Freedom Only Freedom

Over six years of imprisonment in Australia's offshore migrant detention centre, the Kurdish-Iranian journalist and writer Behrouz Boochani bore personal witness to the suffering and degradation inflicted on him and his fellow refugees, culminating eventually in his prize-winning book – No Friend but the Mountains. In the articles, essays, and poems he wrote while detained, he emerged as both a tenacious campaigner and activist, as well as a deeply humane voice which reflects the indignity and plight of the many thousands of detained migrants across the world. In this book Boochani's collected writings are combined with essays from experts on migration, refugee rights, politics, and literature. Together, they provide a moving, creative and challenging account of not only one writer's harrowing experience and inspiring resilience, but the wider structures of violence which hold thousands of human beings in a state of misery in migrant camps throughout Western nation-states and beyond.

If This Is Freedom continues the story of struggle for Loyalist settlers in Nova Scotia after the American Revolutionary War. In the black settlement of Birchtown, times are especially hard for the former slaves. They face the difficulties of a hardscrabble existence and continued discrimination from their white counterparts. Like many desperate Birchtowners, Sarah Redmond has signed an indenture agreement, a work contract meant to protect her rights and ensure a living wage. Sarah’s employers, the Blyes, do not honour the agreement, and Sarah and her family are all but shattered when Sarah takes a wrong step – one she will come to regret as it sets off a chain of unusual events that put her under further pressure. With her faith in the settlement running dry and the Birchtowners abandoning the settlement, Sarah is perplexed and soon faces the taxing option of whether to hold on to the only real life she has ever known or let go. At once a stand-alone story and a companion to Gloria Ann Wesley’s previous novel, Chasing Freedom, this story about moral courage and the enduring strength of dreams shares history with us in a way that is both honest and emotional.

An esteemed philosopher offers a vision for the central role of one of our most cherished—and controversial—ideas. In this rigorous distillation of his political philosophy, Philip Pettit, author of the landmark work Republicanism, champions a simple standard for our most complex political judgments, offering a challenging ideal that nevertheless holds out a real prospect for social and democratic progress. Whereas many thinkers define freedom as the absence of interference—we are left alone to do as we please—Pettit demands that in their basic life choices free persons should not even be subject to a power of interference on the part of others. This notion of freedom as non-domination offers a yardstick for gauging social and democratic progress and provides a simple, unifying standard for analyzing our most entangled political quandaries. Pettit reaffirms the ideal, already present in the Roman Republic, of a free citizenry who enjoy equal status with one another, being individually protected by a law that they together control. After sketching a fresh history of freedom, he turns to the implications of the ideal for social, democratic, and international justice. Should the state erect systems for delivering mandatory healthcare coverage to its citizens? Should voting be a citizen’s only means of influencing political leaders? Are the demands of the United Nations to be heeded when they betray the sovereignty of the state? Pettit shows how these and other questions should be resolved within a civic republican perspective. Concise and elegant in its rhetoric and ultimately radical in its reimagining of our social arrangements, Just Freedom is neither a theoretical treatise nor a practical manifesto, but rather an ardent attempt to elaborate the demands of freedom and justice in our time.

"In the follow-up to ... A Stolen Life, [kidnapping survivor] Jaycee Dugard tells the story of her first experiences after years in captivity: the joys that accompanied her newfound freedom and the challenges of adjusting to life on her own"--Provided by publisher.

A prominent journalist, only child, and mother of an only child presents a case in support of one-child family life, offering perspectives on how single-child families can benefit the economy and environment while promoting child and parent autonomy.

Daniel Suarez’s New York Times bestselling debut high-tech thriller is “so frightening even the government has taken note” (Entertainment Weekly). Daemons: computer programs that silently run in the background, waiting for a specific event or time to execute. They power almost every service. They make our networked world possible. But they also make it vulnerable... When the obituary of legendary computer game architect Matthew Sobol appears online, a previously dormant daemon activates, initiating a chain of events that begins to unravel our interconnected world. This daemon reads news headlines, recruits human followers, and orders assassinations. With Sobol’s secrets buried with him, and as new layers of his daemon are unleashed, it’s up to Detective Peter Sebeck to stop a self-replicating virtual killer before it achieves its ultimate purpose—one that goes far beyond anything Sebeck could have imagined...

Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo P?rt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.