Genius

In the late nineteenth- and early twentieth-century United States, ideas of genius did more than define artistic and intellectual originality. They also provided a means for conceptualizing women's participation in a democracy that marginalized them. Widely distributed across print media but reaching their fullest development in literary fiction, tropes of female genius figured types of subjectivity and forms of collective experience that were capable of overcoming the existing constraints on political life. The connections between genius, gender, and citizenship were important not only to contests over such practical goals as women's suffrage but also to those over national membership, cultural identity, and means of political transformation more generally. In The Genius of Democracy Victoria Olwell uncovers the political uses of genius, challenging our dominant narratives of gendered citizenship. She shows how American fiction catalyzed political models of female genius, especially in the work of Louisa May Alcott, Henry James, Mary Hunter Austin, Jessie Fauset, and Gertrude Stein. From an American Romanticism that saw genius as the ability to mediate individual desire and collective purpose to later scientific paradigms that understood it as a pathological individual deviation that nevertheless produced cultural progress, ideas of genius provided a rich language for contests over women's citizenship. Feminist narratives of female genius projected desires for a modern public life open to new participants and new kinds of collaboration, even as philosophical and scientific ideas of intelligence and creativity could often disclose troubling and more regressive dimensions. Elucidating how ideas of genius facilitated debates about political agency, gendered identity, the nature of consciousness, intellectual property, race, and national culture, Olwell reveals oppositional ways of imagining women's citizenship, ways that were critical of the conceptual limits of American democracy as usual.

While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self.

Explains how to ignite innate creativity and free thought processes through the discovery of hidden connections among familiar things

A genius abandoning the young, being treated as a servant by a beautiful female student, being stepped on by a tyrant, being bullied by his friends and relatives, being beaten up by his friends for the sake of his friends and being thrown to the ground to die.

Five hundred years ago, the most outstanding disciple under the Grand Yi Sect, Zhong Ming, was killed by the Chou Clan's leader, Ouyang Duan, while he was cultivating in seclusion. At this critical moment, Zhong Ming forced out his three souls. Thus, after his three souls had wandered around the world for hundreds of years, in the end, on a pitch-black night, they possessed a body that belonged to Zhong Wentao, who was born on the same day as the son of the next year. From then on, Zhong Wentao was no longer the diaosi Zhong Wentao. He was a genius doctor with superb medical skills. His path of life had skyrocketed. He would beat up the second generation, pick up beauties, take revenge for his blood feud, and become famous throughout the world ...