Dream Street

NAMED ONE OF THE BEST CHILDREN’S BOOKS OF THE YEAR BY THE NEW YORK TIMES • FIVE STARRED REVIEWS Visit a truly special street bursting with joy, hope, and dreams. Inspired by the neighborhood where they grew up as cousins, this gorgeous picture book from an award-winning illustrator and critically acclaimed author is the perfect gift or keepsake for every generation. Welcome to Dream Street--the best street in the world! Jump rope with Azaria--can you Double Dutch one leg at a time? Dream big with Ede and Tari, who wish to create a picture book together one day. Say hello with Mr. Sidney, a retired mail carrier who greets everyone with the words, "Don't wait to have a great day. Create one!" On Dream Street, love between generations rules, everyone is special, and the warmth of the neighborhood shines. A magical story from the critically acclaimed author of Nana Akua Goes to School and a Caldecott Honor and Coretta Scott King Award winning illustrator. Illuminating this vivid cast of characters are vibrant, joyful illustrations that make this neighborhood--based on the Roxbury neighborhood in Boston where the author and illustrator grew up together as cousins--truly sing. This book is a perfect way for parents to share with their children the importance of community.

New edition of poignant selected images from famed Life photographer W. Eugene Smith’s Pittsburgh project. In 1955, having just resigned from his high-profile but stormy career with Life Magazine, W. Eugene Smith was commissioned to spend three weeks in Pittsburgh and produce one hundred photographs for noted journalist and author Stefan Lorant’s book commemorating the city’s bicentennial. Smith ended up staying a year, compiling twenty thousand images for what would be the most ambitious photographic essay of his life. But only a fragment of this work was ever seen, despite Smith's lifelong conviction that it was his greatest collection of photographs. In 2001, Sam Stephenson published for the first time an assemblage of the core images from this project, selections that Smith asserted were the “synthesis of the whole,” presenting not only a portrayal of Pittsburgh but of postwar America. This new edition, updated with a foreword by the poet Ross Gay, offers a fresh vision of Smith's masterpiece.

In a rambling north London house, failed poet Toby Dobbs has created a refuge for people who need one. But when a quiet tragedy and an unwelcome letter interrupt Toby's sedate existence, he needs his housemates to find some direction in their lives - and fast.

New edition of poignant selected images from famed Life photographer W. Eugene Smith's Pittsburgh project. In 1955, having just resigned from his high-profile but stormy career with Life Magazine, W. Eugene Smith was commissioned to spend three weeks in Pittsburgh and produce one hundred photographs for noted journalist and author Stefan Lorant's book commemorating the city's bicentennial. Smith ended up staying a year, compiling twenty thousand images for what would be the most ambitious photographic essay of his life. But only a fragment of this work was ever seen, despite Smith's lifelong conviction that it was his greatest collection of photographs. In 2001, Sam Stephenson published for the first time an assemblage of the core images from this project, selections that Smith asserted were the "synthesis of the whole," presenting not only a portrayal of Pittsburgh but of postwar America. This new edition, updated with a foreword by the poet Ross Gay, offers a fresh vision of Smith's masterpiece.

A compelling epic story of the protagonist, a young orphan Bobby Hardcastle’s ascendancy from grass and common place deprivation to royalty and Kingship. Amasiri Maldini who is a co-lead character in the story is the dream lover of Bobby Hardcastle and his much sought after trophy. Life and loving came to the crossroads as internal and external forces tore them apart. Hatred and inequity consequently forces Amasiri Maldini to disappear mysteriously. Bobby Hardcastle is harassed and discriminated against as a bastard and an outcast by the immediate Enugu community. Violence sets in to displace love as Amanda Maldini, a bride-to-be is assassinated at the alter thus forcing Bobby Hardcastle to marry her junior sister Asandia Maldini; both of them cousins to Amasiri Maldini, before Amasiri’s eventual reappearance. It was Amasiri who helped him find out who was his biological father?. Was he truly a gold digger or a clever opportunist made good. Mysteriously Bobby Hardcastle is chosen by the Oracle of the gods to be the next King as he is revealed as the re- incarnation of the ‘Lion King’. He became King. How? And why?.

Dana Sachs went to Hanoi when tourist visas began to be offered to Americans; she was young, hopeful, ready to immerse herself in Vietnamese culture. She moved in with a family and earned her keep by teaching English, and she soon found that it was impossible to blend into an Eastern culture without calling attention to her Americanness--particularly in a country where not long ago she would have been considered the enemy. But gradually, Vietnam turned out to be not only hospitable, but the home she couldn't leave. Sachs takes us through two years of eye-opening experiences: from her terrifying bicycle accidents on the busy streets of Hanoi to how she is begged to find a buyer for the remains of American "poes and meeas" (POWs and MIAs). The House on Dream Street is also the story of a community and the people who become inextricably, lovingly, a part of Sachs's life, whether it's her landlady who wonders why at twenty-nine she's not married, the children who giggle when she tries to speak the language, or Phai, the motorcycle mechanic she falls for. The House on Dream Street is both the story of a country on the cusp of change and of a woman learning to know her own heart.

After twenty years of crafting delicious food in Oakmont at his El Patio Café, loving father and husband Felipe Sanchez has big plans for expanding the business-so when the undocumented immigrant disappears without a trace, his family fears the worst. Fellow Oakmont resident Frank Sullivan has his own concerns: He's convinced that day laborers congregating at the mall are really drug dealers and becomes obsessed with driving out the immigrants he believes threaten his community. As he starts attracting followers, his family faces increasing tensions at home: His wife, Bonnie, is appalled by his xenophobic worldview, while his teenage son, Colin, struggles to cope with his father's racism as his own feelings grow for Marisol Sanchez. When police arrest Colin for drug possession, Frank seizes the opportunity to save his son's future and cleanse Oakmont of foreign invaders. Who will survive the fallout? And where is Felipe? Set amidst a backdrop of social and historical upheaval on both sides of the border, a treacherous deception and a shocking betrayal threaten to unravel the lives of two families in this riveting tale of love, hope, and resilience.

Wall Street: no other place on earth is so singularly identified with money and the power of money. And no other American institution has inspired such deep moral, cultural, and political ambivalence. Is the Street an unbreachable bulwark defending commercial order? Or is it a center of mad ambition? This book recounts the colorful history of Americas love-hate relationship with Wall Street. Steve Fraser frames his fascinating analysis around the roles of four iconic Wall Street typesthe aristocrat, the confidence man, the hero, and the immoralistall recurring figures who yield surprising insights about how the nation has wrestled, and still wrestles, with fundamental questions of wealth and work, democracy and elitism, greed and salvation. Spanning the years from the first Wall Street panic of 1792 to the dot.com bubble-and-bust and Enron scandals of our own time, the book is full of stories and portraits of such larger-than-life figures as J. P. Morgan, Cornelius Vanderbilt, and Michael Milken. Fraser considers the conflicting attitudes of ordinary Americans toward the Street and concludes with a brief rumination on the recent notion of Wall Street as a haven for Everyman.