Little Horror

Rita may be a baby, but she has the mind (and attitude) of a teenager. She knows she is not a normal toddler but when her parents disappear and a sinister clown and an ice-cream van seem to be hunting her down, even a soft-play centre might not be safe...

Zombies, werewolves and chainsaw-wielding maniacs are tried-and-true staples of horror films. But none can match the visceral dread evoked by a child with an innocent face and a diabolical stare. Cinema's evil children attack our cherished ideas of innocence and our innocent bystander status as the audience. A good horror film is a scary ride--a "devil child" movie is a guilt trip. This book examines 24 international films--with discussions of another 100--that in effect "indict" viewers for crimes of child abuse and abandonment, greed, social and ecological negligence, and political and war crimes, and for persistent denial of responsibility for them all. For 75 years evil children have ritually rebuked audiences and, in playing on our guilt, established a horror subgenre that might be described as a blood-spattered rampage on an ethical mission.

Owing to a shortage of suitable knights, Sir Gadabout is entrusted with escorting one of King Arthur¿s children to Camelot. The beastly brat gives him the slip and poor Sir Gadabout ends up in terrible trouble ¿ not surprising, since he¿s the worst knight in the world.

Collection of very short horror stories with some poems, true facts, horror comics, and illustrations.

This small, but perfectly formed, collection of sinister and spooky images comes complete with terrifying text stories like" The Man-Fish," inside information on "How to Embalm a Corpse," and scarifying strips like "Death Ship" and "True Ghost Stories of History." This primer of primal fear is guaranteed to send shivers down your spine. Just don't read it alone

From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.

Scared? You will be!

The Bram Stoker Award finalist delivers a chilling horror novel of a childhood revisited, memories resurrected, and fears reborn. Years ago, Laurie escaped the troubled house where she was raised. Now she is returning, with her husband and ten-year-old daughter, to claim the estate. But even though her father exorcised his demons in a final act of desperation, the past refuses to die. Laurie can feel it lurking in the broken moldings and empty picture frames. She even hears it laughing in the moldy greenhouse deep in the woods . . . At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, she notices her uncanny resemblance to another little girl who used to live next door—and died next door. As Laurie’s uneasiness grows stronger, her thoughts get more disturbing. Is she slowly losing her mind like her father did? Or is something truly unspeakable happening?