftermath of Hurricane Katrina is one of the darkest chapters in American history. The storm caused unprecedented destruction, and a toxic combination of government neglect and socioeconomic inequality turned a crisis into a tragedy. But among the rubble, there is hope. We're Still Here Ya Bastards presents an extraordinary panoramic look at New Orleans's revival in the years following the hurricane. Award-winning journalist Roberta Brandes Gratz shares the stories of people who returned to their homes and have taken the rebuilding of their city into their own hands. She shows how the city -- from the Lower Ninth Ward to the storied French Quarter to Bayou Bienvenue -- is recovering despite flawed governmental policies that promote disaster capitalism rather than the public good. While tracing positive trends, Gratz also investigates the most fiercely debated issues and challenges facing the city: a violent and corrupt prison system, the tragic closing of Charity Hospital, the future of public education, and the rise of gentrification. By telling stories that are often ignored by the mainstream media, We're Still Here Ya Bastards shows the strength and resilience of a community that continues to work to rebuild New Orleans, and reveals what Katrina couldn't destroy: the vibrant culture, epic history, and unwavering pride of one of the greatest cities in America.

Join an epic, action-packed magical adventure, full of conspiracies and danger, in the Royal Bastards fantasy series. Royal Bastards: Being a bastard blows. Tilla would know. Her father, Lord Kent of the Western Province, loved her as a child, but cast her aside as soon as he had trueborn children. At sixteen, Tilla spends her days exploring long-forgotten tunnels beneath the castle with her stablehand half-brother, Jax, and her nights drinking with the servants, passing out on Jax's floor while her castle bedroom collects dust. Tilla longs to sit by her father's side, enjoying feasts with the rest of the family. Instead, she sits with the other bastards, like Miles of House Hampstedt, an awkward scholar who's been in love with Tilla since they were children. The bastards band together, realizing they alone have the power to prevent a civil war that will tear their kingdom apart—if they can warn the king in time.... City of Bastards: Tilla is safe from her murderous father in the dazzling capital of Lightspire, where she lives a life of luxury under the protection of the Volaris King, alongside her boyfriend, Zell, and best friend, Princess Lyriana. So why isn't she happy? Maybe it's the whispers and stares that follow her wherever she goes, as the daughter of the traitor waging war against Lightspire. Or maybe it's the memories of her beloved brother, Jax, who lies cold in his grave even as she tries to settle into a life in the city's prestigious University. Then Tilla stumbles upon the body of a classmate—a friend. The authorities are quick to rule it a suicide and sweep it under the rug, but when Tilla is attacked by a mysterious man with terrifying powers, she's convinced of a conspiracy. Her friends beg her to stay silent; what she's suggesting is impossible...and treasonous. The deeper she digs, the more questions she uncovers.... War of the Bastards: A year has passed since the fall of Lightspire. The Inquisitor Miles Hampstedt rules Noveris with a blood-soaked iron fist. Tilla and her friends have become hardened rebels in the Unbroken, a band of guerilla fighters hiding out on the fringes of the Kingdom protecting the true queen, Lyriana Volaris. Even as they fight, they know their cause is doomed—that with every passing day Miles's army of Bloodmages spreads across the continent. But at least they have each other...and some halfway-decent drinks. With Miles's forces closing in, a ragtag team sets out on an eleventh-hour mission: form an alliance with Syan's people that could turn the tide of the war. But what they discover in the Red Wastes changes everything, including their very understanding of the magic that runs through Noveris. In the heart-pounding conclusion to the Royal Bastards trilogy, Tilla faces an impossible choice: unthinkable destruction in the name of peace...or an uncertain future that means confronting a terrible past.

In his highly acclaimed debut, The Lies of Locke Lamora, Scott Lynch took us on an adrenaline-fueled adventure with a band of daring thieves led by con artist extraordinaire Locke Lamora. Now Lynch brings back his outrageous hero for a caper so death-defying, nothing short of a miracle will pull it off. After a brutal battle with the underworld that nearly destroyed him, Locke and his trusted sidekick, Jean, fled the island city of their birth and landed on the exotic shores of Tal Verrar to nurse their wounds. But even at this westernmost edge of civilization, they can’t rest for long—and are soon back to what they do best: stealing from the undeserving rich and pocketing the proceeds for themselves. This time, however, they have targeted the grandest prize of all: the Sinspire, the most exclusive and heavily guarded gambling house in the world. Its nine floors attract the wealthiest clientele—and to rise to the top, one must impress with good credit, amusing behavior…and excruciatingly impeccable play. For there is one cardinal rule, enforced by Requin, the house’s cold-blooded master: it is death to cheat at any game at the Sinspire. Brazenly undeterred, Locke and Jean have orchestrated an elaborate plan to lie, trick, and swindle their way up the nine floors…straight to Requin’s teeming vault. Under the cloak of false identities, they meticulously make their climb—until they are closer to the spoils than ever. But someone in Tal Verrar has uncovered the duo’s secret. Someone from their past who has every intention of making the impudent criminals pay for their sins. Now it will take every ounce of cunning to save their mercenary souls. And even that may not be enough.… Praise for Red Seas Under Red Skies “Lynch hasn’t merely imagined a far-off world, he’s created it, put it all down on paper—the smells, the sounds, the people, the feel of the place. The novel is a virtuoso performance, and sf/fantasy fans will gobble it up.”—Booklist (starred review) “Red Seas Under Red Skies firmly proves that Scott Lynch isn’t a one-hit wonder. . . . It’ll only be a matter of time before Scott Lynch is mentioned in the same breath as George R. R. Martin and Steven Erikson.”—Fantasy Book Critic “Grand, grandiose, grandiloquent . . . No critic is likely to fault Lynch in his overflowing qualities of inventiveness, audacious draftsmanship, and sympathetic characterization.”—Locus

"Searing . . . explores how identity forms love, and love, identity. Written in engrossing, intimate prose, it makes us rethink how blood’s deep connections relate to the attachments of proximity."—Andrew Solomon, author of Far from the Tree In the early 1980s, Mary Hall is a little girl growing up in poverty in Camden, New Jersey, with her older brother Jacob and parents who, in her words, were "great at making babies, but not so great at holding on to them." After her father leaves the family, she is raised among a commune of mothers in a low-income housing complex. Then, no longer able to care for the only daughter she has left at home, Mary's mother sends Mary away to Oklahoma to live with her maternal grandparents, who have also been raising her younger sister, Rebecca. When Mary is legally adopted by her grandparents, the result is a family story like no other. Because Mary was adopted by her grandparents, Mary’s mother, Peggy, is legally her sister, while her brother, Jacob, is legally her nephew. Living in Oklahoma with her maternal grandfather, Mary gets a new name and a new life. But she's haunted by the past: by the baby girls she’s sure will come looking for her someday, by the mother she left behind, by the father who left her. Mary is a college student when her sisters start to get back in touch. With each subsequent reunion, her family becomes closer to whole again. Moving, haunting, and at times wickedly funny, Bastards is about finding one's family and oneself.