Death And The Emperor

The role of monuments in the Roman imperial cult. “Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor.” Times Literary Supplement “This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics.” Bryn Mawr Classical Review “Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community.” American Journal of Archaeology

"Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor." ?Times Literary Supplement "This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics." ?Bryn Mawr Classical Review "Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community." ?American Journal of Archaeology

AD 60. Britannia. The Boudica Revolt begins . . . Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger. As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow. Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance. 'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday Times SIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

If you love Tarot, you've come to the right place! With 78 beautiful and elegant Tarot cards and an essential reference guide for traditional card meanings, this is a stylish combination of divination tools. Describing all the major traits, both the upright and reversed positions of the cards are covered in detail, including: key word descriptions, card number, key number, Hebrew letter, translation, traditional name, numerical value, astrological association, and more. The Tarot Lovers' "Little Black Book" of Tarot Meanings accompanies the Lovers' deck, but it is also a must-have reference guide for any standard 78-card deck. For beginners and professionals alike, this Tarot deck and guide may be the only tools that you will ever need. Tarot Lovers' Tarot is for people who simply love Tarot!

After being captured and ransomed by pirates and left to seek revenge on foreign soil, Julius Caesar is reunited with his lifelong friend, Marcus Brutus, to protect the city of Rome from an uprising led by rebel slave Spartacus.

In January AD41, Caligula was murdered. The Republic was briefly restored, but then the Praetorian Guard made Claudius Emperor in a military coup.

A lively general introduction to the Roman Emperors, from Julius Ceasar (44BC) to Romulus Augustulus (476 AD), the last western Emperor. Focusses on their unusual deaths, and what their final days can tell us about their lives.