Empress Alexandra

This intimate look at the bond between Queen Victoria and her granddaughter is “full of details regarding many European royals . . . thoroughly engrossing”(Kathryn J. Atwood, author of Women Heroes of World War II). When Queen Victoria’s second daughter Princess Alice married the Prince Louis of Hesse and Rhine in 1862, even her own mother described the ceremony as “more of a funeral than a wedding,” thanks to the fact that it took place shortly after the death of Alice’s beloved father, Prince Albert. Sadly, the young princess’s misfortunes didn’t end there and when she also died prematurely, her four motherless daughters were taken under the wing of their formidable grandmother, Victoria. Alix, the youngest of Alice’s daughters and allegedly one of the most beautiful princesses in Europe, was a special favorite of the elderly queen, who hoped that she would marry her cousin Prince Albert Victor, Duke of Clarence and one day reign beside him. However, the spirited and stubborn Alix had other ideas...

Empress Alexandra Romanov - the last empress of Russia, wife of Tsar Nicholas II, and now a saint of the Russian Orthodox Church - chose Countess Sophie Buxhoeveden, one of her ladies-in-waiting, to be her authorized biographer, opening up to her about her closest relationships and giving her access to copies of her private correspondence. Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar's abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children - OTMA and the Tsarevitch - Grand Duchess Ella (the Empress' sister), Ania Vyrubova (the Empress' most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes 'The Tragic Empress' such an intriguing and compelling book.

Reading Maurice Paléologue's account of the extraordinary and tumultuous events taking place in Russia before his very eyes is like sitting down for a cozy chat with one of the most interesting and engaging people you have ever met.And in 1932, Maurice Paléologue published a page-turning and highly insightful portrait of the last Empress of Russia, Alexandra Feodorovna - whom he had met several times - based on all the stories and gossip he had picked up about her during his time as the energetic and wildly sociable French Ambassador to the Court of St. Petersburg from 1914 to 1917.While his wonderfully entertaining and informative three-volume memoir of Tsar Nicholas II and the St. Petersburg social and political scene during the Great War was immediately translated into English by F.A. Holt, this equally entertaining portrait of Empress Alexandra, published ten years later, has only now been translated into English for the first time, by T.C. O'Halloran.

The Last Empress is the compelling biography of the woman credited as a force in destroying the Russian Empire. The first major book on Alexandra in 30 years, this definitive work presents an unbiased account of the empress's life, including her dominant role in Russian politics and her involvement with the infamous Rasputin.

Taking advantage of material unavailable until the fall of the Soviet Union, Erickson portrays Alexandra's story as a closely observed, enthrallingly documented, progressive psychological retreat from reality. The lives of the Romanovs were full of color and drama, but the personal life of Alexandra has remained enigmatic. Under Erickson's masterful scrutiny the full dimensions of the Empresses' singular psychology are revealed: her childhood bereavement, her long struggle to attain her romantic goal of marriage to Nicholas, the anguish of her pathological shyness, her struggles with her in-laws, her false pregnancy, her increasing eccentricities and loss of self as she became more preoccupied with matters of faith, and her increasing dependence on a series of occult mentors, the most notorious of whom was Rasputin. With meticulous care, long practiced skill, and generous imagination, Erickson crafts a character who lives and breathes.

The recently declassified diary reveals the Empress's thoughts up until her execution