Investigating Dickens Style

This new, corpus-driven approach to the study of language and style of literary texts makes use of the Dickens' 4.6 million-word corpus for a detailed examination of patterns of lexical collocations. It offers new insights into Dickens' linguistic innovation, together with a nuanced understanding of his use of language to achieve stylistic ends. At the centre of the study is a close analysis of the two narratives in Bleak House , read as a focal point for consideration of Dickens' stylistic development through his whole writing life.

This new, corpus-driven approach to the study of language and style of literary texts makes use of the Dickens' 4.6 million-word corpus for a detailed examination of patterns of lexical collocations. It offers new insights into Dickens' linguistic innovation, together with a nuanced understanding of his use of language to achieve stylistic ends. At the centre of the study is a close analysis of the two narratives in Bleak House , read as a focal point for consideration of Dickens' stylistic development through his whole writing life.

This new, corpus-driven approach to the study of language and style of literary texts makes use of the Dickens' 4.6 million-word corpus for a detailed examination of patterns of lexical collocations. It offers new insights into Dickens' linguistic innovation, together with a nuanced understanding of his use of language to achieve stylistic ends. At the centre of the study is a close analysis of the two narratives in Bleak House , read as a focal point for consideration of Dickens' stylistic development through his whole writing life.

The existence of corpus-based linguistic research in Japan has until now mainly been hidden from the view of overseas researchers - partly by the language barrier, and partly by the continuing dominance of generative grammar in Japan. At last, this volume lifts the veil to reveal the current condition of corpus-based research in Japan. English Corpus Linguistics in Japan contains a collection of twenty papers written by Japanese linguists, reflecting the state of art in English corpus linguistics in Japan. The volume covers an impressively wide range, showcasing the diversity and creativity of corpus-based research in this country, from studies drawing on the ‘old faithful’ Brown and LOB Corpora as well as the more recent Frown, FLOB, the Bank of English and the British National Corpus to studies based on more specific historical, literary, spoken, and learner corpora; from investigations of major levels of language description, including prosody, lexis, morphology, syntax, and semantics to investigations of language variation; from explorations of single variables to those of multivariant dimensions; and from pedagogical applications to software applications. The papers are grouped into four sections: 1) Corpus-based studies of contemporary English, 2) Historical and diachronic studies of English, 3) English corpora and English language teaching, 4) Software for analyzing corpora. This volume will inspire still further corpus explorations in the future both in Japan and abroad.

This book attempts to explore style—a traditional topic—in literary translation with a corpus-based approach. A parallel corpus consisting of the English translations of modern and contemporary Chinese novels is introduced and used as the major context for the research. The style in translation is approached from perspectives of the author/the source text, the translated texts and the translator. Both the parallel model and the comparable model are employed and a multiple-complex model of comparison is proposed. The research model, both quantitative and qualitative, is duplicable within other language pairs. Apart from the basics of corpus building, readers may notice that literary texts offer an ideal context for stylistic research and a parallel corpus of literary texts may provide various observations to the style in translation. In this book, readers may find a close interaction between translation theory and practice. Tables and figures are used to help the argumentation. The book will be of interest to postgraduate students, teachers and professionals who are interested in corpus-based translation studies and stylistics.

The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.

Inspired by Exploring the Language of Poems, Plays and Prose, Mick Short's classic introduction to stylistics, Language and Style represents the state-of-the-art in literary stylistics and encompasses the full breadth of current research in the discipline. Written by leading scholars in the field, chapters cover a variety of methodological and analytical approaches, from traditional qualitative analysis to more recent developments in cognitive and corpus stylistics. Addressing the three, key literary genres of poetry, drama and narrative, Language and Style is divided into carefully balanced sections. Based on original research, each chapter demonstrates a particular analytic technique and explains how this might be applied to a text from one of the literary genres. Framed by helpful introductory material covering the foundational principles of stylistics, the chapters act as practical exemplars of how to carry out stylistic analysis. Comprehensive and engaging, this invaluable resource is essential reading for anyone interested in stylistics.

Essays exploring the ways in which Dickens' vision is both so much of its time, and yet has so much resonance for today.