Imagining The Holy Land

At the Chautauqua Institution in New York, visitors could walk down Palestine Avenue to "Palestine" and a model of Jerusalem, or along Morris Avenue to a scale model of the "Jewish Tabernacle." At the St. Louis World's Fair of 1904, a replica of Ottoman Jerusalem covered eleven acres, while today, 300 miles to the southeast, a seven-story-high Christ of the Ozarks stands above a modern re-creation of the Holy Land set in the Arkansas hills."--BOOK JACKET.

When Ruth Everhart was given the opportunity to travel to the Holy Land as one of several ministers taking part in a documentary about pilgrimage, she jumped at the opportunity. Little did she know just how demanding -- yet ultimately rewarding -- her transformation from Presbyterian minister, wife, and mom to pilgrim would be. Candid, down-to-earth, and delightful, Ruth recounts her experiences in Chasing the Divine in the Holy Land, inviting readers to journey alongside her on an unforgettable Holy Land pilgrimage. Watch the trailer:

Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918–1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. "Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film "Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi

Reproduction of the original: The Holy Land by John Kelman

A fascinating demonstration of how U.S. representations of veils, harems, and belly dancers have operated as nostalgic and exotic symbols to help rationalize dominant U.S. narratives about power and progress.

Following 8 years of development, scholarly input the book is now available for distribution. It has been heralded as an artistic masterpiece by top book editors and Christian leaders alike. The book presents the history of Christian pilgrimage to the Holy Land in a journalistic format, reporting the dramatic events of this unique region as they would have appeared on the front page of the New York Times or a special edition of National Geographic. A story spanning over two millennial comes alive in this concise and colorful report, as if you were reading about these events as they would occur today. Along with nearly one thousand stunning maps, illustrations, etchings, lithographs, and photographs, this book becomes a significant spiritual and aesthetic value. The passion and hard work invested in the book project strikes an emotional chord in our growing readership. Just a few seconds of leafing through it is all it takes to grip and rivet readers from all walks of life.

The book sets out to explore the history of Palestinian nationalism by asking if there were historical antecedents of this identity prior to the twentieth century, and whether this nationalism existed on every social level. It argues that such identity, or a kind of popular nationalism, did exist, aroused by the memory of the Crusades, the Holy Land, and the term Palestine.

The essays in this volume address the interface between biblical studies, archaeology, sociology and cultural anthropology, celebrating the pioneering work of James Flanagan. In particular, this collection explores various ways in which the real ancient world is constructed by the modern critical reader with the aid of various theoretical and practical tools.The contributors to this volume have all been involved with Flanagan and his projects during his academic career and the essays carry forward the important interdisciplinary agendas he has encouraged. Part One deals with his recent interest in spatiality and Part Two with social and historical constructs.This book in James Flanagan's honour represents a significant statement of research in an area of biblical and historical research that is increasingly important yet surprisingly under-represented.