Ignatius Macfarland 2 Frequency Freak Out

When Iggy's transporter makes a crash landing in an even weirder frequency than before, he's sure of one thing: There's no place like home. Putting up with middle-school bullies was nothing compared to battling larger-than-life-sized trees and ferocious plant creatures! Luckily, Iggy's partner-in-crime, Karen, boasts kung fu skills that are impressive even to the extraterrestrials. But when frequency feuding goes from bad to worse, the two begin to wonder if kung fu kicks and sweet talk will be enough to fuel their escape. There's only one way to find out...

In this page-turning follow-up to "Ignatius MacFarland: Frequenaut!," Iggy and Karen find themselves stranded when their unreliable transporter makes a crash-landing in an even weirder frequency than before. Illustrations.

After being teased one too many times at school, Ignatius MacFarland decides to build a rocket. Maybe extraterrestrials are nicer than his classmates! But when his rocket takes an explosive wrong turn, Ignatius ends up in another frequency run by former English-teacher-turned-dictator, Chester Arthur. Mr. Arthur has taken the art, culture, and advancements of our world, shared them with this new frequency, and convinced the creatures around him that he's a genius. It's up to Iggy and Karen, another trapped earthling, to expose Mr. Arthur for the fraud that he is-and to hopefully make it home alive. Part comedy, part science fiction, and part fantasy, this debut novel, with line art by talented newcomer Peter Chan, makes being a geek, well, kind of cool.

Written in side-splitting and often cringe-inducing detail, Paul Feig takes you in a time machine to a world of bombardment by dodge balls, ill-fated prom dates, hellish school bus rides, and other aspects of public school life that will keep you laughing in recognition and occasionally sighing in relief that you aren’t him. Kick Me is a nostalgic trip for the inner geek in all of us.

Writing, Medium, Machine: Modern Technographies is a collection of thirteen essays by leading scholars which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection breaks new ground archaeologically, unearthing representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also contributes significantly to critical and cultural theory by investigating key concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface. Technography is not just a modern matter, a feature of texts that happen to arise in a world full of machinery and pay attention to that machinery in various ways. But the mediation of other machines has beyond doubt assisted literature to imagine and start to become the ideal machine it is always aspiring to be. Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Lost in love and don't know much? Paul Feig knew even less... Like any other red-blooded, straight young man, Paul Feig spent much of his teenage years trying to solve the mystery of women. Unlike most red-blooded, straight teenage boys, however, Paul Feig was sadly at a considerable disadvantage. He was tall and gangly. He had a love for musical theater. And, perhaps the death knell for his burgeoning sex life, Paul was a tap dance student. (And we have the pictures to prove it—see the front cover.) Infused with the same witty and infectiously readable style of his first book, Kick Me, Superstud chronicles the trials and tribulations of Feig’s young dating life with all the same excruciating detail as an on-air gastric bypass—and you just won’t be able to tear yourself away. Feig’s series of shudder-to-think but oddly familiar (come on—we’ve all been dumped by someone we didn’t even like that much) anecdotes include: his first date, at an REO Speedwagon concert with the most endowed girl in school, who leaves him sitting next to a puddle of puke; his first breakup, accomplished by moving across the country; his mortifying date with his secretly bigoted girlfriend; his discovery of a new self-love technique that almost lands him in the hospital; and his less-than-idealistic “first time,” which he nevertheless elevates to biblical proportions. In Superstud, Paul Feig tells all in a hilarious but true testament to geekdom, love, and growing up.

Hook. Wet Hot American Summer. Valley of the Dolls. There are some movies that defy traditional critical assessment -- films that are panned by reviewers, but that go on to become beloved classics and cult phenoms anyway. Ever been crushed to learn your favorite movie -- or a new one you're dying to see -- has been given the big green splat from Rotten Tomatoes' infamous Tomatometer? The site's editors stand by their critics and scores, but they also feel your pain: Fresh films shouldn't get all the glory! In Rotten Movies We Love, the RT team celebrates 101 Rotten movies that can't be missed, including: Box office behemoths that bombed with critics: Space Jam, Maleficent, Bad Boys Sci-fi treasures so bad they're awesome: Cherry 2000, Zardoz, Masters of the Universe Rare Rottens from Fresh directors: The Life Aquatic with Steve Zissou, Marie Antoinette, Legend, Willow Deeply beloved cult classics: The Last Dragon, Empire Records, The Craft, MacGruber Underrated gems ahead of their time: The Strangers, Event Horizon, Practical Magic, The Cable Guy Sequels worth a second look: Home Alone 2, Rocky IV, Jurassic Park III, Return to Oz Featuring 16 essays from some of the world's most well-known film critics -- Leonard Maltin, Terri White, Amy Nicholson, David Fear, K. Austin Collins, and more -- and punctuated with black-and-white film stills and punchy graphics, it's a fun romp through the quirkier corners of film history, sure to delight any cinephile or pop-culture fanatic.

The definitive, authorized story of legendary sketch comedy troupe The Kids in the Hall — who will soon be returning for a new original series on Amazon Prime Video. Meticulously researched and written with the full cooperation and participation of the troupe, The Kids in the Hall: One Dumb Guy features exclusive interviews with Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson, as well as key players from their inner circle, including producer Lorne Michaels, the “man in the towel” Paul Bellini, and head writer Norm Hiscock. Marvel as the Kids share their intimate memories and behind-the-scenes stories of how they created their greatest sketches and most beloved characters, from the Chicken Lady and Buddy Cole to Cabbage Head and Sir Simon &Hecubus. The Kids in the Hall: One Dumb Guy spans the entirety of the Kids’ storied career, from their early club shows in Toronto and New York to their recent live reunion tours across North America. Along for the ride are a plethora of fans, peers, and luminaries to celebrate the career and legacy of Canada’s most subversively hilarious comedy troupe. You’ll read tributes from Seth Meyers, Judd Apatow, Garry Shandling, Paul Feig, Mike Myers, David Cross, Michael Ian Black, Brent Butt, Jonah Ray, Dana Gould, Bob Odenkirk, Andy Richter, and Canada’s newest comedy sensation, Baroness Von Sketch. As an added bonus, the book includes never-before-seen photographs and poster art from the personal archives of the Kids themselves. Perfect for diehard fans and new initiates alike, The Kids in the Hall: One Dumb Guy will make you laugh and make you cry ... and it may even crush your head.