Galina Balashova

This publication on the work of the Russian architect Galina Balashova presents a unique collection of designs for Soviet cosmonautics. These include plans and design drawings for both Soyuz capsules and space stations such as Salyut and Mir. Balashova acted as a consultant to the Buran programme, the Soviet equivalent of the US American Space Shuttle. Faced with the duty of demonstrating architectural creativity in manned space capsules, Balashova's remarkable accomplishments when entrusted with this unprecedented task make an impressive read. Striving for harmony and beauty, the architect strikes an emotional chord in the high-tech world of propulsion rockets, laboratories and survival equipment. Therefore, it is due to Balashova's talent that a unique chapter has been added to Soviet architectural history. Her exceptional achievements, including designs for medals and emblems, are still scarcely known today - even in Russia. Galina Balashova currently lives in Korolyov, near Moscow.

This monograph on the work of the Russian architect Galina Balashova presents a unique collection of designs for Soviet cosmonautics. These include plans and engineering drawings for Soyuz capsules and the space stations Salyut and Mir. Balashova acted as a consultant to the Buran program, the Soviet counterpart to the American Space Shuttle. Trilingual in English, Russian, German

This book is a rich source of information on design research and solutions for the support and development of space missions. International experiences and researches are presented in order to cast light on the role of space design in improving living and working conditions in outer space and to highlight the particularities of the necessary design skills, taking into account specific requirements and constraints. The challenge facing designers is how to approach environmentally extreme conditions in such a way that they are transformed from limitations into opportunities. The author has herself developed products that have been tested during on-orbit experiments on the International Space Station. Drawing on this unique experience and other case studies, the author proposes a new design methodology for space and demonstrates how the discipline of design is able to generate innovation thanks to the strong capacity of visioning. Ultimately this will lead to the development of further new equipment for astronauts that will facilitate space travel. While the book is intended primarily for students and researchers, it is also of interest for a broad readership attracted by space, innovation, and future scenarios.

"Architecture on the moon is no longer a naive fantasy dreamt up by space-flight pioneers. In fact, various building typologies for lunar architecture have emerged in recent years. Their prototypes are being tested in hostile regions on Earth and are waiting to be deployed on the moon. This book's publication marks the 50th anniversary of the first human landing on the moon. It examines all artefacts that we have sent to the moon, from bizarre technologies to habitation modules for astronauts. This architectural guide thus offers a full retrospective of the history of lunar missions, from the space race during the Cold War through to the missions being prepared by China, India, and Israel in the present day. All of these are considered under the rubric of architecture. At the same time, efforts to commercialise space travel have come to the fore in recent years. New players have entered the stage, competing to utilise the moon's vast and untouched resources. This book also presents essays by and interviews with space experts, including a discussion with Galina Balashova, renowned architect of the Soviet space programme, and a piece by Alexander Glushko, son of Valentin Glushko, legendary head engineer of the Soviet space programme. Brian Harvey, Gurbir Singh, and Olga Bannova provide an insight into current and future developments in lunar architecture, writing on China, India, and the US, respectively" -- DOM Publishers.

The Routledge Companion to Women in Architecture illuminates the names of pioneering women who over time continue to foster, shape, and build cultural, spiritual, and physical environments in diverse regions around the globe. It uncovers the remarkable evolution of women’s leadership, professional perspectives, craftsmanship, and scholarship in architecture from the preindustrial age to the present. The book is organized chronologically in five parts, outlining the stages of women’s expanding engagement, leadership, and contributions to architecture through the centuries. It contains twenty-nine chapters written by thirty-three recognized scholars committed to probing broader topographies across time and place and presenting portraits of practicing architects, leaders, teachers, writers, critics, and other kinds of professionals in the built environment. The intertwined research sets out debates, questions, and projects around women in architecture, stimulates broader studies and discussions in emerging areas, and becomes a catalyst for academic programs and future publications on the subject. The novelty of this volume is in presenting not only a collection of case studies but in broadening the discipline by advancing an incisive overview of the topic as a whole. It is an invaluable resource for architectural historians, academics, students, and professionals.

Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o.

The Reader includes sample works of modern writers starting with the first story by Afewerk Ghebre Jesus written in 1908 up to the writings of the early 2000s, which continue Amharic literature in various genres. The Chrestomathy is supplemented with linguistic and cultural comments of lexical, grammatical and ethno-cultural nature. Short biographies of the writers are included. Ethiopian literature is justly considered young, though it is based on a very old cultural foundation. Its major benefit is the focus on an individual person displaying moral integrity and unity with the environment.

Interior Design Masters contains 300 biographical entries of people who have significantly impacted design. They are the people, historical and contemporary, that students and practitioners should know. Coverage starts in the late Renaissance, with a focus on the twentieth and twenty-first centuries. The book has five sections, with the entries alphabetical in each, so it can serve as a history textbook and a reference guide. The seventeeth- and eighteenth-century section covers figures from Thomas Chippendale to Horace Walpole. The nineteenth-century section includes William Morris and Candace Wheeler. The early twentieth-century section presents modernism’s design heroes, including Marcel Breuer, Eileen Gray, and Gilbert Rohde. The post-World War II designers range from Madeleine Castaing to Raymond Loewy. The final contemporary section includes Ron Arad and the Bouroullec brothers. These are the canonical figures who belong to any design history. The book also contains less well-known figures who deserve attention, such as Betty Joel, the British art deco furniture designer; Paul Veysseyre, the Frenchman active in China in the 1930s; and more recently Lanzavecchia-Wai, the Italian-Singaporean duo whose work ranges from health care to helicopters. Global in its coverage, the book is richly illustrated with over 600 black-and-white and color photographs.