Hard Luck

The concept of luck has played an important role in debates concerning free will and moral responsibility, yet participants in these debates have relied upon an intuitive notion of what luck is. Neil Levy develops an account of luck, which is then applied to the free will debate. He argues that the standard luck objection succeeds against common accounts of libertarian free will, but that it is possible to amend libertarian accounts so that they are no more vulnerable to luck than is compatibilism. But compatibilist accounts of luck are themselves vulnerable to a powerful luck objection: historical compatibilisms cannot satisfactorily explain how agents can take responsibility for their constitutive luck; non-historical compatibilisms run into insurmountable difficulties with the epistemic condition on control over action. Levy argues that because epistemic conditions on control are so demanding that they are rarely satisfied, agents are not blameworthy for performing actions that they take to be best in a given situation. It follows that if there are any actions for which agents are responsible, they are akratic actions; but even these are unacceptably subject to luck. Levy goes on to discuss recent non-historical compatibilisms, and argues that they do not offer a viable alternative to control-based compatibilisms. He suggests that luck undermines our freedom and moral responsibility no matter whether determinism is true or not.

The story of boxing legend Jerry Quarry has it all: rags to riches, thrilling fights against the giants of the Golden Age of Heavyweights (Ali—twice, Frazier—twice, Patterson, Norton), a racially and politically electric sports era, the thrills and excesses of fame, celebrities, love, hate, joy, and pain. And tragedy. Like the man he fought during two highly controversial fight cards in 1970 and '72—Muhammad Ali—boxing great Jerry Quarry was to suffer gravely. He died at age fifty-three, mind and body ravaged by Dementia Pugilistica. In Hard Luck, “Irish” Jerry Quarry comes to life—from his Grapes of Wrath days as the child of an abusive father in the California migrant camps to those as the undersized heavyweight slaying giants on his way to multiple title bouts and the honor of being the World's Most Popular Fighter in '68, '69, '70, and '71. The story of Jerry Quarry is one of the richest in the annals of boxing, and through painstaking research and exclusive access to the Quarry family and its archives, Steve Springer and Blake Chavez have captured it all.

For use in schools and libraries only. The pressure's really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his "creative side." As if that's not scary enough, Halloween's just around the corner and the frights are coming at Greg from every angle. When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie . . . and will he become rich and famous in the process? Or will doubling down on this plan just double Greg's troubles?

Poor. Skinny. Immigrant. Dirty Jew. Weird. Weakling. Useless.Believing they were right about him and always afraid to walk home from school, Paul couldn't get through a day without some form of bullying. Until the day Paul couldn't take it anymore. They were always a group of 5 or more but this time he saw one of the boys walking alone, sans entourage, and he unleashed years of pent-up rage. "He had to have seen the fury in my eyes because he tried to dash away but not before I could chase him all the way to Rachel street. It was there that I unleashed the anguish of never having fought back. Brian took the hit for seven years of my constant struggle against bullying."Reminiscent of Mordechai Richler's "Duddy Kravitz", School of Hard Luck is a coming-into-wisdom story that takes place in the same era and the same Montreal neighbourhood. Paul Steinberg does whatever it takes to make something of himself. In one of life's ironies, he finds himself once again a victim of bullying, this time at the hands of a boss who humiliates him on the job.Paul Steinberg, award winning car salesmen, all-around athlete, family first kind of man, author, shameless 75-year-old.I've been told by people many times and over many years that I don't matter. Well, I have a message to spread that is very important. And one that matters to everyone who has ever been made to feel less than. That makes them wrong, doesn't it?

Presents two novellas, one about a young woman's dream about an ex-lover while on a hiking trip, and the other about the sister of a woman lying in a coma.

In Hard Luck and Heavy Rain Joseph C. Russo takes readers into the everyday lives of the rural residents of Southeast Texas. He encounters the region as a kind of world enveloped in on itself, existing under a pall of poverty, illness, and oil refinery smoke. His informants’ stories cover a wide swath of experiences, from histories of LGBTQ+ life and the local petrochemical industries to religiosity among health food store employees and the suffering of cancer patients living in the Refinery Belt. Russo frames their hard-luck stories as forms of verbal art and poetic narrative that render the region a mythopoetic landscape that epitomizes the impasse of American late capitalism. He shows that in this severe world, questions of politics and history are not cut and dry, and its denizens are not simply backward victims of circumstances. Russo demonstrates that by challenging classist stereotypes of rural Americans as passive, ignorant, and uneducated, his interlocutors offer significant insight into the contemporary United States.

Showcasing American music and music making during the Great Depression, Hard Luck Blues presents more than two hundred photographs created by the New Deal's Farm Security Administration photography program. With an appreciation for the amateur and the local, FSA photographers depicted a range of musicians sharing the regular music of everyday life, from informal songs in migrant work camps, farmers' homes, barn dances, and on street corners to organized performances at church revivals, dance halls, and community festivals. Captured across the nation from the northeast to the southwest, the images document the last generation of musicians who learned to play without the influence of recorded sound, as well as some of the pioneers of Chicago's R & B scene and the first years of amplified instruments. The best visual representation of American roots music performance during the Depression era, Hard Luck Blues features photographs by Jack Delano, Dorothea Lange, Russell Lee, Arthur Rothstein, Ben Shahn, Marion Post Wolcott, and others. Photographer and image researcher Rich Remsberg breathes life into the images by providing contextual details about the persons and events captured, in some cases drawing on interviews with the photographers' subjects. Also included are a foreword by author Nicholas Dawidoff and an afterword by music historian Henry Sapoznik. Published in association with the Library of Congress.

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