H L Ne Cixous

Helene Cixous is undoubtedly one of the most brilliant and innovative contemporary thinkers. Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide. Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future. The text includes: * an extended interview between Cixous and Calle-Gruber, exploring Cixous's creative and intellectual processes * a revealing collection of photographs taken from Cixous's family album, set against a poetic reflection by the author * selections from Cixous's private notebooks * a contribution by Jacques Derrida * original 'thing-pieces' by Calle-Gruber.

Born in Algeria in 1937, Häl_ne Cixous achieved world fame for her short stories, criticism, and fictionalized autobiography (Dedans, 1969). Her work quickly became controversial because it frankly tested a distinction between male and female writing. Her literary experiments and her conclusions make her one of the most stimulating and most elusive feminist theorists of our time. Verena Andermatt Conley, a professor of French and women's studies at Miami University, has written the first full-length study of Cixous in English. Looking at Cixous as writer, teacher, and theoretician, Conley takes up Cixous's ongoing exploration of the "feminine" as related to the "masculine"?words not to be equated with "woman" and "man"?and her search for a terminology less freighted with emotion and prejudgment. Conley has updated this paperback edition with a new preface, bibliography, and interview with Cixous conducted by the editors of Hors Cadre.

A lucid, original and inventive critical introduction to Helene Cixous (1937-). Royle offers close readings of many of her works, from Inside (1969) to the present. He foregrounds Cixous's importance for 'English literature' as well as creative writing, autobiography, narrative theory, psychoanalysis, ecology, gender studies and queer theory.

In writing Le Livre de Promethea Häl_ne Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between twoøwomen in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

This is the first truly representative collection of texts by Helene Cixous. The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts span twenty years of intellectual thought and demonstrate clearly the development of one of the most creative and brilliant minds of the twentieth century. With a foreword by Jacques Derrida, a preface by Cixous herself, and first-class editorial material by Susan Sellers, The Helene Cixous Reader is destined to become a key text of feminist writing.

This book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Hélène Cixous is an account of her experience of recovered sight after a lifetime of severe myopia; Jacques Derrida's "A Silkworm of One's Own" muses on a host of motifs, including his varied responses to "Savoir."

Hèléne Cixous -- author, playwright and French feminist theorist -- is a key figure in twentieth-century literary theory. Stigmata brings together her most recent essays for the first time. Acclaimed for her intricate and challenging writing style, Cixous presents a collection of texts that get away -- escaping the reader, the writers, the book. Cixous's writing pursues authors such as Stendhal, Joyce, Derrida, and Rembrandt, da Vinci, Picasso -- works that share an elusive movement in spite of striking differences. Along the way these essays explore a broad range of poetico-philosophical questions that have become characteristic of Cixous' work: * love's labours lost and found * feminine hours * autobiographies of writing * the prehistory of the work of art Stigmata goes beyond theory, becoming an extraordinary writer's testimony to our lives and times.

Helene Cixous is widely regarded as one of the world's most influential feminist writers and thinkers. "White Ink" brings together her most revealing interviews, available in English for the first time. Spanning over four decades and including a new interview with the editor Susan Sellers, this collection presents a brilliant, running commentary on the subjects at the heart of Cixous' writing.Here, Cixous discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world. As she responds to interviewers' questions, Cixous is prompted to reflect on her roles and activities as poet, playwright, feminist theorist, professor of literature, philosopher, woman, Jew. Each interview is a remarkable performance, an event in language and thought where Cixous' celebrated intellectual and poetic force can be witnessed 'in action'. The accessibility of the interview format provides an excellent starting-point for readers new to Cixous, while those already familiar with her work will find unexpected insights and fresh elucidations of her thought.