Hollywood

Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.

Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.

Hollywood's Indies offers an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment of the first specialty label in 1980.

It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.

The Hollywood 100 is a carefully curated list that spans generations, genres, and the ever-evolving landscape of the film industry. Each actress selected for this collection has not only graced the screen but has also left an indelible mark on the cultural zeitgeist. From the luminosity of the Golden Age to the dynamism of contemporary cinema, these women have transcended the screen, becoming beacons of inspiration for aspiring actors and audiences alike. Behind the glamour and glitz, each actress's journey is a tale of passion, perseverance, and the pursuit of excellence. Whether they emerged from humble beginnings or were born into the limelight, their stories are threaded with the common theme of dedication to their craft. From auditions that tested their mettle to roles that defined careers, these narratives unfold like a script, revealing the raw, unfiltered reality that exists behind the scenes.

For years people said someone should write a book about Bö Roos, but nobody will believe it. Now his daughter Carolyn has written the book, and it is believeable as it captures Hollywood's Golden Age and Bö Roos's unique part in it as one of Hollywood's most powerful and successful business managers. It's an amazing piece of Hollywood history that hasn't been covered before. Ben Newman, Attorney (Bö Roos) virtually founded the profession of business manager and personal manager (to Hollywood's stars). Daily Variety Because of his flamboyant, high powered and hectic way of life, Bö (pronounced Boo) Roos could have been the model for the movie sterotype of the Hollywood business manager. The New York Times Bö Roos' life story is a saga that would top the Horatio Alger novels of yesteryear. The Foreign Friends of Acapulco newsletter Bö Roos was a man of outsize personality and zest. Ballerina Margot Fonteyn Bö Roos not only keeps (his clients) on an allowance - he eats, drinks, and even weeps with them. Saturday Evening Post Bö invested and took risks right alongside his clients claiming more conservative managers were 'guys going through life with nothing on their chests.' Working with him was always full of excitement and the unexpected. Carolyn's captured his story well. Al Marsella, CPA

Nobody dealt with fame, career and family like these two. “They were great friends of mine for years, and I worked with both of them on many projects, writing the screenplays that were to be their final starring roles. Marlon’s film got made - because he was Marlon. Gerg’s film was another story entirely, just as Greg was.” MARLON & GREG is the true story of two legends in their final years, told by someone who was there, in the families and the film industry. He was in the middle of a pair of grand lions who lived and made their exits on their own terms.

‘What will you do?’ ‘Oh, hell, I'll write a novel about writing the screenplay and making the movie.’ ‘What are you going to call it?’ ‘Hollywood.’ Henry Chinaski has a penchant for booze, women and horse-racing. On his precarious journey from poet to screenwriter he encounters a host of well-known stars and lays bare the absurdity and egotism of the film industry. Poetic, sharp and dangerous, Hollywood – Bukowski’s fictionalisation of his experiences making the film Barfly – explores the many dark shadows to be found in the neon-soaked glare of Hollywood’s limelight.