For The Sake Of Heaviness

For The Sake Of Heaviness is an inside look at how Brian Slagel built Metal Blade Records from a one-man operation in his mom's non-air-conditioned garage to the preeminent international home of heavy music that it is today. As a metal-obsessed Southern California kid, he cobbled together what he assumed would be a one-off compilation of fledgling bands from the LA scene. Released in 1982, the Metal Massacre LP included the debut recordings of Ratt, Metallica, and others. In the wake of the album's unexpected success Slagel stumbled into creating a proper record label and issued the first releases by Bitch, Armored Saint, and Slayer the following year.In this book, Brian shares his insights into signing and working with Amon Amarth, As I Lay Dying, Behemoth, The Black Dahlia Murder, Cannibal Corpse, Cirith Ungol, Corrosion of Conformity, Fates Warning, Gwar, King Diamond and Mercyful Fate, Lizzy Borden, Manowar, Sacred Reich, Six Feet Under, Trouble, Unearth, Whitechapel, and others.Featuring insights and extended guest interviews featuring friends, colleagues, Metal Blade staffers, and a long list of artists—including Metallica's James Hetfield, Slayer's Kerry King, King Diamond, and more—For The Sake Of Heaviness is, first and foremost, Brian Slagel's personal conversation about his life's passion, and the passion that drives Metal Blade: finding, exposing, and promoting the best heavy music on the planet.

The definitive oral history of heavy metal, Louder Than Hell by renowned music journalists Jon Wiederhorn and Katherine Turman includes hundreds of interviews with the giants of the movement, conducted over the past 25 years. Unlike many forms of popular music, metalheads tend to embrace their favorite bands and follow them over decades. Metal is not only a pastime for the true aficionados; it’s a lifestyle and obsession that permeates every aspect of their being. Louder Than Hell is an examination of that cultural phenomenon and the much-maligned genre of music that has stood the test of time. Louder than Hell features more than 250 interviews with some of the biggest bands in metal, including Black Sabbath, Metallica, Megadeth, Anthrax, Slayer, Iron Maiden, Judas Priest, Spinal Tap, Pantera, White Zombie, Slipknot, and Twisted Sister; insights from industry insiders, family members, friends, scenesters, groupies, and journalists; and 48 pages of full-color photographs.

Heavy Tales is the detailed never before told story as lived by Jonny Zazula on how he founded Megaforce Records out of a flea market in New Jersey with his wife Marsha and built a dynasty unmatched by many others forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in Heavy Metal History giving it it's Golden Era. As a renegade youth who went from living on the city street to later work on Wall Street and then moving unexpectedly towards the music business, when in the winter of 1982 he received an unexpected demo tape of the underground, unsigned band Metallica while working in a flea market. Eager and determined to have the music heard by the entire world Jonny and Marsha founded Megaforce Records in 1983 and released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal but that's just the start. Heavy Tales details the stories of how Jonny worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Overkill, Ace Frehley, King's X, Ministry and others. With a foreward written by Chuck Billy and over 100 photographs unearthed from the MegaVault and photographer friends, Heavy Tales is definitively an American story of a family man with a dream to prove to the world that Heavy Metal belonged on the stage, on the radio and in your living room. H.C.M. Jonny Zazula is the co-founder of Megaforce Records and CraZed Management. A lifelong music disciple and avid Nightmare Before Christmas toy collector he now spends retirement with his wife, Marsha, and the dogs in Orlando, Florida.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

'Absolutely hilarious' - Neil Gaiman 'One of the funniest musical commentators that you will ever read . . . loud and thoroughly engrossing' - Alan Moore 'A man on a righteous mission to persuade people to "lay down your souls to the gods rock and roll".' - The Sunday Times 'As funny and preposterous as this mighty music deserve' - John Higgs The history of heavy metal brings brings us extraordinary stories of larger-than-life characters living to excess, from the household names of Ozzy Osbourne, Lemmy, Bruce Dickinson and Metallica (SIT DOWN, LARS!), to the brutal notoriety of the underground Norwegian black metal scene and the New Wave Of British Heavy Metal. It is the story of a worldwide network of rabid fans escaping everyday mundanity through music, of cut-throat corporate arseholes ripping off those fans and the bands they worship to line their pockets. The expansive pantheon of heavy metal musicians includes junkies, Satanists and murderers, born-again Christians and teetotallers, stadium-touring billionaires and toilet-circuit journeymen. Award-winning comedian and life-long heavy metal obsessive Andrew O'Neill has performed his History of Heavy Metal comedy show to a huge range of audiences, from the teenage metalheads of Download festival to the broadsheet-reading theatre-goers of the Edinburgh Fringe. Now, in his first book, he takes us on his own very personal and hilarious journey through the history of the music, the subculture, and the characters who shaped this most misunderstood genre of music.

"For The Sake Of Heaviness is an inside look at how Slagel built Metal Blade from a one-man operation in his mom's non-air-conditioned garage to the preeminent international home of heavy music that it is today."--Provided by publisher.

Damn the Machine - The Story of Noise Records is the tale of Europe's most groundbreaking-and important-heavy metal record company of the 1980s. Founded in the shadow of the Berlin Wall by self-proclaimed anarchist Karl-Ulrich Walterbach, Noise's key bands-Celtic Frost, Coroner, Gamma Ray, Grave Digger, Hellhammer, Helloween, Kreator, Running Wild, Sabbat, Stratovarius, Tankard, and Voivod-were brash, innovative, and highly influential, helping shape the global metal scene as we know today. With first-hand accounts from Walterbach, his bands, employees, and fellow music industry comrades, Damn the Machine provides an unflinching look at the tumultuous history of Noise Records. Amidst the classic albums and legendary bands came court battles, contract squabbles, botched tours, disastrous shifts in sound, and complicated, sometimes strained relationships between Walterbach and the bands he was responsible for. Damn the Machine shows few metal record companies have a legacy comparable to Noise's.