Kazan On Directing
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Kazan on Directing
Author | : Elia Kazan |
Publsiher | : Knopf |
Total Pages | : 341 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 9780307264770 |
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From A Streetcar Named Desire to Death of a Salesman, from Cat on a Hot Tin Roof to On the Waterfront, Kazan's list of Broadway and Hollywood successes are among the twentieth-century's most profound productions, and the insights into these and other classic works are essential reading for anyone interested in American movies and theater.
Kazan on Directing
Author | : Elia Kazan |
Publsiher | : Vintage |
Total Pages | : 370 |
Release | : 2010-01-12 |
Genre | : Performing Arts |
ISBN | : 9780307277046 |
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Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors.
On Directing
Author | : Harold Clurman |
Publsiher | : Simon and Schuster |
Total Pages | : 332 |
Release | : 1997-04-03 |
Genre | : Performing Arts |
ISBN | : 9780684826226 |
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Originally published: New York: Collier Books, 1972.
Elia Kazan A Life
Author | : Elia Kazan |
Publsiher | : Knopf |
Total Pages | : 860 |
Release | : 2011-10-16 |
Genre | : Performing Arts |
ISBN | : 9780307959348 |
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“This is the best autobiography I’ve read by a prominent American in I don’t know how many years. It is endlessly absorbing and I believe this is because it concerns a man who is looking to find a coherent philosophy that will be tough enough to contain all that is ugly in his person and his experience, yet shall prove sufficiently compassionate to give honest judgment on himself and others. Somehow, the author brings this off. Elia Kazan: A Life has that candor of confession which is possible only when the deepest wounds have healed and honesty can achieve what honesty so rarely arrives at—a rich and hearty flavor. By such means, a famous director has written a book that offers the kind of human wealth we find in a major novel.” —Norman Mailer In this amazing autobiography, Kazan at seventy-eight brings to the undiluted telling of his story—and revelation of himself—all the passion, vitality, and truth, the almost outrageous honesty, that have made him so formidable a stage director (A Streetcar Named Desire, Death of a Salesman, All My Sons, Cat on a Hot Tin Roof, Tea and Sympathy), film director (On the Waterfront, East of Eden, Gentleman’s Agreement, Splendor in the Grass, Baby Doll, The Last Tycoon, A Face in the Crowd), and novelist (the number-one best-seller The Arrangement.) Kazan gives us his sense of himself as an outsider (a Greek rug merchant’s son born in Turkey, an immigrant’s son raised in New York and educated at Williams College). He takes us into the almost accidental sojourn at the Yale Drama School that triggered his commitment to theatre, and his edgy, exciting apprenticeship with the new and astonishing Group Theatre, as stagehand and stage manager—and as actor (Waiting for Lefty, Golden Boy) . . . his first nervous and then successful attempts at directing for theatre and movies (The Skin of Our Teeth, A Tree Grows in Brooklyn) . . . his return to New York to co-found the Actors Studio (and his long and ambivalent relationship with Lee Strasberg) . . . his emergence as premier director on both coasts. With his director’s eye for the telling scene, Kazan shares the joys and complications of production, his unique insights on acting, directing, and producing. He makes us feel the close presence of the actors, producers, and writers he’s worked with—James Dean, Marlon Brando, Tennessee Williams, Vivien Leigh, Tallulah Bankhead, Sam Spiegel, Darryl Zanuck, Harold Clurman, Arthur Miller, Budd Schulberg, James Baldwin, Clifford Odets, and John Steinbeck among them. He gives us a frank and affectionate portrait of Marilyn Monroe. He talks with startling candor about himself as husband and—in the years where he obsessively sought adventure outside marriage—as lover. For the first time, he discusses his Communist Party years and his wrenching decision in 1952 to be a cooperative witness before HUAC. He writes about his birth as a writer. The pace and organic drama of his narrative, his grasp of the life and politics of Broadway and Hollywood, the keenness with which he observes the men and women and worlds around him, and, above all, the honest with which he pursues and captures his own essence, make this one of the most fascinating autobiographies of our time.
Kazan on Film
Author | : Elia Kazan,Jeff Young |
Publsiher | : Newmarket Press |
Total Pages | : 406 |
Release | : 1999-06-22 |
Genre | : Performing Arts |
ISBN | : UOM:39015047535490 |
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In this collection of interviews, renowned Academy Award-winning director Elia Kazan (On the Waterfront, East of Eden, Gentleman's Agreement, Splendor in the Grass, Baby Doll, The Last Tycoon, A Face in the Crowd, and others) reveals with brutal honesty the joys and complications of production and his unique insights on acting, directing, and producing. 60 black & white movie stills and posters, Index, Filmography.
Directors on Directing
Author | : Helen Krich Chinoy,Toby Cole |
Publsiher | : Allegro Editions |
Total Pages | : 482 |
Release | : 2013-07 |
Genre | : Theater |
ISBN | : 1626549613 |
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Now that directors such as Stephen Spielberg, George Lucas, and Francis Ford Coppola are celebrated along-side movie stars, it is hard to imagine that little more than a century ago the director was a nameless, faceless entity-an overseer of workflow in the shuffle of shadows offstage. In surveying the pioneers who transformed theater into the dynamic art form it is today, Directors on Directing presents a timeless collection of writings offering insight into what it means to direct and how to better appreciate theatrical performances.
On Directing
Author | : Gabriella Giannachi,Mary Luckhurst |
Publsiher | : Palgrave Macmillan |
Total Pages | : 161 |
Release | : 1999-09-11 |
Genre | : Literary Criticism |
ISBN | : 9780312224837 |
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The profession of directing is barely a century old. On Directing considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversity of today's approaches to directing are explored through a series of interviews with leading contemporary practitioners. On Directing is a landmark book about the director's craft.
Great Directors at Work
Author | : David Richard Jones |
Publsiher | : Univ of California Press |
Total Pages | : 308 |
Release | : 1986 |
Genre | : Performing Arts |
ISBN | : 0520046013 |
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This scholarly and detailed work attempts to create an understanding of the process of directing by intensive study of four important productions. Jones shows how the notes Stanislavsky made on The Seagull before beginning rehearsal shaped his 1898 production into a seminal example of realism. He describes the detailed workbook Brecht prepared from three different stagings of Mother Courage and Her Children from 1948 to 1951. Elia Kazan's 1947 A Streetcar Named Desire is studied as a commercial production that retained artistic integrity. Peter Brook's Marat/Sade exemplifies experimental theat.