Confronting Silence

The largest body of Takemitsu's writing to be translated into English so far. The internationally acclaimed composer of concert and film music (Woman in the Dunes, Ran) offers his own selection of his writings on eastern and western music, composers, the process of composing, and nature. Paper edition (36-0), $18.95. Annotation copyright by Book News, Inc., Portland, OR

In these writings, available here in English for the first time, the distinguished Japanese composer Toru Takemitsu reflects on his contemporaries, including John Cage, Olivier Messiaen, and Merce Cunningham; on nature, which has profoundly influenced his composition; on film and painting; on relationships between East and West; on traditional Japanese music; and on his own compositions.

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.

The notion of ‘silence’ in Politics and International Relations has come to imply the absence of voice in political life and, as such, tends to be scholastically prescribed as the antithesis of political power and political agency. However, from Emma Gonzáles’s three minutes of silence as part of her address at the March for Our Lives, to Trump’s attempts to silence the investigation into his campaign’s alleged collusion with Russia, along with the continuing revelations articulated by silence-breakers of sexual harassment, it is apparent that there are multiple meanings and functions of political silence – all of which intersect at the nexus of power and agency. Dingli and Cooke present a complex constellation of engagements that challenge the conceptual limitations of established approaches to silence by engaging with diverse, cross-disciplinary analytical perspectives on silence and its political implications in the realms of: environmental politics, diplomacy, digital privacy, radical politics, the politics of piety, commemoration, international organization and international law, among others. Contributors to this edited collection chart their approaches to the relationship between silence, power and agency, thus positing silence as a productive modality of agency. While this collection promotes intellectual and interdisciplinary synergy around critical thinking and research regarding the intersections of silence, power and agency, it is written for scholars in politics, international relations theory, international political theory, critical theory and everything in between.

In this memoir, Walter Ziffer, a Holocaust survivor born in Czechoslovakia in 1927, recounts his boyhood experiences, the Polish and later German invasions of his hometown, the destruction of his synagogue, his Jewish community’s forced move into a ghetto, and his 1942 deportation and ensuing experiences in eight Nazi concentration and slave labor camps. In 1945, Ziffer returned to his hometown, trained as a mechanic and later emigrated to the US where he converted to Christianity, married, graduated from Vanderbilt University with an engineering degree, worked for General Motors before becoming a Christian minister. He taught and preached in Ohio, France, Washington DC and Belgium. He later returned to Judaism and considers himself a Jewish secular humanist. “The compelling story of an unfolding life carried by an insatiable search for meaning.” — Mahan Siler, retired Baptist minister “In Walter Ziffer’s beautifully written new book, you will learn of Walter’s complex life journey, and you may experience, thanks to his skillfully told story and clearly articulated questions and insights, a sense of his presence, the presence of a great man who finds in his own story lessons important for the rest of us, especially now.” —Richard Chess, Director, The Center for Jewish Studies at UNC Asheville “A powerful and unique addition to the literature of the Holocaust. Walter Ziffer’s memoir not only recounts his own personal resilience and survival of the camps, but also his own unusual spiritual journey in which he both becomes a Christian minister while retaining his quintessential Jewish identity. This is a learned, well-crafted, and fascinating new dimension to this literature.” — Michael Sartisky, President Emeritus, Louisiana Endowment for the Humanities “The Holocaust portion [of this memoir]... is as true and chilling as a parent’s last words. His tale-telling prowess makes as strong a mental impression as it makes a factual one.” — Rob Neufeld, Asheville Citizen-Times

Winner of the National Jewish Book Award in the Holocaust category A monumental work of nonfiction on a wartime atrocity, its sixty-year denial, and the impact of its truth Jan Gross's hugely controversial Neighbors was a historian's disclosure of the events in the small Polish town of Jedwabne on July 10, 1941, when the citizens rounded up the Jewish population and burned them alive in a barn. The massacre was a shocking secret that had been suppressed for more than sixty years, and it provoked the most important public debate in Poland since 1989. From the outset, Anna Bikont reported on the town, combing through archives and interviewing residents who survived the war period. Her writing became a crucial part of the debate and she herself an actor in a national drama. Part history, part memoir, The Crime and the Silence is the journalist's account of these events: both the story of the massacre told through oral histories of survivors and witnesses, and a portrait of a Polish town coming to terms with its dark past. Including the perspectives of both heroes and perpetrators, Bikont chronicles the sources of the hatred that exploded against Jews and asks what myths grow on hidden memories, what destruction they cause, and what happens to a society that refuses to accept a horrific truth. A profoundly moving exploration of being Jewish in modern Poland that Julian Barnes called "one of the most chilling books," The Crime and the Silence is a vital contribution to Holocaust history and a fascinating story of a town coming to terms with its dark past.

Music, by its indeterminate levels of meaning, poses a necessary challenge to a theology bound up in words. Its distinctive nature as temporal and embodied allows a unique point of access to theological understanding. Yet music does not exist in a cultural vacuum, conveying universal truths, but is a part of the complex nature of human lives. This understanding of music as theology stems from a conviction that music is a theological means of knowing: knowing something indeterminate, yet meaningful. This is an exploration of the means by which music might say something otherwise unsayable, and in doing so, allow for an encounter with the mystery of God.

It's not often that we think about silence or its importance in living healthy, balanced, and productive lives. We especially need silence if we are to deepen our spiritual lives. This book understands the sacredness of practicing silence and explores how we can learn to incorporate it into both our prayer and everyday lives. Much more than a commentary on silence, this book invites readers throughout the text to stop, ponder, and be silent. It includes both reflection content and practice exercises for exploring how silence might become an everyday habit.