Marvels And Misfits

Death this way comes to souls who break Fae law. So it is written. So carved in blood. Mighty are the Fae who watch us all. I'm screwed. Royally screwed. Of all the ways to mess up, I picked a real gem this time-of the hot shifter sort. Especially because I'm the crowned elven princess.A forbidden soul mating with the cruel King Athon was not why I attended the royal summit of magical races. Our kinds do not mix, as is written in death-blood. And I'll be damned before I let some arrogant alpha tell me what to do, and for once I'm not talking about my father.Now, I'm on the quest of a lifetime.My crew of accomplices-sworn enemies. Including King Athon and my father. Our mission-retrieve ancient artifacts lost forever. Good luck there. And if we fail? No worries. The giants will crush the realm.Between all the secrets and lies, my name is Trixie Towers; and that's the only truth that won't get me dead.

From William C. Morris Award Finalist S.K. Ali comes an unforgettable romance that is part The Sun Is Also a Star mixed with Anna and the French Kiss, following two Muslim teens who meet during a spring break trip. A marvel: something you find amazing. Even ordinary-amazing. Like potatoes—because they make French fries happen. Like the perfect fries Adam and his mom used to make together. An oddity: whatever gives you pause. Like the fact that there are hateful people in the world. Like Zayneb’s teacher, who won’t stop reminding the class how “bad” Muslims are. But Zayneb, the only Muslim in class, isn’t bad. She’s angry. When she gets suspended for confronting her teacher, and he begins investigating her activist friends, Zayneb heads to her aunt’s house in Doha, Qatar, for an early start to spring break. Fueled by the guilt of getting her friends in trouble, she resolves to try out a newer, “nicer” version of herself in a place where no one knows her. Then her path crosses with Adam’s. Since he got diagnosed with multiple sclerosis in November, Adam’s stopped going to classes, intent, instead, on perfecting the making of things. Intent on keeping the memory of his mom alive for his little sister. Adam’s also intent on keeping his diagnosis a secret from his grieving father. Alone, Adam and Zayneb are playing roles for others, keeping their real thoughts locked away in their journals. Until a marvel and an oddity occurs… Marvel: Adam and Zayneb meeting. Oddity: Adam and Zayneb meeting.

From exciting debut author, Justin Fisher, comes this rip-roaring, page-turning new magical adventure. Perfect for fans of House of Secrets.

“A collection of stories celebrating the underbelly of the city, its ghosts, and the characters that give Memphis its rich patina of blues.” —Memphis Flyer The Home of the Blues knows how darkness can permeate a person’s soul—and what it can drive you to do. It’s the soundtrack to a city that’s made up of equal parts hope and despair, past and present, death and rebirth. On the streets of Memphis, noir hits the right note. Memphis Noir features stories by city standouts Richard J. Alley, David Wesley Williams, Dwight Fryer, Jamey Hatley, Adam Shaw, Penny Register-Shaw, Kaye George, Arthur Flowers, Suzanne Berube Rorhus, Ehi Ike, Lee Martin, Stephen Clements, Cary Holladay, John Bensko, Sheree Renée Thomas, and Troy L. Wiggins. “A remarkable picture of contemporary Memphis emerges in this Akashic noir volume . . . Something for everyone.” —Publishers Weekly “Covers train cars and Beale Street, hoodoo and segregation, Nathan Bedford Forrest and, of course, Graceland, and even includes a graphic novella.” —Memphis Flyer “Captures the subtlety of the Memphis ethos, where blacks and whites, rich and poor, are intimately entwined. The collection—fifteen stories by some of the city’s finest writers—bleeds the blues and calls down the dark powers that permeate this capital of the Delta.” —The Commercial Appeal (Memphis) “The new anthology Memphis Noir is replete with murders, ghosts, gangsters, a sharp-toothed baby, Boss Crump, and high water on the bluff.” —Memphis Magazine

This book imparts useful guidance to motivated historians, genealogists, special-interest researchers, and local history enthusiasts. Topics include research planning & execution, evaluation of evidence, formulation of conclusions, and the crafting of a summary narrative.

In this book, Octavio R. González revisits the theme of alienation in the twentieth-century novel, identifying an alternative aesthetic centered on the experience of double exile, or marginalization from both majority and home culture. This misfit modernist aesthetic decenters the mainstream narrative of modernism—which explores alienation from a universal and existential perspective—by showing how a group of authors leveraged modernist narrative to explore minoritarian experiences of cultural nonbelonging. Tying the biography of a particular author to a close reading of one of that author’s major works, González considers in turn Nella Larsen’s Quicksand, Wallace Thurman’s The Blacker the Berry, Jean Rhys’s Quartet, and Christopher Isherwood’s A Single Man. Each of these novels explores conditions of maladjustment within one of three burgeoning cultural movements that sought representation in the greater public sphere: the New Negro movement during the Harlem Renaissance, the 1920s Paris expatriate scene, and the queer expatriate scene in Los Angeles before Stonewall. Using a methodological approach that resists institutional taxonomies of knowledge, González shows that this double exile speaks profoundly through largely autobiographical narratives and that the novels’ protagonists challenge the compromises made by these minoritarian groups out of an urge to assimilate into dominant social norms and values. Original and innovative, Misfit Modernism is a vital contribution to conversations about modernism in the contexts of sexual identity, nationality, and race. Moving beyond the debates over the intellectual legacies of intersectionality and queer theory, González shows us new ways to think about exclusion.

"Dazzlement and enchantment are Bester's methods. His stories never stand still a moment." —Damon Knight, author of Why Do Birds Alfred Bester took science fiction into hyperdrive, endowing it with a wit, speed, and narrative inventiveness that have inspired two generations of writers. And nowhere is Bester funnier, speedier, or more audacious than in these seventeen short stories—two of them previously unpublished—that have now been brought together in a single volume for the first time. Read about the sweet-natured young man whose phenomenal good luck turns out to be disastrous for the rest of humanity. Find out why tourists are flocking to a hellish little town in a post-nuclear Kansas. Meet a warlock who practices on Park Avenue and whose potions comply with the Pure Food and Drug Act. Make a deal with the Devil—but not without calling your agent. Dazzling, effervescent, sexy, and sardonic, Virtual Unrealities is a historic collection from one of science fiction's true pathbreakers. "Alfred Bester was one of the handful of writers who invented modern science fiction. " —Harry Harrison Alfred Bester (1913-1987) was the author of two of science fiction's seminal works, The Demolished Man and The Stars My Destination. He also wrote some fast-moving, sizzling short stories that were very highly regarded; many of them are included in the 17 stories showcased in Virtual Realities; two were never before published. Highlights include "Disappearing Act," in which shell-shocked soldiers vanish from their hospital ward; "Hobson's Choice," in which a statistician uncovers a disturbing population trend in post-nuclear Kansas; "Time Is the Traitor," wherein powerful business people manipulate their most valuable consultant; and "The Devil Without Glasses," a conspiracy tale with an X-Files feel. The science fiction and literary classic "Fondly Fahrenheit" stars wealthy Vandaleur and his mad android who has an unfortunate habit of turning murderous when the temperature gets too hot... All reet!