Finding Myself Onstage

Su-mi's dreams of becoming a K-pop star are finally coming true, but her passion is met with the challenge of conforming to society's beauty standards. As she searches for true meaning and purpose in life, a journey of self-discovery leads her and her long-term boyfriend Woo-jin to open a rescue cat sanctuary. With every step of their mission, they discover a profound love for these beautiful creatures, changing lives, finding purpose, and igniting compassion in the hearts of all who witness their devotion. Will Su-mi choose fame or love and purpose? Join Su-mi as she discovers the power of love and compassion within the bustling streets of Seoul.

'Finding Balance' offers an overview of issues faced by all performing dancers: injury & treatment; technique & training; fitness; nutrition & diet; & career management. The text includes profiles of well known dancers & how they have coped with these issues.

It's a rainy spring-time, coming up to Witch Baby Daisy's second birthday. Her nursery class are putting on a musical performance, helped by the older children, including big sister Lily. Meanwhile Mum is trying to potty train Daisy, unaware that as soon as she succeeds, Daisy will be reclaimed by the witches who live on the hill, who've only been waiting for their little protegee to be out of nappies before they take her 'home'. Happily, Daisy is so rubbish at toilet training that Lily persuades Mum to drop the idea, and the day is saved! The concert is a great success, despite Daisy turning Lily's bagpipes into a spider, and the witches are distracted by spells for romance. Another charming, brilliantly plotted and gorgeously illustrated gem of a book by this outstandingly talented author/illustrator.

International fashion icon Jeanne Beker dishes on her life on and off the runway More than 30 years ago, Jeanne Beker set out to live a life that was not just great, but extraordinary. In Finding Myself in Fashion, she recalls some of the high and low points of the turbulent past decade. Personally, she dealt with heartbreak (the end of her marriage) and rediscovered romance. Professionally, she suffered setbacks that became learning experiences leading to new career paths. She travelled the world with FQ Magazine; witnessed epic events and conducted intimate interviews as a fashion reporter; launched her own clothes labels; wrote newspaper columns; and hosted or appeared on innumerable television shows. Through it all, both at home and at work, she stuck to her youthful resolution. This is Jeanne's candid account of a life lived to the max.

Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.

In his gritty and inspirational memoir, Jack Riewoldt reveals all about his remarkable AFL career and his personal journey of growth off the field. Jack grew up in picturesque Tasmania, playing sport with his family and admiring his older cousin Nick. When Nick was drafted in the AFL, Jack’s focus shifted to footy, and that competitive drive helped Jack become one of Richmond’s most beloved and prolific players. The Bright Side dives into every important win, including Richmond’s recent premierships, as well as the losses that helped Jack learn and build resilience. Jack’s positive attitude has helped him overcome a brush with cancer, the loss of his much-loved cousin Maddie – sister of Nick Riewoldt, with whom Jack remains a spokesman for the charity in her name – and the misunderstanding that has dogged much of his career. In The Bright Side, Jack finally corrects some of the misperceptions. From mischievous youngster to revered leader of the game, it’s family and community that has pulled Jack through, and allowed him to become an AFL legend. The book includes a foreword by Gerard Whateley.

As far as we know, only human beings have a sense of humour – although chimps might laugh when tickled, and dogs respond similarly in play, Seth McFarlane's fan-base is comprised exclusively of humans. Whilst animals and robots might feature as prominent characters in our favourite comic movies, shows and stand-up routines, we have no reason to suspect that their real-life brethren get the joke. Drawing on the philosophy of Martin Heidegger, Shaun May attempts to address this issue – suggesting that there is something distinctive about human beings which grounds our ability to make and comprehend jokes. Guiding the reader through a range of examples, including the films of Charlie Chaplin, the stand-up of Francesca Martinez, the TV show Family Guy and Samuel Beckett's Endgame, he demonstrates that in order to get the joke you have to 'be there'.

“Robert Cohen’s Falling Into Theatre is a must-read for all lovers of theatre. Personal and engaging, Dr. Cohen’s reflections on his life as both artist and educator provide the reader with a special journey, a virtual history tour of the American theatre for the past fifty years. His personal experiences are a constant reminder of how love and passion for theatre continue to inspire us and enrich our lives.” —Stacy Keach This engaging memoir is presented as a series of lucky breaks, or surprise turning points in the story that led to Robert Cohen’s dramatic success in theatre arts. In retrospect, it would have been a great surprise had Cohen not ended up in theatre arts, given his early fascination with the stage, his chance at a young age to see original cast productions of Broadway plays, and the influence of his uncle, Marty Goldblatt, a publicist for Columbia Pictures who hobnobbed with celebrities of stage and screen. It was inevitable—Robert Cohen became a man of the theatre, not only as an actor but also working as a director, stage manager, lighting designer, playwright, translator, drama scholar, theatre educator, and worldwide theatre critic.