History Of The Theatre

Known as the bible of theatre history, Brockett and Hildy's History of the Theatre is the most comprehensive and widely used survey of theatre history in the market. This 40th Anniversary Edition retains all of the traditional features that have made History of the Theatre the most successful text of its kind including worldwide coverage, more than 530 photos and illustrations, useful maps, and the expertise of Oscar G. Brockett and Franklin J. Hildy, two of the most widely respected theatre historians in the field. This tenth edition provides the most thorough and accurate assessment of theatre history available and includes contemporary milestones in theatre history.

Chronicles the evolution of the theater from its beginnings to the early twenty-first century, covering styles, creative and technical elements, and the theater's impact on society and culture. Focuses largely on Europe and the U.S. but also discusses Africa, Asia, Latin America, Canada, Australia, and New Zealand.

Having always been an integral part of the sociocultural fabric of our world's communities and civilizations, the theatre today remains an active and poignant institution. Understanding its deep roots and societal variations is the key to comprehending other cultures, our own culture, and common social themes. This book is a cultural resource for all -- from infrequent play-goers to theatre buffs, from aspiring actors to experienced professionals. Providing the most comprehensive chronological survey of the theatre's history as a sociocultural institution, this book is written by two of the most widely respected historians in the field. In this eighth edition of the bestseller, the authors retain all of the traditional features of the book while sharpening, updating and reinterpreting information. They address new revisionist scholarship and add new methodologies, plays and playwrights. Theatre novices or professionals, teachers of theatre, theatre history, history, or the arts, and others interested.

A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.

Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.

In this sweeping chronicle of plays and performances, key dramatists, major actors, and important critics take their bows, backed up by memorable quotations and more than 150 illustrations. “A real treat...includes a mixture of literary, archaeological, and historical evidence, and...metaphorical prose provides a pleasurable and insightful discussion of theater in a social context...an attractive, quality coffee-table book meant for browsing.”—Library Journal.