How To Cook A Tapir

In 1962 Joan Fry was a college sophomore recently married to a dashing anthropologist. Naively consenting to a year-long ?working honeymoon? in British Honduras (now Belize), she soon found herself living in a remote Kekchi village deep in the rainforest. Because Fry had no cooking or housekeeping experience, the romance of living in a hut and learning to cook on a makeshift stove quickly faded. Guided by the village women and their children, this twenty-year-old American who had never made more than instant coffee came eventually to love the people and the food that at first had seemed so foreign. While her husband conducted his clinical study of the native population, Fry entered their world through friendships forged over an open fire. Coming of age in the jungle among the Kekchi and Mopan Maya, Fry learned to teach, to barter and negotiate, to hold her ground,øand to share her space?and, perhaps most important, she learned to cook. This is the funny, heartfelt, and provocative story of how Fry painstakingly baked and boiled her way up the food chain, from instant oatmeal and flour tortillas to bush-green soup, agouti (a big rodent), gibnut (a bigger rodent), and, finally, something even the locals wouldn?t tackle: a ?mountain cow,? or tapir. Fry?s efforts to win over her neighbors and hair-pulling students offers a rare and insightful picture of the Kekchi Maya of Belize, even as this unique culture was disappearing before her eyes.ø

Travis is persuaded by a lifelong friend to invest in potentially valuable property in the rain forest of Ecuador. The return on their investment is virtually guaranteed. But nothing can be so simple when Travis gets involved. Trouble catches up with him from half a world away.

Indigenous Tales of Nature from Around the World An array of vivid responses to nature from indigenous oral traditions in Africa, Asia, Europe, Australia, and the Americas.

Kashibo-Kakataibo is the westernmost Panoan language and, therefore, the one closest to the Andes Mountains. In terms of its typological profile, Kashibo-Kakataibo is a (mainly) postpositional and agglutinating language with a highly synthetic verbal morphology, which includes a highly complex tense system with several markers, some of which also express aspectual meanings. Kashibo-Kakataibo presents a mixed prosodic system, which combines stress and tone features. In addition, like with other Pano languages, Kashibo-Kakataibo exhibits a number of transitivity-related issues of high typological interest. First of all, the language shows an extremely complex system of grammatical relations, which includes tripatite, ergative, accusative, neutral and one horizontal alignment types. In addition, the language exhibits a fascinating interaction between syntactic case and pragmatic function. There are two fixed syntactic classes of verbs: transitive and intransitive. A verb root/base can only change its class by means of explicit morphological derivation (with only 4 ambitransitive verbs in the whole language). As in other Panoan languages, the transitivity class of the main verb is morphologically indicated throughout the clause, by means of complex systems of agreement and harmony (some of which are totally new even from a Panoan perspective)

Bringing together an extraordinary range of international scholars and practitioners that include contemporary visual artists, poets, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists, the contributors situate their rebellious practices of knowledge production and upheaval in the academy and in society.

"Lévi-Strauss is a French savant par excellence, a man of extraordinary sensitivity and human wisdom . . . a deliberate stylist with profound convictions and convincing arguments. . . . [The Raw and the Cooked] adds yet another chapter to the tireless quest for a scientifically accurate, esthetically viable, and philosophically relevant cultural anthropology. . . . [It is] indispensable reading."—Natural History

An engaging portrait of a community of biologists, The Tapir's Morning Bathis a behind-the-scenes account of life at a tropical research station that"conveys the uncertainties, frustrations, and joys of [scientific] fieldwork" (Science). On Panama's Barro Colorado Island, Elizabeth Royte worksalongside the scientists -- counting seeds, sorting insects, collectingmonkey dung, radiotracking fruit bats -- as they struggle to parse theintricate workings of the tropical rain forest. While showing the humanside of the scientists at work, Royte explores the tensions between the slow pace of basic research and the reality of a world that may not have time to wait for answers.

"First published 2002 as The natural history of Costa Rican mammals by Zona Tropical"--T.p. verso.