Fat Man Fed Up

For more than forty years, Jack Germond has been covering politics for Gannett newspapers, the Washington Star, and the Baltimore Sun, and talking politics on the Today show, The McLaughlin Group, and Inside Washington. Now, in Fat Man Fed Up, Germond confronts the most critical issues raised by our election process and offers a scathing but wry polemic about what’s wrong with American politics. Is there any connection between what happens in campaigns and what happens in government? And if not, where does the blame for the discontent lie? Was Tocqueville right? Do we get the leaders we deserve? Indeed, according to Germond, the politicians aren’t the only ones to blame, or even the chief culprits. He describes how he and his colleagues in the news media have been guilty of dumbing-down the political process–and how the voters are too apathetic to demand better coverage and better results. Instead, they simply turn away and too often end up enduring third-rate presidents. This no-sacred-cows manifesto faces the problems many are reluctant to address: • Polls and how they are used and abused by politicians and press to mislead gullible voters. • The critical failure of the press to accurately portray figures in the political realm, from Eugene McCarthy to Barbara Bush to Al Sharpton. • How the complaints about liberal bias in the press miss the real point: whether that bias, if it exists, colors the way editors and reporters work. • The staggering influence of television, and the networks’ inability to provide anything but the most simplistic coverage of politics. • The “big lie” school of campaigning. From “Where’s the beef?” to “compassionate conservatism,” the politics of empty slogans has always placed noise above nuance: Say anything loudly enough and long enough, and voters are bound to mistake it for the truth. Along the way, Germond illustrates his arguments by drawing from his war chest of priceless anecdotes from decades in the business. With his inimitable combination of incisive journalism and sardonic and witty straight talk, Germond guides us through the fog created by candidates and the media. In this timely, outrageous, and compulsively readable book, no one is let off the hook. Fat Man Fed Up is a bracing look at how we never seem to get the truth about the people we’re electing.

I became inspired to return to a healthy state after almost a decade of being nothing more than a slug having eclipsed the three hundred pound milestone. Everyone was all over my case; I was a walking time bomb. Ultimately, only I could make the decision to lose weight and once I did, everything else fell into place. The hardest thing was simply to make the COMMITMENT TO DO SO. I Stayed True to Three Unconventional Principals: I was going to Eat What I Liked I Wasnt going to Exercise I Wasnt going to Pay For Advice The little digital scale validated my efforts. Now everyone wants to know my secret formula, but only after witnessing the results, as I have managed to lose 80 Pounds in One Year! The word that best described what I did was to persevere. I felt like throwing in the towel a bunch of times, but I kept going forward and the diet became easier by the day. Dieting is a matter of being on a routine and chances are if you have read this far, yours is most likely unbalanced as mine was. Once you make up your mind, you too can do the same as I did, and lose the weight. I have taken the Yo out of Yo-Yo Dieting -- I continue to eat the foods I like, so there is no transitioning into anything.

Assignment: Finding one of Argentina's 30,000 "Disappeared" ... likely outcome: Becoming one yourself. The Argentine army's "Dirty War" disappeared 30,000 people, and the last thing Pepe Carvalho wants is to investigate one of the vanished, even if that missing person is his cousin. But blood proves thicker than a fine Mendoza Cabernet Sauvignon, even for a jaded gourmand like Pepe, and so at his family's request he leaves Barcelona for Buenos Aires. What follows is perhaps Manuel Vázquez Montalbán's masterpiece: a combination white-knuckle investigation and moving psychological travelogue. Pepe quickly learns that "Buenos Aires is a beautiful city hell-bent on self-destruction," and finds himself on a trail involving boxers and scholars, military torturers and seductive semioticians, Borges fans and cold-blooded murderers. And despite the wonders of the Tango and the country's divine cuisine, he also knows one thing: He'll have to confront the traumas of Argentina's past head on if he wants not only to find his cousin, but simply stay alive.

The first full-length biography of one of hockey's - and Canada's - most influential forces, Conn Smythe. While the story of the Toronto Maple Leafs has been told many times, there has never been a full biography of the man who created, built and managed the team, turning it from a small-market collection of second-rate players into the hockey and financial powerhouse that dominated Canadian sports and created a collection of Canadian icons along the way. From the 1920s to the mid-1960s, Conn Smythe was one of the best-known, highest-profile figures in the country - irascible, tempestuous, outspoken and controversial. He not only constructed a hockey team that dominated the league for long stretches, but was critical to the growth and shaping of the NHL itself. By building Maple Leaf Gardens and hiring Foster Hewitt to fill Canada's living rooms with weekly broadcasts, he turned Saturday night into hockey night, creating institutions and habits that became central to Canada's character and remain with us today. Smythe's story is much deeper and richer than the tale of a cantankerous hockey owner. Smythe fought in both world wars, fighting at Ypres and Passchendaele in the first war and landing at Normandy in the second. He was wounded in both and spent two years as a POW in a German camp after being shot down in 1917. He grew up in poverty and vowed to escape the life that was so incredibly hard on his family. Smythe was active in politics and ignited a national crisis over conscription that split the Liberal government in two and brought Mackenzie King to the brink of resignation. This book tells the life of one of the country's great characters, a man who helped shape and define us and who left behind national habits and institutions that continue to lay at the heart of what makes Canada, Canada.

The Nobel Prize–winning “master of the bizarre plunges the reader into a world of tortured imagination” in this four-novella collection (Library Journal). In this startling quartet of his most provocative stories, the multiple prize-winning author of A Personal Matter reaffirms his reputation as “a supremely gifted writer” (The Washington Post). In The Day He Himself Shall Wipe My Tears Away, a self-absorbed narrator on his deathbed drifts off to the comforting strains of a cantata as he recalls a blistering childhood of militarism, sacrifice, humiliation, and revenge—a tale that is questioned by everyone who knew him. In Prize Stock, winner of the Akutagawa Prize, a black American pilot is downed in a Japanese village during World War II, where the local children see him as some rare find—exotic and forbidden. In Aghwee The Sky Monster, the floating ghost of a baby inexplicably haunts a young man on the first day of his first job. And in the title story, a devoted father believes he is the only link between his mentally challenged son and reality. “[A] remarkable book.” —The Washington Post “Ōe is definitely one of the Modern Masters.” —Seattlepi.com

In Volume 2 of Columbia's comprehensive anthology of modern Japanese literature, thoughtfully selected and carefully translated readings portray the vast changes that have transformed Japanese culture since the end of the Pacific War. Beginning with the Allied Occupation in 1945 and concluding with the early twenty-first century, these stories, poems, plays, and essays reflect Japan's heady transition from poverty to prosperity, its struggle with conflicting ideologies and political beliefs, and the growing influence of popular culture on the country's artistic and intellectual traditions. Organized chronologically and by genre within each period, readings include fiction by Hayashi Fumiko and Oe Kenzaburo; poems by Ayukawa Nobuo, Katsura Nobuko, and Saito Fumi; plays by Mishima Yukio and Shimizu Kunio; and a number of essays, among them Eto Jun on Natsume Soseki and his brilliant novel Kokoro (The Heart of Things), and Kawabata Yasunari on the shape of his literary career and the enduring influence of classical Japanese literature. Some authors train a keen eye on the contemporary world, while others address the historical past and its relationship to modern culture. Some adopt an even broader scope and turn to European models for inspiration, while others look inward, exploring psychological and sexual terrain in new, often daring ways. Spanning almost six decades, this anthology provides a thorough introduction to a profound period of creative activity.