Far Away Donmar Edition

The Chicago Tribune calls this chilling new play "a masterpiece from one of the most valuable playwrights working today."

Caryl Churchill's dazzling play about a world sliding into chaos, in a new edition published alongside the play's revival at the Donmar Warehouse, London, in 2020.

I don't think I'll ever meet someone who loves me as much as Ryan loves me and hates me as much as Ryan hates me A loving relationship can be anything but. In this one-woman thriller, Ruckus explores coercive control, an issue not widely recognised - yet its side effects kill up to three women every week in the UK. Each moment of the play has been inspired by real women and real stories. Acclaimed by critics and audiences, this powerful piece sends brings to light the suppression caused by coercive control. During its original run at Edinburgh Fringe in August 2022, Ruckus was the 1st Finalist for the Popcorn New Writing Award 2022, shortlisted for The Filipa Bragança Award, and winner of a Lustrum Award. This edition was published to coincide with the run at the Southwark Playhouse in London, in October 2022.

"There is a war coming.... A war that will last for a hundred years.... I think it is already here. I think we've been fighting it a long time" A young Jewish physicist and an activist poet meet at a party and fall in love. As society splinters around them, the couple's struggle to survive erupts into violence. Cordelia Lynn's new play Love and Other Acts of Violence is a subversive and intimate love story about inheritance and the cycles of politics and history. It is premiered at the Donmar Warehouse, London, in October 2021.

This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a 'live' or 'as-live' theatre broadcast by audiences around the world. Shakespeare and the 'Live' Theatre Broadcast Experience explores the precursors of this phenomenon and its role in Shakespeare's continuing globalization. It considers some of the most important companies that have produced such broadcasts since 2009, including NT Live, Globe on Screen, RSC Live from Stratford-upon-Avon, Stratford Festival HD, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access to Shakespeare for international audiences. Contributors from around the world reflect on how broadcasts impact on actors' performances, changing viewing practices, local and international Shakespearean fan cultures and the use of social media by audience members for whom “liveness” is increasingly tied up in the experience economy. The book tackles vexing questions regarding the 'presentness' and 'liveness' of performance in the 21st century, the reception of Shakespeare in a globally-connected environment, the challenges of sustaining an audience for stage Shakespeare, and the ideological implications of consuming theatre on screen. It will be crucial reading for scholars of the 'live' theatre broadcast, and enormously helpful for scholars of Shakespeare on screen and in performance more broadly.

A monumental history of the venerable MacLeans, who's history is interwoven with the history of Scotland, like the bright threads of the clan tartan. From Druidism to the Battle of Culloden, from family feuds to coats of arms; no facet of Scottish and Mac

He's not like he was before. Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

Contents: Ab Initio; Poltergeists; Ghosts That Came with the Puritans; Documented American Ghosts; Margery; We Are in the Midst of Eternity; Right Forever on the Scaffold; Has Your Best Fried a Soul?; the Death of Error.