Death At The Dacha

As Stalin lies dying, this novel records his last thoughts, which he renders as a movie about the people he believes envenomed his life, namely, Lenin and certain women. (A film devotee, Stalin so loved movies that some scholars have even suggested that he governed the Soviet empire by cinematocracy, rule by cinema.) He has suffered a stroke but will linger for three days before dying. As in a film, he revisits scenes and old arguments with Lenin, and then endures a trial over his charge that women have poisoned his life. At the conclusion of the trial, Stalin’s mind screen returns to V.I. Lenin. What follows then is Stalin’s concluding mockery and denunciation of Lenin; Lenin’s final assessment of Stalin; and the end of the novel: Stalin’s dying words.

'Quirky and colourful' Times Crime Club 'An absolute delight' L C Tyler 'This intriguing but charming murder mystery is packed with psychological depth and wonderfully-drawn characters' Eleanor Ray Welcome to Roslazny - a sleepy Russian town where intrigue and murder combine to disturb the icy silence... Olga Pushkin, Railway Engineer (Third Class) and would-be bestselling author, spends her days in a little rail-side hut with only Dmitri the hedgehog for company. While tourists and travellers clatter by on the Trans-Siberian Express, Olga dreams of studying literature at Tomsk State University - the Oxford of West Siberia - and escaping the sleepy, snow-clad village of Roslazny. But Roslazny doesn't stay sleepy for long. Poison-pen letters, a small-town crime wave, and persistent rumours of a Baba Yaga - a murderous witch hiding in the frozen depths of the Russian taiga - combine to disturb the icy silence. And one day Olga arrives at her hut only to be knocked unconscious by a man falling from the Trans-Siberian, an American tourist with his throat cut from ear to ear and his mouth stuffed with 10-ruble coins. Another death soon follows, and Sergeant Vassily Marushkin, the brooding, enigmatic policeman who takes on the case, finds himself falsely imprisoned by his Machiavellian superior, Chief-Inspector Babikov. Olga resolves to help Vassily by proving his innocence. But with no leads to follow and time running out, has Olga bitten off more than she can chew? Praise for Death on the Trans-Siberian Express 'The book is an absolute delight, evocative equally of the frozen steppes, bad vodka and worse sausage, and full of larger than life characters. Olga Pushkin is an endearing protagonist, who is hopefully set for a series as long as the Trans Siberian Railway.' L C Tyler 'Written with a warmth that would thaw Siberia, this intriguing but charming murder mystery is packed with psychological depth and wonderfully-drawn characters. It also features the best hedgehog I've met in a novel.' Eleanor Ray

A compelling intellectual biography of Stalin told through his personal library In this engaging life of the twentieth century’s most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin’s tumultuous life and politics. Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin’s personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies—the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors—but detested their ideas even more.

Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.

From the author of The Last Tsar, the first full-scale life of Stalin to have what no previous biography has fully obtained: the facts. Granted privileged access to Russia's secret archives, Edvard Radzinsky paints a picture of the Soviet strongman as more calculating, ruthless, and blood-crazed than has ever been described or imagined. Stalin was a man for whom power was all, terror a useful weapon, and deceit a constant companion. As Radzinsky narrates the high drama of Stalin's epic quest for domination-first within the Communist Party, then over the Soviet Union and the world-he uncovers the startling truth about this most enigmatic of historical figures. Only now, in the post-Soviet era, can what was suppressed be told: Stalin's long-denied involvement with terrorism as a young revolutionary; the crucial importance of his misunderstood, behind-the-scenes role during the October Revolution; his often hostile relationship with Lenin; the details of his organization of terror, culminating in the infamous show trials of the 1930s; his secret dealings with Hitler, and how they backfired; and the horrifying plans he was making before his death to send the Soviet Union's Jews to concentration camps-tantamount to a potential second Holocaust. Radzinsky also takes an intimate look at Stalin's private life, marked by his turbulent relationship with his wife Nadezhda, and recreates the circumstances that led to her suicide. As he did in The Last Tsar, Radzinsky thrillingly brings the past to life. The Kremlin intrigues, the ceaseless round of double-dealing and back-stabbing, the private worlds of the Soviet Empire's ruling class-all become, in Radzinsky's hands, as gripping and powerful as the great Russian sagas. And the riddle of that most cold-blooded of leaders, a man for whom nothing was sacred in his pursuit of absolute might--and perhaps the greatest mass murderer in Western history--is solved.

The games of Mikhail Botvinnik, world chess champion from 1948 to 1963, have been studied by players around the world for decades. But little has been written about Botvinnik himself. This book explores his unusual dual career--as a highly regarded scientist as well as the first truly professional chess player--as well as his complex relations with Soviet leaders, including Josef Stalin, his bitter rivalries, and his doomed effort to create the perfect chess-playing computer program. The book has more than 85 games, 127 diagrams, twelve photographs, a chronology of his life and career, a bibliography, an index of openings, an index of opponents, and a general index.

The result of meticulous research by Professor Abram Blokh, this book presents facts, documents, thoughts and comments on the system of the Nobel Prize awards to Russian and Soviet scientists. It provides a comprehensive overview of the relationship between the ideas expressed by the Nobel Foundation and those expressed by the autocratic and totalitarian regimes in Russia and the ex-Soviet Union during the 20th century who had the same attitude of revulsion toward the intellectual and humanistic values represented by the Nobel Prizes.To do his research, the author had access to the declassified documents in the archives of the Nobel Foundation for many years. Also included in the book are new materials obtained and developed by the author after the publication of the first two editions (in Russian). This additional information is from the archives of the Soviet Ministry of Foreign Affairs, the Russian Academy of Sciences, the Soviet Writers' Union et al. in Moscow and St Petersburg. These documents shed new light on the difficulties encountered during the attempts to integrate Russian and Soviet science into the world's intellectual community.This book would be of utmost interest to those who are interested in the history of science in Russia and the ex-Soviet Union, related to the Nobel Prize.

A man obsessively investigates the mysteries of his family’s past in this “brave and unflinching” novel by the acclaimed Russian author of Oblivion (The Financial Times). Sergei Lebedev’s first two novels, The Year of the Comet and Oblivion, established him as one of Russia’s most important contemporary novelists. Now he reaffirms that status with this third work of fiction. The Goose Fritz tells the story of a young Russian named Kirill, the sole survivor of a once numerous clan of German origin, who delves relentlessly into the unresolved past. When Krill’s ancestor, Balthasar Schwerdt, migrated to the Russian Empire in the early 1800s, he brought with him the practice of alternative medicine. He was then taken captive by an erratic nobleman who supplied entertainment to Catherine the Great in the form of dwarves, hunchbacks, and magicians. S earches archives and cemeteries across Europe, Kirill’s investigation takes us through centuries of turmoil during which none of Schwert’s descendants can escape their adoptive country’s cruel fate. Illuminating both personal and political history, “Lebedev muses in Tolstoyan fashion about [how] the actions of distant ancestors can fix the destinies of people hundreds of years later" (The Wall Street Journal).