Design In California And Mexico 1915 1985
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Design in California and Mexico 1915 1985
Author | : Wendy Kaplan |
Publsiher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2017-08-11 |
Genre | : Design |
ISBN | : 9783791356709 |
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This groundbreaking book looks at the influence California and Mexico have had on each other’s architecture and design in the 20th century. The histories of Mexico and the United States have been intertwined since the 18th century, when both were colonies of European empires. America’s fascination with Mexican culture emerged in the 19th century and continues to this day. In turn, Mexico looked to the U.S. as a model of modernity, its highways and high-rises emblematic of "The American Way of Life." Exploring the design movements that defined both places during the 20th century, this book is arranged into four sections— Spanish Colonial inspiration, Pre-Hispanic Revivals, Folk Art and Craft Traditions, and Modernism. Featured are essays by leading scholars and illustrations of more than 300 works by architects and designers including Richard Neutra, Luis Barragán, Charles and Ray Eames, and Clara Porset. The word translation originally meant "to bring or carry across." The constant migration between California and Mexico has produced cultures of great richness and complexity, while the transfers of people and materials that began with centuries-old trade routes continue to resonate in modern society, creating synergies that are "found in translation."
California Design 1930 1965 Living In a Modern Way
Author | : Wendy Kaplan |
Publsiher | : MIT Press |
Total Pages | : 368 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780262299862 |
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The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
The Architecture of Luis Barragan
Author | : Emilio Ambasz |
Publsiher | : Unknown |
Total Pages | : 128 |
Release | : 1982 |
Genre | : MAXICAN ARCHITECTURE. |
ISBN | : OCLC:994000897 |
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In a Cloud in a Wall in a Chair
Author | : Zoë Ryan |
Publsiher | : Yale University Press |
Total Pages | : 237 |
Release | : 2019-01-01 |
Genre | : Art |
ISBN | : 9780300247053 |
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This publication brings together six artists and designers working in Mexico at midcentury who expanded the horizons of modernism.
Mathias Goeritz
Author | : Jennifer Josten |
Publsiher | : Yale University Press |
Total Pages | : 353 |
Release | : 2018-01-01 |
Genre | : Architecture |
ISBN | : 9780300228601 |
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The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist's pivotal role within the landscape of twentieth-century modernism. Goeritz became recognized as an abstract sculptor after arriving in Mexico from Germany by way of Spain in 1949. His call to integrate abstract forms into civic and religious architecture, outlined in his "Emotional Architecture" manifesto, had a transformative impact on midcentury Mexican art and design. While best known for the experimental museum El Eco and his collaborations with the architect Luis Barrag n, including the brightly colored towers of Satellite City, Goeritz also shaped the Bauhaus-inspired curriculum at Guadalajara's School of Architecture and the iconic Cultural Program of Mexico City's 1968 Olympic Games. Josten addresses the Cold War implications of these and other initiatives that pitted Goeritz, an advocate of internationalist abstraction, against Diego Rivera and David Alfaro Siqueiros, ardent defenders of the realist style that prevailed in official Mexican art during the postrevolutionary period. Exploring Goeritz's dialogues with leading figures among the Parisian and New York avant-gardes, such as Yves Klein and Philip Johnson, Josten shows how Goeritz's approach to modernism, which was highly attuned to politics and place, formed part of a global enterprise.
Luis Barrag n
Author | : Alfonso Alfaro,Luis Barragán,Daniel Garza Usabiaga |
Publsiher | : Editorial RM |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Architect-designed houses |
ISBN | : 8415118139 |
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This book is a joint project of the Architecture Foundation TapatíaBancomer Cultural Foundation and Editorial RM. This monograph presents the masterpiece of the architect: his home, considered one of the ten most important houses of the twentieth century. Built in 1947 and continually renovated Barragán the extent of being his masterpiece, is the greatest example of modern architecture in Mexico. Since 2004 is part of the WorldHeritatge Site of UNESCO. This work presents an extensivevisual tour of both the house and the studio and the garden that hosts impressive. The book includes three essays written byconnoisseurs of the work.
Barrag n Burri
Author | : Rene Burri,Luis Barragán |
Publsiher | : Phaidon |
Total Pages | : 88 |
Release | : 2000-01-03 |
Genre | : Architecture |
ISBN | : UTEXAS:059173007304303 |
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A photographic tribute to Mexico's most celebrated architect by the Magnum photographer.
The Life and Work of Luis Barragan
Author | : José María Buendía Júlbez,Juan Palomar,Guillermo Eguiarte |
Publsiher | : Rizzoli International Publications |
Total Pages | : 256 |
Release | : 1997 |
Genre | : Architects |
ISBN | : UOM:39015047131167 |
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"Luis Barragán is an icon of contemporary architecture - a genius of color, light, walls, the garden, the tower, the rooftop, he has influenced an entire generation of current architects, not least of them his one-time collaborator Ricardo Legorreta. Admirers of his work note its serenity, its harmony. In 1979, when Barragán was presented the Pritzker Prize, his work was referred to as "a sublime act of the poetic imagination." It is this aspect of Barragán's work that is presented in The Life and Work of Luis Barragán, a biographical portrait that reveals Barragán as a master of what he himself called "emotional architecture." Barragán's impressions and influences are recorded here, from his early years in Gudalajara to his work in Mexico City, and his highly inspiring travels in the Alhambra, the villages of Greece, and northern Africa. His rejection of the concepts of Le Corbusier and the International Style, and his embrace of the ideas of the French intellectual, painter, and landscape architect Ferdinand Bac provided valuable framework for understanding both the theory and form of Barragán's oeuvre. Brilliant color photographs record Barragán's vibrant work as it has never been seen before, including generous interior shots of such varied projects as Casa Cristo in Guadalajara, and Casas Galvez, Egerstrom, and Meyer, all from his Mexico City years. Barragán was perhaps first and foremost a landscape architect, and this book spotlights his gardens, and his vanguard, landscape-based approach to architecture itself-centered on the close relationship between landscape, color, and architecture in Mexico and the other lands that inspired him. Text and photographs combine in The Life and Work of Luis Barragán for a personal and evocative portrayal of the Mexican master that will fascinate everyone familiar with his legacy, and intrigue those who are only just discovering the power and influence of his work."--Book jacket.