Her Country

In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.

In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.

During the Second World War, women pilots were given the opportunity to fly military aircraft for the first time. In the United States, famed aviatrix Jacqueline Cochran formed the Women Airforce Service Pilots program, where over one thousand women flyers ferried aircraft from factories to airbases throughout the United States and Canada from 1942 to 1944. The WASP operated from 110 facilities and flew more than 60 million miles in 78 different types of aircraft, from the smallest trainers to the fastest fighters and the largest bombers. The WASP performed every duty inside the cockpit as their male counterparts, except combat, and 38 women pilots gave their lives in the service of their country. Notwithstanding their outward appearance as official members of the U.S. Army Air Forces, the WASP were considered civil servants during the war. Despite a highly publicized attempt to militarize in 1944, the women pilots would not be granted veteran status until 1977. In the Soviet Union, Marina Raskova, Russia's Amelia Earhart, famous for her historic Far East flight in 1938, formed the USSR's first all-female aviation regiments that flew combat missions along the Eastern Front. A little over one thousand women flew a combined total of more than 30 thousand combat sorties, producing at least 30 Heroes of the Soviet Union. Included in their ranks were at least two fighter aces. More than 50 women pilots were killed in action. Sharing both patriotism and a mutual love of aviation, these pioneering women flyers faced similar obstacles while challenging assumptions of male supremacy in wartime culture. Despite experiencing discrimination from male aircrews during the war, these intrepid airwomen ultimately earned their respect. The pilots' exploits and their courageous story, told so convincingly here, continue to inspire future generations of women in aviation.

The official biography of Australian poet and writer Dorothea Mackellar, author of the celebrated poem ‘My Country.’ 'I love a sunburnt country, a land of sweeping plains…’ Though many Australians know lines from Dorothea Mackellar’s classic poem ‘My Country’ by heart, very little has been written about the poet’s extraordinary life. From her childhood and youth in Sydney’s Point Piper, to discovering her love for the Australian landscape on the family farm in Gunnedah, Dorothea engaged with the intellectual elite of Sydney and abroad as she embarked on a decades-long literary career that saw her linked to some of the leading lights of her day. A keen traveller, Dorothea ventured as far as Japan, Egypt and the Caribbean between longer stints in Europe. In the heart of literary London, she socialised with Joseph Conrad and Ezra Pound. At home, she counted among her friends Ether Turner, the famed war correspondent Charles Bean, and journalistic royalty in the form of the Fairfax family. Never before published letters and diaries reveal her unorthodox relationship with her best friend and collaborator Ruth Bedford. Battling against a masculine tradition of Australian bush poetry led by Banjo Paterson and Henry Lawson, Dorothea Mackellar boldly carved out a place for herself, leaving an indelible mark on the Australian imagination. Now, for the first time, the poet's unconventional life story is told – a hidden gem of Australian history, and a tale of one woman’s extraordinary passion for her poetry, her family and her country.

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

This work presents a fresh perspective on Jane Austen in the context of Balzac and Charlotte Bronte and her impact and influences. Helm discusses Austen's procedure, humor, characteristics of her writing style, and the origins of her matchmaking and marrying characters. Jane Austen was an English writer pioneer in giving the novel its unique modern character through her portrayal of ordinary people in everyday life. She distinctly depicted English middle-class life during the early 19th century. Her six famous works played a major role in defining the novel of manners and became timeless classics. Jane Austen and Her Country-House Comedy is a critical monograph on Jane Austen, based on her novels and letters. The author first examines the dominant qualities in Jane Austen's works, emphasizing her enduring freshness and comparing her with Balzac and Charlotte Bronte. He then examines her methods, discussing her education and her preparation for writing.

Her Cowboy Reunion by Ruth Logan Herne With her family in disgrace, Lizzie Fitzgerald never imagined she’d end up at an Idaho ranch. She loves working with the horses—even if it means dealing with her old sweetheart Heath Caufield. The widowed father of an adorable boy, Heath hasn’t forgiven Lizzie for their past. But even a stubborn cowboy can’t stop the heart’s ability to forgive…or love again. Hill Country Reunion by Myra Johnson Veterinarian Tripp Willoughby thought keeping his chronic illness a secret was the right thing to do—but he ended up breaking his college girlfriend’s heart. Diana Matthews has a new life now, and she’s reluctant to accept Tripp’s help with her pet therapy program. As they work together, Tripp remembers how things used to be with Diana—and is convinced he must find a way to win her back. USA TODAY Bestselling Author Ruth Logan Herne

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.