God S Hotel

Victoria Sweet's new book, SLOW MEDICINE, is on sale now! For readers of Paul Kalanithi’s When Breath Becomes Air, a medical “page-turner” that traces one doctor’s “remarkable journey to the essence of medicine” (The San Francisco Chronicle). San Francisco’s Laguna Honda Hospital is the last almshouse in the country, a descendant of the Hôtel-Dieu (God’s hotel) that cared for the sick in the Middle Ages. Ballet dancers and rock musicians, professors and thieves—“anyone who had fallen, or, often, leapt, onto hard times” and needed extended medical care—ended up here. So did Victoria Sweet, who came for two months and stayed for twenty years. Laguna Honda, relatively low-tech but human-paced, gave Sweet the opportunity to practice a kind of attentive medicine that has almost vanished. Gradually, the place transformed the way she understood her work. Alongside the modern view of the body as a machine to be fixed, her extraordinary patients evoked an older idea, of the body as a garden to be tended. God’s Hotel tells their story and the story of the hospital itself, which, as efficiency experts, politicians, and architects descended, determined to turn it into a modern “health care facility,” revealed its own surprising truths about the essence, cost, and value of caring for the body and the soul.

"Wonderful... Physicans would do well to learn this most important lesson about caring for patients." —The New York Times Book Review Over the years that Victoria Sweet has been a physician, “healthcare” has replaced medicine, “providers” look at their laptops more than at their patients, and costs keep soaring, all in the ruthless pursuit of efficiency. Yet the remedy that economists and policy makers continue to miss is also miraculously simple. Good medicine takes more than amazing technology; it takes time—time to respond to bodies as well as data, time to arrive at the right diagnosis and the right treatment. Sweet knows this because she has learned and lived it over the course of her remarkable career. Here she relates unforgettable stories of the teachers, doctors, nurses, and patients through whom she discovered the practice of Slow Medicine, in which she has been both pioneer and inspiration. Medicine, she helps us to see, is a craft and an art as well as a science. It is relational, personal, even spiritual. To do it well requires a hard-won wisdom that no algorithm can replace—that brings together “fast” and “slow” in a truly effective, efficient, sustainable, and humane way of healing.

Warm-hearted, straightforward, and unafraid, Amor Fati is the autobiography of Denise Noella Kingsley, who learned to love her fate and through a life well-lived has inspired others to do the same. In this timeless memoir, Kingsley shares the true story of her years in Hotel Dieu (God's Hotel) among the Grey Sisters in Quebec, Canada, and her unusual journey from abandoned orphan in the 1950's to fulfilled American woman - as the mother of inter-racial children in the tumultuous 1960's, independent woman in the 1970's, career successes and challenges in the 80's and 90's and happy retiree today. Kingsley's compelling first-person account of how she went from orphan to administrative expert offers a fascinating view of what it takes to change the course of one's life, and the need to continue to love one's fate in the face of adversity.

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.

If you or a family member suffer from a life-threatening illness and have been told there is little chance of a medical cure or remission, "Sooner or Later" is written for you. It offers the reader a safe place to help process the turbulent emotions during the diagnosis phase and remain sane, rational and in control. Pertinent questions to ask specialists, written in a way reader and provider understand, empower patients and their families to seek the appropriate level of care. To date, no other book offers the information and tools to take control and make good decisions to maintain the best quality of life. "Sooner or Later is a rare treasure. This book shines with compassion, wisdom, humor, and truth. I believe it should be must reading for everyone. Really " Christiane Northrup, M.D.

Moldovan Hotel explores the intergenerational trauma of the Holocaust in Romania through a queer Jewish voice in the Diaspora. In 2017, Leah Horlick travelled to Romania to revisit the region her Jewish ancestors fled. What she unearthed there is an elaborate web connecting conscious worlds to subconscious ones, fascism to neofascisms, Europe to the Americas to the Middle East, typhus to HIV/AIDS, genocide in Romania to land grabs in Palestine, women's lives in farming villages to queer lives in the city, language to its trap doors, and love to its hidden, ancestral obligations. With force, clarity and searing craft, Horlick's poems are equal to the urgency of our political moment. No one ever thinks they might be the dragon, Horlick writes, and yet history repeats its cruelties. This work takes things apart to put them profoundly back together. If Leah Horlick's second book invited us to witness, this time she draws from her Jewish heritage and takes us back to show us how to read the landscape and mind-scape and tell us what the texts left out. This is an accounting, a calling, an invocation, a return, a skilful mediation on how to remember when the 'names of the oppressors are blotted out'. -- Juliane Okot Bitek, author of 100 Days Every poem in Moldovan Hotel is a room thick with ghosts. Here, Horlick takes the language of the past--used to dehumanize and unmoor--and crystalizes it around revelation after revelation. A graceful, striking collection. -- Carmen Maria Machado, author of In the Dream House

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

"Emma Addison is a busy woman. She's finishing up her MBA and working near full-time hours as a supervisor at the Cameo Hotel ... Gavin Grayson is demanding, and he's not shy at all about showing his displeasure when things aren't up to his high standards--and his are the highest Emma has ever seen. He's just transferred in, a guest on extended stay at the prestigious hotel and will only deal with Emma ... The Cameo doesn't allow relationships between employees and guests, so when Gavin makes his intentions for Emma known, a secret relationship is born ..."--Back cover.