He Forgot To Say Goodbye

"I mean, it's not as if I want a father. I have a father. It's just that I don't know who he is or where he is. But I have one." Ramiro Lopez and Jake Upthegrove don't appear to have much in common. Ram lives in the Mexican-American working-class barrio of El Paso called "Dizzy Land." His brother is sinking into a world of drugs, wreaking havoc in their household. Jake is a rich West Side white boy who has developed a problem managing his anger. An only child, he is a misfit in his mother's shallow and materialistic world. But Ram and Jake do have one thing in common: They are lost boys who have never met their fathers. This sad fact has left both of them undeniably scarred and obsessed with the men who abandoned them. As Jake and Ram overcome their suspicions of each other, they begin to move away from their loner existences and realize that they are capable of reaching out beyond their wounds and the neighborhoods that they grew up in. Their friendship becomes a healing in a world of hurt. San Antonio Express-News wrote, "Benjamin Alire Sáenz exquisitely captures the mood and voice of a community, a culture, and a generation"; that is proven again in this beautifully crafted novel.

"Sáenz' poetic narrative will captivate readers from the first sentence to the last paragraph of this beautifully written novel. . . . It is also a celebration of life and a song of hope in celebration of family and friendship, one that will resonate loud and long with teens."—Kirkus Reviews "…There is never a question of either Sáenz’s own extraordinary capacity for caring and compassion or the authenticity of the experiences he records in this heartfelt account of healing and hope."—Booklist "Offering insight into [an adolescent's] addiction, dysfunction and mental illness, particularly in the wake of traumatic events, Sáenz's artful rendition of the healing process will not soon be forgotten."—Publishers Weekly "Sáenz weaves together [18-year-old] Zach's past, present, and changing disposition toward his future with stylistic grace and emotional insight. This is a powerful and edifying look into both a tortured psyche and the methods by which it can be healed."—School Library Journal Zach is eighteen. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive—well, what's up with that? I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes Happy and on some people's hearts he writes Sad and on some people's hearts he writes Crazy on some people's hearts he writes Genius and on some people's hearts he writes Angry and on some people's hearts he writes Winner and on some people's hearts he writes Loser. It's all like a game to him. Him. God. And it's all pretty much random. He takes out his pen and starts writing on our blank hearts. When it came to my turn, he wrote. I don't like God very much. Apparently he doesn't like me very much either. Sad Benjamin Alire Sáenz is a prolific novelist, poet, and author of children's books. Sammy and Juliana in Hollywood, his first novel for young adults, was a finalist for the Los Angeles Times Book Prize and a Young Adult Library Services Association Top Ten Books for Young Adults pick in 2005.

Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.

Winner of the 2013 PEN/Faulkner Award for Fiction Benjamin Alire S enz's stories reveal how all borders--real, imagined, sexual, human, the line between dark and light, addict and straight--entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Ju rez two blocks south of the Rio Grande. It's a touchstone for each of S enz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. S enz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club. Benjamin Alire S enz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. S enz is the chair of the creative writing department of University of Texas at El Paso. Awards: PEN/Faulkner Award for Fiction Lambda Literary Award Southwest Book Award

A warm-hearted story about a little bear and the special relationship between parent and child, perfect for reading together. Mum and Billy are very, very late. Billy says it's Rabbit's fault - Rabbit won't eat her breakfast. And now they have to run all the way to nursery. But in all the rush of saying goodbye, Mum forgets to tell Billy something very important . . . I Forgot to Say I Love You is a charming story from much-loved children's author, Miriam Moss, perfectly complemented by warm, classic-style illustrations from Anna Currey, illustrator of One Ted Falls Out of Bed and Rosie's Hat written by Julia Donaldson.

"Sentimental and ferocious, upsetting and tender, firmly magic-realist yet utterly modern. . . Sáenz is a writer with greatness in him." —San Diego Union Tribune With Carry Me Like Water, Benjamin Alire Sáenz unfolds a beautiful story about hope and forgiveness, unexpected reunions, an expanded definition of family, and, ultimately, what happens when the disparate worlds of pain and privilege collide. Diego, a deaf-mute, is barely surviving on the border in El Paso, Texas. Diego's sister, Helen, who lives with her husband in the posh suburbs of San Francisco, long ago abandoned both her brother and her El Paso roots. Helen's best friend, Lizzie, a nurse in an AIDS ward, begins to uncover her own buried past after a mystical encounter with a patient. This immensely moving novel confronts divisions of race, gender, and class, fusing together the stories of people who come to recognize one another from former lives they didn't know existed— or that they tried to forget.

After being diagnosed with terminal cancer, a professor shares the lessons he's learned—about living in the present, building a legacy, and taking full advantage of the time you have—in this life-changing classic. "We cannot change the cards we are dealt, just how we play the hand." —Randy Pausch A lot of professors give talks titled "The Last Lecture." Professors are asked to consider their demise and to ruminate on what matters most to them. And while they speak, audiences can't help but mull over the same question: What wisdom would we impart to the world if we knew it was our last chance? If we had to vanish tomorrow, what would we want as our legacy? When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. But the lecture he gave—"Really Achieving Your Childhood Dreams"—wasn't about dying. It was about the importance of overcoming obstacles, of enabling the dreams of others, of seizing every moment (because "time is all you have . . . and you may find one day that you have less than you think"). It was a summation of everything Randy had come to believe. It was about living. In this book, Randy Pausch has combined the humor, inspiration and intelligence that made his lecture such a phenomenon and given it an indelible form. It is a book that will be shared for generations to come.

Trisha Thompson and her best friend Christina are having a great senior year. Trisha and her boyfriend, Cody, are making plans to attend Indiana University together in the fall, while Christina has already received a scholarship to the University of Vermont. Everything would be perfect if only Trisha got along with Christina’s controlling boyfriend Tucker, who is trying to convince Christina not to go away for college. But suddenly their lives change one night when Tucker is driving the four home from an away basketball game. When his car hits a patch of black ice and overturns, Tucker walks away with barely a scratch, but Trisha is injured, Cody is in a coma, and Christina is dead. Those left behind must learn that it takes time for their scars—both visible and not—to heal. And they must find the courage to move on with their lives.