Little Lady With A Big Drum

This, the official autobiography of Elayne Jones, is the story of one woman's remarkable life and career in her own words; a journey from meager beginnings as a self-described "skinny little girl from Harlem," to the highest echelons of classical music. With a musical talent and personal drive that enabled her to transcend racial and gender barriers, Jones became the first African American woman in the New York Philharmonic Symphony Orchestra. A world renown tympanist, Elayne Jones is a graduate of the Arts and Music High School in New York. She then attended Julliard, being among the first winners of the Ellington Julliard Scholarship. Jones' professional career began in 1949 with the New York City Opera. Over the course of five decades, Elayne Jones played with the American Ballet Theatre, Arthur Fiedler and the World Symphony Orchestra, Leopold Stokowski and the American Symphony Orchestra, Seiji Ozawa and the San Francisco Symphony, and the San Francisco Opera. In 1965 she won the LaGuardia Memorial Award in recognition of her outstanding achievements in music. She has presented over 375 solo lecture demonstrations nationally and internationally of percussion instruments in schools and colleges, and in 1975, National Educational Television produced and aired a TV special on PBS featuring Jones entitled, "A Day in the Life of a Musician." Countless performances by Jones include television, recordings, musicals, and ballets. Elayne Jones is universally recognized as one the most prominent African Americans of the 20th Century. Alongside music, Jones was also an accomplished amateur tennis player for some 43 years, until an injury forced her to give up the game. Some of the high points in playing included tennis matches with tenor Luciano Pavarotti and conductor Seiji Ozawa. Jones retired from her career in music in 1998. A mother of three, she currently resides in the San Francisco East Bay Area, in Walnut Creek, California.

THE LITTLE LADY OF THE BIG HOUSE BY JACK LONDON KEY FEATURES OF THIS BOOK · Includes an autobiographical sketch of the author · Unabridged original content · Available in multiple formats: eBook, original paperback, large print paperback and hardcover · Proper paragraph formatting with Indented first lines, 1.25 Line Spacing and Justified Paragraphs · Properly formatted for aesthetics and ease of reading. · Custom Table of Contents and Design elements for each chapter · The Copyright page has been placed at the end of the book, as to not impede the content and flow of the book. ABOUT THE BOOK: Original publication: 1916 THE LITTLE LADY OF THE BIG HOUSE is a story about Dick Forrest, a rancher with a poetic streak. Forrest’s wife, Paula, is a spirited, athletic, and sexually self-aware woman, who falls in love with Evan Graham, an old friend of her husband. Paula struggles with her feelings for both men. This book is great for schools, teachers and students or for the casual reader, and makes a wonderful addition to any classic literary library ABOUT US: At Pure Snow Publishing we have taken the time and care into formatting this book to make it the best possible reading experience. With more than 500 book listings, we specialize in publishing classic books and have been publishing books since 2014. Enjoy!

This novel features a love triangle between a rancher, Dick Forrest, his wife, Paula, and her lover, Evan Graham. All characters can be traced back to London and his friends and family. London called the novel "all sex from start to finish--in which no sexual adventure is actually achieved or comes within a million miles of being achieved, and in which, nevertheless, is all the guts of sex...."

A magazine of tales, travels, essays, and poems.

"Kick It, the first social history of the drum kit, looks closely at key innovators in the development of the instrument: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Addressing a seeming contradiction--the centrality of the drum kit on the one hand, and the general disparagement of drummers on the other--author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Tackling the history of race relations, global migration, and the changing tension between high and low culture, Kick It shows how the drum kit and drummers helped change modern music--and society--from the bottom up"--Back cover