Designing The Forest And Other Mass Timber Futures

If we want to continue existing on this earth, an era of renewable energy and materials is urgently needed. What role could mass timber, with its potential to replace concrete and steel, have in ensuring the planet’s survival? This book retraces wood’s passage from stewarded seed in the soil of forests, to harvested biomass, to laminated walls in a living room, through to its disassembly, pausing at each step in the supply chain of mass timber to consider the labor and economies involved, looking closely at the way wood is grown, sourced, and transported, and its impacts on the biodiversity of the forest and the health of our ecosystems. It explores why historically entrenched contexts of extractivism make such sensitive approaches difficult to cultivate across landscapes and industrial frameworks. Along the way, common assumptions about mass timber are debunked, including its fire performance, its strength, and its role in carbon sequestration. Having identified contemporary technical, cultural, and spiritual gaps preventing the transition towards a fully timber built environment, it outlines how we might move forward. A more sensitive species-based methodology is essential, with designers as choreographers of carbon, transferring and trading between forest, factory, site, and beyond. This will be an important read for anyone interested in our built environment and how to design it to be non-extractive, especially those with an interest in architecture, urbanism, forests, ecology, and timber, as well as students of architecture and design interested in the generative nature of materials and design processes.

This book weaves a much needed and transformational narrative about making architecture through paying close attention to cross-laminated timber as a material for today. The material becomes the site of experimentation, innovation, and research in search of specific meanings of CLT in architecture at various scales by selecting the "CLT Blank" as the building unit. The structure of the book brings together work and texts from a diverse group of theorists and practitioners, who make material central to their inquiry, to suggest design approaches that will broaden the cultural, spatial, and technological significance for architecture, education, engineering, and industry. The outcome focuses on materiality through fast slippages between art, architecture, and science, that we hope will invigorate and expand new discourse to act as an antidote to the current conversations about the material, that is fixated on its making and mass production, disappointingly portraying it as a bland and lifeless product--a notion we want to be distant from in preference to seeking areas we feel were not yet conceptualized or theorized. The potential to see the spatial properties of its use and what kind of world that might suggest is shown in the book, with selected striking visual materials, to reposition its architecture though new forms of representation and responses that continue to stay in touch with pragmatics. Aesthetics of CLT with a connection to wood and art practice is a central thread though the book.

Faced with man-made climate change and the need to provide housing for a growing world population, society needs to rethink the way future buildings are made. Wood is a truly renewable building material that is unlimited in supply if its growth and harvest are sustainably managed. Recent technological advancements in engineering allow the use of timber for the construction of multi-story structures, turning our buildings into carbon sinks rather than becoming sources for CO2-emissions. The book presents convincing arguments for the increased use of wood as an alternative to more fossil fuel intensive building materials, with the goal of demonstrating that an integrated approach can have the potential for positive impact on the environment, local economies, and the building culture at large.

Mass Timber / Design and Research presents new research and design work with Mass Timber, a new construction technology, well-known in Europe, but relatively unfamiliar in the United States. Leading the Mass Timber design dialogue in the US, the author, Susan Jones, an architect in Seattle, Washington, has been pioneering the new, innovative use of wood over the past six years, since she built her own family's house from cross-laminated timber in 2015 in a neighborhood in Seattle. The book presents her Seattle firm, her family, and her University of Washington students' years of research and design. Opening with the story of three generations of her family's own sustainable forest practices, the book presents research into Pacific Northwest forestry, timber and Cross-Laminated Timber manufacturing practices, to carbon analysis and carbon comparisons between standard building construction assemblies and technologies; and concludes with the design of model buildings both designed and built by her firm, atelierjones and her University of Washington students: including a single-family house, a church, schools, multi-family housing, and a twelve-story Tall Timber Wood Innovation tower on the University of Washington campus in Seattle.

Over the past 10-15 years a renaissance in wood architecture has occurred with the development of new wood building systems and design strategies, elevating wood from a predominantly single-family residential idiom to a rival of concrete and steel construction for a variety of building types, including high rises. This new solid wood architecture offers unparalleled environmental as well as construction and aesthetic benefits, and is of growing importance for professionals and academics involved in green design. Solid Wood provides the first detailed book which allows readers to understand new mass timber/massive wood architecture. It provides: historical context in wood architecture from around the world a strong environmental rationale for the use of wood in buildings recent developments in contemporary fire safety and structural issues insights into building code challenges detailed case studies of new large-scale wood building systems on a country-by-country basis. Case studies from the UK, Norway, Sweden, Germany, Austria, Italy, Canada, the United States, New Zealand and Australia highlight design strategies, construction details and unique cultural attitudes in wood design. The case studies include the most ambitious academic, hospitality, industrial, multi-family, and wood office buildings in the world. With discussions from leading architectural, engineering, and material manufacturing firms in Europe, North America and the South Pacific, Solid Wood disrupts preconceived notions and serves as an indispensable guide to twenty-first century wood architecture and its environmental and cultural benefits.

The interplay of psychology, design, and politics in experiments with urban open space As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society. New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing. Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group. The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.

The mass timber panel industry, most prominently exemplified by cross-laminated timber (CLT), is a new phenomenon. It integrates elements of mass timber design, manufacturing technologies, and construction and has not followed typical commodity-oriented forest products industry models. In fact, it would be difficult to point to an adequate precedent. Organic development of the global mass timber industry over the last 25 years has produced substantial diversity in manufacturing processes, levels of automation, scales of operation, and products and services options, as well as in market strategies and modes of interaction with its extensive supply chain. Existing global mass timber operations offer a living laboratory that provides an understanding of both the current state of the industry and its trajectory and future development. Especially important are insights in how newly emerging markets may develop.

An architectural expert tours 46 of the world's most significant skyscrapers. A useful ready-reference work and a treat for architecture buffs. -- Booklist Handsome color photographs, fact-packed summaries and crisp drawings (especially, a lucid cutaway look at each skyscraper) enhance his bite-sized blocks of text... This book stays true to its title, probing beneath the skin of skyscrapers to reveal their structural bones and the other things that shape them. It's a fine primer, especially for skyscraper geeks in search of a vicarious 'round-the-world tour. -- Chicago Tribune This distinctive book is the most comprehensive collection of modern skyscrapers published in the last 20 years. Skyscrapers have been piercing the clouds since the end of the nineteenth century but today's soaring land prices are driving developers to build bigger, better and higher while aiming for as small a footprint as possible. The lavish spreads feature a large photograph with cross-section drawings plus fact boxes listing location, year of completion, height, stories, primary functions, owner/developer, architect, structural engineer, and construction firm. Concise text describes historical context; unusual or innovative construction; engineering and structural systems; foundation, facade, and shape; the site history; and building usage; as well as any special features that make the skyscraper unique. For example, The Gherkin at 30 St Mary Axe, London, UK, surprisingly has only one piece of curved glass, despite its rounded shape. The 46 skyscrapers in How to Build a Skyscraper appear not for their height but for their pioneering technology, sustainability, and other characteristics that set them apart. They are distributed over the world's most developed regions of North America, Europe, Asia, and Australia.