Jane Austen And Samuel Johnson

A modern biography of Samuel Johnson that will serve as the definitive work on the legendary British man of letters In this groundbreaking portrait of Samuel Johnson, David Nokes positions the great thinker in his rightful place as an active force in the Enlightenment, not a mere recorder or performer, and demonstrates how his interaction with life impacted his work. This is the story of how Johnson struggled to define the English language, why he embarked upon such foolhardiness, and where he found the courage to do so. Moving beyond James Boswell's seminal narrative about the life of the preeminent eighteenth-century novelist, literary critic, biographer, editor, essayist, and lexicographer, this biography addresses his life and action through the hitherto unexplored perspectives of such major players as Johnson's wife, Tetty; Hester Thrale, in whose household he resided for seventeen years while working on his annotated Shakespeare; and Frances Barber, the black manservant who in many ways was like a son to Johnson. An in-depth interrogation of the primary sources, particularly the letters, offer surprising insight into Johnson's formative experiences. At last, here's a reading of the great man that will reveal the rightful glory of an enduring work and an incomparable scholar.

Jane Austen and Altruism identifies a compelling theme, namely, the view that Jane Austen propounds a rigorous, boundary-sensitive model of altruism that counters the human propensity to selfishness and promotes the culture of cooperation. In her days, altruism was commonly known as "benevolence", "charity," or "philanthropy", and these concepts overlap with Auguste Comte’s later definition of altruism as "otherism". This volume argues that Austen’s thinking co-opts the evolutionary idea that altruism is seldom truly pure, egoism cannot be eradicated, and boundless group altruism is not sustainable. However, given that she comes from a naval and clergy family, she witnesses the power of wartime patriotism, the Evangelical revival, the Regency culture of politeness, and the sentimental novels. In her novels, she locates human relationships along an altruism continuum that ranges from enlightened selfishness to pathological altruism. Unconditional love is hard to find, but empathy, kin altruism, reciprocal exchange, and group altruism are key to the formation of self-identity, family, community and the nation state.

A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” work Jane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot. Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all. Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.

Although Jane Austen has long been England's best-loved novelist, much current criticism tends to ignore the appeal and accessibility of her novels and instead treats them as mere material--the preserve of academics, feminists, historical specialists, and would-be radical theorists. This book by Roger Gard is at once a thoughtful and detailed discussion of Jane Austen's oeuvre and a provocative and witty commentary that will stimulate all readers. Gard offers lively and perceptive discussions of the six major novels, together with the early Lady Susan and the unfinished Sanditon. The precise nature and scope of Jane Austen's realism, her particularly English approach to the world, and the characteristic blend in her work of a sharp skepticism about human nature and its banality with an idealism about human virtue are themes that recur throughout Gard's study. The book is moreover notable for the original and striking links it makes between Jane Austen and other authors ranging from Shakespeare to Flaubert, Lawrence, George Eliot, and Barbara Pym. Gard has something new to say in every chapter, and he says it with authority and style.

Jeffrey Meyers tells the extraordinary story of Samuel Johnson one of the most illustrious figures of English literary tradition. Johnson was famous as a poet, novelist, biographer, essayist, critic, editor, lexicographer, conversationalist and larger than life personality. After nine years of work Johnson's,'A dictionary of the English Language, was published in 1755. He overcame great adversity to achieve success. 'The Struggle' is a masterful portrait of a brilliant and tormented figure.

"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology "By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement